Earlier this month, BroadwayWorld announced the results for our second annual Broadway's Backbone Best Musical Ensemble Award, which went to the company of Miss Saigon. Charlie and the Chocolate Factory's Jake Ryan Flynn helped to present this year's award, and you can check out how it all went down below!
In this episode: ROMAN HOLIDAY's associate Hair Designer Mitchell Beck talks about how the hair department is the first to arrive at the theatre, the last to leave, and they are usually kept in the basement. He wasn't ready for New York City, but after 14 years of touring, realized it was NYC or back to Indiana. He shares that hair in theatre, TV, and film are all the same language, just a different dialect; that creating wigs is similar to sculpting; and that the hair room is like the kitchen of the party... the best place to be.
The Ogunquit Playhouse kicks off its 85th Anniversary Season with the international smash hit Mamma Mia!, dazzling audiences on stage from May 17 to July 1.
n this episode: Juliet Fischer was on track to be a Prima-Ballerina until the puberty fairy came a smacked her with a wand. After years of touring, being a Rockette, and toe tapping in PBS' 'Crazy for You' she finally made her Broadway debut.
The Ogunquit Playhouse kicks off its 85th Anniversary Season with the international smash hit Mamma Mia!, dazzling audiences on stage from May 17 to July 1.
The Ogunquit Playhouse opens its 85th season on a romantic Greek island.
In this episode: Felicia Finley, soon to be in The Muny's 'All Shook Up' was born in the Appalachian Mountains, raised in New Orleans, and simply tells it like it is. She started off in ballet, toured, was in the ensemble, was a swing, and then a stand-by and now cemented herself as a leading lady. It was Cy Colman who pushed her to embrace centerstage. Felicia is a woman that has the motto: know who you are, be yourself, and clip coupons along the way.
The Ogunquit Playhouse kicks off its 85th Anniversary Season with the international smash hit Mamma Mia!, dazzling audiences on stage from May 17 to July 1.
In this episode: Keenah Armitage began her career as a modern dancer, performed on Broadway and at Radio City, and now is a thriving success coach. With the goal of eradicating the term 'starving artist,' Keenah inspires and encourages musical theatre performers to clearly focus on their career intentions, overcoming fear, taking one's power back, and to truly accept: what's mine is mine. With a philosophy that there is plenty for everyone and abundance is a reality, Keenah begins her coaching with first discovering how to detach from the outcome.
Michael Riedel of the New York Post has reported that the recent concert version of the Gershwin jukebox musical, Crazy for You, starring Broadway favorites, Laura Osnes and Tony Yazbeck may be looking at a Broadway run.
In this episode: Katrina Yaukey of Natasha, Pierre, and the Great Comet of 1812, is a quadruple threat, having made a Broadway career singing, dancing, acting and playing instruments; which she feels is just an extension of her voice. She is equally talented at all four and has found her niche. Kat has embraced her uniqueness and has combined her individually with her marketability. She was an oboe major in school, made her Broadway debut after submitting a cassette tape, and today runs up and down stairs at the Imperial Theatre with hot pink in her hair, playing an accordion.
In this episode: School of Rock's Jay Gill and Wagner Professor Alan Smith share their insights of being on the fronts lines with a Broadway ensemble member. Being a dresser is so much more than the wardrobe. Its about personality navigation, people-skills, knowing that connections go a long way, and that life and ensembles are best when they are a mix of people. Whether dealing with giraffe heads or ball gowns, cowboy boots or spike heels, at the end of the day, a simple thank you can be priceless.
In this episode: Broadway's Beth Johnson Nicely was just thrust back into the audition world after the closing of Something Rotten, but with her tap shoes in hand she is forever moving forward. New York has forced this Ohio gal to grow up in the business, but it hasn't darkened her truly nice spirit. She may not carry headshots developed in her high school darkroom in her purse anymore, but this sweet girl knows the difference between being sexy verses sexual, is self aware, and will continue to love learning; because that is what makes her strong (and also Body by Simone).
Just last night, Manhattan Concert Productions (MCP) presented the 25th Anniversary concert performance of Gershwin's Tony Award-winning musical comedy Crazy for You, at David Geffen Hall, Lincoln Center.
Just last night, Manhattan Concert Productions (MCP) presented the 25th Anniversary concert performance of Gershwin's Tony Award-winning musical comedy Crazy for You, at David Geffen Hall, Lincoln Center.
This weekend Manhattan Concert Productions (MCP) will present the 25th Anniversary concert performance of Gershwin's Tony Award-winning musical comedy Crazy for You, on February 19, 2017 at 8:00 p.m. at David Geffen Hall, Lincoln Center. BroadwayWorld was there for a preview with the company and you can go inside the special day below!
This weekend Manhattan Concert Productions (MCP) will present the 25th Anniversary concert performance of Gershwin's Tony Award-winning musical comedy Crazy for You, on February 19, 2017 at 8:00 p.m. at David Geffen Hall, Lincoln Center.
This weekend Manhattan Concert Productions (MCP) will present the 25th Anniversary concert performance of Gershwin's Tony Award-winning musical comedy Crazy for You, on February 19, 2017 at 8:00 p.m. at David Geffen Hall, Lincoln Center.
Manhattan Concert Productions (MCP) has announced the creative team for the 25th Anniversary concert performance of Gershwin's Tony Award-winning musical comedy Crazy for You, on February 19, 2017 at 8:00 p.m. at David Geffen Hall, Lincoln Center.
In this episode: Adam Perry of the Public's Joan of Arc: Into the Fire grew up in the rural mountains of conservative Tennessee, where he learned how to hide his true self. Since then, he's reinvented himself from an awkward teen in husky jeans into one of Broadways most sought after male ensemble members. This southern gentleman talks about the realities of social media, how he never thought he'd be 'cool' enough to be on Broadway and how his biggest dream was to be a performer at Dollywood (which is actually where he was when he found out he would make his Broadway debut).
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