There have been cocktails, there have been capes, there have been cages full of kittens, and now, for the final main stage offering of Annex Theatre's 25th Anniversary Season, there will be critters, and control groups, and caterwauling. A Mouse Who Knows Me is a fully fledged original musical, with book and lyrics by Scotto Moore and music by Robertson Witmer. It has been in development for the past year, and is now deemed safe for public consumption.
I guess it's just human nature to wonder what became of our beloved childhood icons when they grow up. Owe it to some sense of fictional closure if you must. And such is the subject of Balagan Theatre's season opener "Dog Sees God: Confessions of a Teenage Blockhead" by Bert V. Royal and directed by M. Elizabeth Eller as we look at the Peanuts gang as they are allowed to progress beyond their childlike state into angst ridden young adulthood. Unfortunately the current production tends to focus on the angst and not so much on the adulthood.
I guess it's just human nature to wonder what became of our beloved childhood icons when they grow up. Owe it to some sense of fictional closure if you must. And such is the subject of Balagan Theatre's season opener "Dog Sees God: Confessions of a Teenage Blockhead" by Bert V. Royal and directed by M. Elizabeth Eller as we look at the Peanuts gang as they are allowed to progress beyond their childlike state into angst ridden young adulthood. Unfortunately the current production tends to focus on the angst and not so much on the adulthood.
Seattle Shakespeare Company is currently presenting their first ever foray into musical theater with "The Threepenny Opera". A show that seasoned musical theater companies would have difficulty with; this typically Shakespearean company in their 20th year handles it with vision, humor and heart.
Seattle Shakespeare Company is currently presenting their first ever foray into musical theater with "The Threepenny Opera". A show that seasoned musical theater companies would have difficulty with; this typically Shakespearean company in their 20th year handles it with vision, humor and heart.
Slide into the seedy underworld of Mac the Knife, a dapper criminal who leaves a trail of broken hearts and slashed throats wherever he roams. In this musical satire of 'respectable' society, betrayals abound while new alliances form between the dashing thieves, saucy prostitutes, and scheming entrepreneurs in this crowning achievement of musical theatre.
ArtsWest Playhouse begins their 2010-2011 season of mostly Seattle premieres with Neil LaBute's Tony nominated play, "Reasons to be Pretty". And while not the most groundbreaking play I've seen, with a powerhouse cast, they show just how good the Seattle Theater scene can be.
