Aliana de Guardia News

Known as the nation's foremost label launched by an orchestra and devoted exclusively to new music, Grammy Award-winning BMOP/sound releases Carlos Surinach: Acrobat of Gods, the debut recording of three Martha Graham ballets by Spanish-American composer Carlos Surinach. Within a decade of arriving to the United States in the 1950s,

The latest standings as of Monday, December 12th, have been released for the 2022 BroadwayWorld Boston Awards! Nominations were reader-submitted and now our readers get to vote for their favorites.

The latest standings as of Monday, December 5th, have been released for the 2022 BroadwayWorld Boston Awards! Nominations were reader-submitted and now our readers get to vote for their favorites.

The voice and percussion duo, Bahué, presents the first virtual world premiere of the 2022 LATINX COMPOSER MINIATURE CHALLENGE (#LCMC), now available to watch on Instagram, YouTube, and the Bahué website.

Guerilla Opera's Board of Directors and Ensemble are pleased to announce Aliana de la Guardia as sole Artistic Director effective February 8, 2021. De la Guardia is a co-founding artist of Guerilla Opera, and served as General Manager since 2007 before being appointed Co-Artistic Director in 2018 with Julia Noulin-Mérat.

OPERA America is pleased to announce the three pairs of protégés and mentors selected for the organization's Mentorship Program for Women, now in its third year. The Mentorship Program for Women provides a unique opportunity for promising opera company administrators to be paired with established industry leaders who can help them identify barriers to advancement and develop plans for professional growth. 

Guerilla Opera plays its greatest hits and looks forward on Wednesday, May 31, 2017 at its 10th Anniversary Celebration concert in the OBERON at 2 Arrow Street, Cambridge, MA! Join host Allegra Libonati and familiar members of Guerilla Opera's “relentlessly inventive” ensemble at 6:00pm for mingling, appetizers and a cash bar. General admission for this event is $20.00 and can be purchased online at cluboberon.com, by phone at 617-547-8300 and at-the-door 1 hour before curtain at the OBERON.

Guerilla Opera plays its greatest hits on Tuesday, April 18, 2017 at its 10th Anniversary Celebration in the OBERON at 2 Arrow Street, Cambridge, MA 02138! Join your host Allegra Libonati, Stage Director of upcoming “Play: the Game—or—Game: the Play” and Boston Lyric Opera's recent “The Rakes Progress,” at 6:00pm  for mingling, appetizers and a cash bar, and mezmerizing performances from Guerilla Opera's “relentlesly inventive” ensemble.

On Today, April 16, 2016 Guerilla Opera's residency with New Music Brandeis at Brandeis University culminates in a semi-staged performance of short chamber operas by Brandeis University graduate composers in collaboration with creative writing students. This performance is during the Leonard Bernstein Festival of the Creative Arts in Slosberg Hall at Brandeis University and is made possible by the Brandeis Arts Council. Admission to this performance is free. Visithttp://www.brandeis.edu/arts/festival/index.html for more information on the festival.

On Saturday, April 16, 2016 Guerilla Opera's residency with New Music Brandeis at Brandeis University culminates in a semi-staged performance of short chamber operas by Brandeis University graduate composers in collaboration with creative writing students. This performance is during the Leonard Bernstein Festival of the Creative Arts in Slosberg Hall at Brandeis University and is made possible by the Brandeis Arts Council. Admission to this performance is free. Visithttp://www.brandeis.edu/arts/festival/index.html for more information on the festival.

Guerilla Opera enthusiastically welcomes Susan Larson to their Board of Directors. In her retirement, Larson worked as music writer for The Boston Globe and is now a published author, but many know her best from Peter Sellars' innovative productions of the late 1980s. She is one of the groundbreaking artists of her generation that changed the opera director's and opera audience's perception of what an opera singer is capable of. Subsequent generations of opera singers evolved because of dynamic singing actors like her.

Tickets for Guerilla Opera's World Premiere production of Troubled Water, based on the short life of writer Natsuko Higuchi in late 19th-century Japan, with music by Mischa Salkind-Pearl, libretto by Frederick Choi, and stage direction by American Repertory Theater Director Allegra Libonati can be purchased from the Boston Conservatory Box Office.

BOSTON, MA (September 2, 2015)—Tickets for Guerilla Opera's World Premiere production of Troubled Water, based on the short life of writer Natsuko Higuchi in late 19th-century Japan, with music by Mischa Salkind-Pearl, libretto by Frederick Choi, and stage direction by American Repertory Theater Director Allegra Libonati become available in one week on Wednesday, September 9 at 12 p.m., and can be purchased from the Boston Conservatory Box Office.

Tickets for Guerilla Opera's World Premiere production of Troubled Water, based on the short life of writer Natsuko Higuchi in late 19th-century Japan, with music by Mischa Salkind-Pearl, libretto by Frederick Choi, and stage direction by American Repertory Theater Director Allegra Libonati become available in one week on Wednesday, September 9 at 12 p.m., and can be purchased from the Boston Conservatory Box Office.

BOSTON, MA (July 20, 2015)—In their ninth season, Guerilla Opera will premiere two operas: Troubled Water by Mischa Salkind-Pearl and libretto by Frederick Choi in September 2015 and Beowulf by Hannah Lash in May 2016, as well as engage in an artistic residency with New Music Brandeis at Brandeis University in April 2016.

In their ninth season, Guerilla Opera will premiere two operas: Troubled Water by Mischa Salkind-Pearl and libretto by Frederick Choi in September 2015 and Beowulf by Hannah Lash in May 2016, as well as engage in an artistic residency with New Music Brandeis at Brandeis University in April 2016.

Guerilla Opera presents Pedr Solis, a world premiere opera by Per Bloland, libretto by Paul Schick, and stage direction by Laine Rettmer. Pedr Solis is partially based on 'The Tower,' a play by Hugo von Hofmannsthal, and the life of Norwegian author Pedr Solis in the late 1960s. In 1970, Solis's novel 'Stillaset' spills into his real life in Oslo.

BOSTON, MA (March 2015)—Guerilla Opera presents Pedr Solis, a world premiere opera by Per Bloland, libretto by Paul Schick, and stage direction by Laine Rettmer. Pedr Solis is partially based on 'The Tower,' a play by Hugo von Hofmannsthal, and the life of Norwegian author Pedr Solis in the late 1960s. In 1970, Solis's novel 'Stillaset' spills into his real life in Oslo.

Guerilla Opera presents Let's Make a Sandwich, an experiment in opera production, which includes two world premiere operas with music and librettos by composers Rudolf Rojahn and Curtis K. Hughes, and stage direction by Copeland Woodruff and Giselle Ty. Through performance, this production investigates the culture of contemporary opera production and highlights where the influence of the composer ends and the director begins. Let's Make a Sandwich plays for one weekend only.

Guerilla Opera presents Let's Make a Sandwich, an experiment in opera production, which includes two world premiere operas with music and librettos by composers Rudolf Rojahn and Curtis K. Hughes, and stage direction by Copeland Woodruff and Giselle Ty. Through performance, this production investigates the culture of contemporary opera production and highlights where the influence of the composer ends and the director begins. Let's Make a Sandwich plays for one weekend only: Thursdaythrough Saturday, September 25, 26 and 27, 2014, at 8 p.m. with an audience talk-back on Friday, September 26; all performances are in The Zack Box Theater at The Boston Conservatory, located at 8 The Fenway in Boston, MA. Tickets can be purchased beginningWednesday, September 10, 2014, and are $15 general admission, $10 senior citizens and free for students with a valid ID (for at-the-door purchases only). Please call The Boston Conservatory Box Office at (617) 912-9222 or visit www.bostonconservatory.edu/tickets for more information. Let's Make a Sandwich is sung in English and is 90 minutes in duration.