Adam Standley News

The 'large theater' productions of ACT Theatre's The Royale and The 5th Avenue Theatre's How to Succeed in Business Without Really Trying take top honors and the 'small theater' productions of ArtsWest's Death of a Salesman and Washington Ensemble Theatre's The Things Are Against Us take top honors - for most category wins!?

Spanning 28 theater companies and 59 productions, from the largest and most prominent to small, humble and innovative, the Gypsy Rose Lee Awards honor as much professional theater as we reviewers can cram into our year.

It's been a crazy year, Dear Readers. Lots of ups, lots of downs, and LOTS of emotions. And I'm not just talking about on stage. But let's not dwell on the bad things that may have happened in the world and focus on some of the amazing things Seattle theater companies gave us this past year, and let me tell you there were quite a few. So many in fact that in some categories I simply had to call out more than the usual Honorable Mentions as some performances just needed to be noted. You'll see what I mean especially when you get to the female categories as the ladies were certainly bringing it this year. But let's get started shall we? Out of the myriad shows I saw this year in Seattle, here are the shows and performances that truly stood out to me.

I'm perfectly fine when a play chooses to break the fourth wall and become self-referential. The ability for anything to be able to point out its own shortcomings is a sign of self-actualization. But when a play repeatedly does so and then pats itself on the back for its cleverness of doing so as does Aaron Posner's "Stupid F**king Bird", currently playing at ACT, then it becomes wearing almost to the point of insulting. And while Posner's play certainly has its funny moments, those repeated exposes onto itself started to feel like the play was flipping the audience the bird (and I don't mean a Seagull).

ACT - A Contemporary Theatre presents Stupid f**king Bird by Aaron Posner, where Chekhov's story of love, art, and a hapless bird gets a remarkably contemporary face. On the grounds of a country estate, a battle between young and old ensues in this heartbreaking, hilarious, sort-of-adaptation of Anton Chekhov's The Seagull. Winner of the 2014 Helen Hayes Award for Outstanding New Play, Stupid f**king Bird is about our longing to love and be loved.

Dear Reader (It only seems appropriate to start this review off with that), sometimes a show comes along that feels like a no brainer. A show that's fairly bulletproof and if a theater does it well enough with enough pieces in place then it'll be a crowd pleaser. 'How to Succeed in Business Without Really Trying' is one of those shows. You're bound to walk away from it with something you enjoyed. Which brings me to the current production at the 5th Avenue Theatre. They've managed to take this pleaser of a show so far beyond the bare minimum making this gem shine with so much brilliance that you may need sunglasses.

ACT - A Contemporary Theatre presents Stupid f**king Bird by Aaron Posner, where Chekhov's story of love, art, and a hapless bird gets a remarkable contemporary face lift.

Broadway-bound new musical, Come From Away, presented by Seattle Repertory Theatre, wins four Gypsys, tying with another new musical, Lizard Boy, also produced by Seattle Repertory Theatreand also with four Gypsys, a company that has been known for years as a powerhouse dramatic straight-play playhouse! 

Seattle Theater Writers critics' circle is pleased to present the nomination slate of the fifth annual Gypsy Rose Lee Awards, theater awards devoted to recognizing excellence across the economic spectrum of professional Seattle theaters in the prior calendar year.

The uproariously funny satire on corporate ladder-climbing, HOW TO SUCCEED IN BUSINESS WITHOUT REALLY TRYING, starts rehearsals this week at The 5th Avenue Theatre. This Pulitzer Prize and multi-Tony Award-winning musical takes place in TV's Mad Men era, following window washer J. Pierrepont Finch's journey from mail room to the top of the World Wide Wicket Company, all with the help of a cunning guide book. A sharp-witted send-up of the corporate rat race that will keep audiences rolling in the aisles, HOW TO SUCCEED IN BUSINESS WITHOUT REALLY TRYING is gracing The 5th Avenue stage for the first time. Scroll down for a sneak peek at the cast!

Anne Washburn's hit play "Mr. Burns, a post-electric play", currently playing at ACT, does a fine job at exploring the genesis of mythology and still keeps itself very funny. But that exploration tends to draw itself out a little too long with too little payoff for the time spent.

A Contemporary Theatre is thrilled to present the imaginative dark comedy of MR. BURNS, A POST-ELECTRIC PLAY by Anne Washburn (The Internationalist, A Devil At Noon, and The Small). Spanning several years to several decades after the end of the world, survivors must begin again to create a new society. As the survivors bond by recounting the popular 'Cape Feare' episode of The Simpsons, the story evolves into its own mythos.

A Contemporary Theatre is thrilled to present the imaginative dark comedy of MR. BURNS, A POST-ELECTRIC PLAY by Anne Washburn (The Internationalist, A Devil At Noon, and The Small). Spanning several years to several decades after the end of the world, survivors must begin again to create a new society. As the survivors bond by recounting the popular "Cape Feare" episode of The Simpsons, the story evolves into its own mythos.

If you're going to tell a story, especially one based on a real event, you need to decide who the story is about, what you are trying to tell and why are you trying to tell it. And those are just a few of the downfalls with the new play from Ana Brown and Andrew Russell "John Baxter is a Switch Hitter" currently from Intiman Theatre.

When local gay softball league favorites the Seattle Fireflies go up against the champion San Francisco Hornets, an all-American pastime turns into an impromptu inquisition as one team halts the game to accuse their opponent of having too many 'straight ringers' on their roster.

When local gay softball league favorites the Seattle Fireflies go up against the champion San Francisco Hornets, an all-American pastime turns into an impromptu inquisition as one team halts the game to accuse their opponent of having too many "straight ringers" on their roster.

ArtsWest is pleased to welcome to the stage veteran actress Susan Corzatte in the role of Vera Joseph in Amy Herzog's Pulitzer Prize finalist, 4000 Miles. Susan is joined by the recently named City Arts 2015 Future List Thespian Adam Standley in the role of Leo, and accomplished Seattle actresses Adria LaMorticella as Bec, and Sara Porkalob as Amanda.

ArtsWest is pleased to welcome to the stage veteran actress Susan Corzatte in the role of Vera Joseph in Amy Herzog's Pulitzer Prize finalist, 4000 Miles. Susan is joined by the recently named City Arts 2015 Future List Thespian Adam Standley in the role of Leo, and accomplished Seattle actresses Adria LaMorticella as Bec, and Sara Porkalob as Amanda.

If you remember, Dear Readers, three weeks ago I said that Intiman's production of Part 1 of Tony Kushner's masterpiece, "Angels in America" still resonated through Kushner's script but the show felt under done and lacked focus. But I hoped it would settle into itself over time. I also hoped that the settling in to the characters would affect the power of the second part, "Angels in America Part 2: Perestroika". Alas, it did not. While it's still, again, Kushner's beautiful script, the show lacks the heart, punch and commitment to the piece to make it truly great. And while you may think that now this one needs to settle in, I think it stems from a larger issue.

20 Years ago a bright eyed theater nerd (as opposed to the bitter, jaded wretch I am today) was over the moon that the Intiman Theatre was able to get the rights to do one of the most exciting and talked about plays of the day, "Angels in America, Part 1: Millennium Approaches" so close on the heels of it's wowing Broadway and winning the Tony and Pulitzer. That fresh faced 25 year old was blown away by the artistry, language and sheer incredible storytelling prowess of author Tony Kushner and that amazing production solidified my love for this work. But can anything compare to your first time? Well the bloom may be a little off the rose and my cynical sensibilities of today may have missed some of the focus and wow factor of that original production in this current one being presented by Intiman Theatre, but the play still shows itself to be a masterwork and still deserves attention.