The Cincinnati Symphony Orchestra (CSO) and Music Director Louis Langree have announced details of the final installment of a three-year exploration of Maurice Maeterlinck's 1893 symbolist play, Pelleas et Melisande, a collaboration with director, production designer and visual artist James Darrah.
The Cincinnati Symphony Orchestra (CSO) and Music Director Louis Langree have announced details of the final installment of a three-year exploration of Maurice Maeterlinck's 1893 symbolist play, Pelleas et Melisande, a collaboration with director, production designer and visual artist James Darrah.
The Kentucky Center will host the 5th Annual Louisville Music Awards on Thursday, November 9, 2017 at the Bomhard Theater (501 W.
59E59 Theaters will launch the first show of Prospect Theater Company's three-year residency with the NYC premiere of THE MAD ONES, a new musical featuring book, music & lyrics by Kait Kerrigan and Brian Lowdermilk (Henry and Mudge) and directed by Stephen Brackett (Buyer & Seller).
New York Theatre Workshop (NYTW) has announced the inaugural season of Next Door at NYTW in the Fourth Street Theatre, NYTW's newly renovated 65-seat black box space.
OSF's journey through Shakespeare's history tetralogy marches on with the second part of Henry IV joining the repertory, with previews beginning July 4.
TheaterWork's production of the musical "Next to Normal" led the nominations for the 27th annual Connecticut Critics Circle Awards event to be held Monday, June 26 at 7:30 p.
NEXT TO NORMAL, INVISIBLE HAND TOP Connecticut Critics Circle Award Nominations
OBERON, the American Repertory Theater's (A.
The Tony Award-winning Oregon Shakespeare Festival will launch its 82nd year with preview performances beginning on February 17, and the season officially kicks off Today night, February 24, in the Angus Bowmer Theatre with Shakespeare's Julius Caesar (director, Shana Cooper).
OBERON, the American Repertory Theater's (A.
The Tony Award-winning Oregon Shakespeare Festival will launch its 82nd year with preview performances beginning on February 17, and the season officially kicks off Friday night, February 24, in the Angus Bowmer Theatre with Shakespeare's Julius Caesar (director, Shana Cooper).
When I saw that New York City Opera was doing Leonard Bernstein's CANDIDE at the same time as New York's Prototype Festival--with Missy Mazzoli's BREAKING THE WAVES opening the festival of opera-theatre and music-theatre on the same night—I thought that it was great counter-programming.
Beth Morrison Projects and HERE's fifth annual PROTOTYPE: Opera/Theatre/Now festival begins this week, running January 5-15!
New York theatre stuck it to the patriarchy this year with healthy-for-the-soul offerings like A 24 Decade History of Popular Music, O, Earth, The Wolves, and more!
For a new opera to have its second major showing less than four months after its premiere is unheard of—but then BREAKING THE WAVES, based on the Lars Von Trier film of the same name, isn't just any opera.
Four theater artists will be honored by the Henry Hewes Design Awards Committee during the presentation of its 2016 Awards in a luncheon ceremony to be held November 7, 2016.
BREAKING THE WAVES, the stark, brutal new opera by Missy Mazzoli and Royce Vavrek, had its premiere last week at Opera Philadelphia, with a thrilling score and a star-making turn by soprano Kiera Duffy.
Opera Philadelphia looks forward to launching the 2016-17 season with the world premiere of a new company co-commission, Breaking the Waves (Sep 22-Oct 1).
Quick: What film won the Golden Globe for Best Movie in 1997? It was THE ENGLISH PATIENT.
.jpg?format=auto&width=365)
