Aaron Allen News

New Line Theatre, the bad boy of musical theatre, continues its 27th season of adult, alternative musical theatre, with a public reading of the new/old musical THE ZOMBIES OF PENZANCE, 'Gilbert & Sullivan's original operatic abomination,' free and open to the public, on January 8 for one night only; followed by Cole Porter's satiric masterpiece ANYTHING GOES, running March 1-24, 2018; and the St. Louis premiere of the world's first bio-historical musical comedy, YEAST NATION, written by the Urinetown team, running May 31-June 23, 2018. All shows will be in the company's home, the Marcelle Theater, in the Grand Center Arts District.

On the next episode of RIVERDALE titled 'When a Stranger Calls,' when Alice (Madchen Amick) publishes a fiery piece in the Riverdale Register blasting the Southside, Jughead (Cole Sprouse) is forced to take matters into his own hands to try and keep the peace.

New Line Theatre, "the bad boy of musical theatre," has announced that for the first time in its history, New Line is selling season tickets, for its 27th season of adult, alternative musical theatre, including the St. Louis premiere of the four-woman rock opera LIZZIE, a very different take on the Lizzie Borden legend, running Sept. 28-Oct. 21, 2017; followed by Cole Porter's satiric masterpiece ANYTHING GOES, running March 1-24, 2018; and the St. Louis premiere of the world's first bio-historical musical comedy, YEAST NATION, written by the Urinetown team, running May 31-June 23, 2018. Tickets go on sale Aug. 1. All New Line's mainstage shows will be in the company's home, the Marcelle Theater, in Grand Center, St. Louis' arts district.

New Line Theatre, "the bad boy of musical theatre," announces its 27th season of adult, alternative musical theatre, including the St. Louis premiere of the four-woman rock opera LIZZIE, a very different take on the Lizzie Borden legend, running Sept. 28-Oct. 21, 2017; followed by Cole Porter's satiric masterpiece ANYTHING GOES, running March 1-24, 2018; and the St. Louis premiere of the world's first bio-historical musical comedy, YEAST NATION, written by the Urinetown team, running May 31-June 23, 2018. All New Line's mainstage shows will be in the company's home, the Marcelle Theater, in Grand Center, St. Louis' arts district.

Chester Theatre Company (CTC), a professional theatre now in its 27th year, is pleased to welcome Chester Common Table to 30 Main Street in Chester, MA, in time for the theatre's 2016 summer season.

I've seen three of Martin McDonagh's plays, and I can honestly say that each has been a genuine corker. They're beyond dark at times, but filled with an offbeat sense of humor that often makes you care more about a character than think you, perhaps, should. It's a part of their charm, at least for the ones I've been privileged to see. McDonagh also brings a real sense of humanity to his creations, and that's especially evident in the Theatre Lab's amazing production of his harrowing, often horrific work, THE PILLOWMAN. Seeing this production offers an intense experience enhanced greatly by the moody compositions of Luke Viertel, and the graphic artistry and illustrations of Aaron Allen. Combined, these elements along with sharp direction and a crackerjack cast, provide a spellbinding evening of theatre.

When I reviewed New Line Theatre's production of HIGH FIDELITY in 2008, I decided to start off in the spirit of Nick Hornby by giving my readers the top five reasons they should see this wonderful musical. Well, here are the Top Five reasons you should see High Fidelity, either for the very first time, or again, in 2012 (in reverse order, naturally). Number Five: because the cast members that remain the same are still superb in their roles, and the new additions make it even more entertaining. Number Four: because the music of Tom Kitt and the lyrics of Amanda Green are pure ear candy that cribs cool bits from classic rock and soul. Number Three: because this time it's in a different venue that allows for a grander scenic design, as well as a larger area for the fun choreography. Number Two: because seeing the musical still beats sitting through the movie, which didn't really capture Hornby's novel completely. And the Number One reason to see this revival production of HIGH FIDELITY: IT ABSOLUTELY ROCKS!

New Line Theatre closes its 21st season with HIGH FIDELITY, playing now through June 23, 2012. With a script by award-winning playwright David Lindsay-Abaire (Rabbit Hole, Good People), music by Tom Kitt (Pulitzer Prize-winning composer of Next to Normal), and lyrics by Amanda Green (Bring It On, Hands on a Hardbody), HIGH FIDELITY explores America's new Lost Generation and the music they live their lives to. Check out photos of the cast performing on stage in St. Louis below!

New Line Theatre will close its 21st season May 31-June 23, 2012, with HIGH FIDELITY. Tickets are on sale now through Metrotix, 314-534-1111. View photos below!

New Line Theatre, 'the Bad Boy of Musical Theatre,' will close its 21st season May31-June 23, 2012, with HIGH FIDELITY, the funny, rowdy, emotional rock musical that garnered positive reviews in New Line's 2008 production, the first production of the show after its Broadway run.

Dance-the quality of performance, the merits of the performers, the creativity of the choreographers-at Middle Tennessee State University has certainly improved since the last time I reviewed the fall dance concert at MTSU. Of course, it was 32 years ago and the dance program at the university has grown by leaps and bounds.

Though Shakespeare's first play, TWO GENTLEMEN OF VERONA, is ungainly and raw at times, many of the devices and plot mechanisms that will soon become the playwright's stock in trade are present in its text. As such, it remains a crude example of an early work by a master still fine tuning his craft. In Galt MacDermot (music), John Guarre (lyrics) and Mel Shapiro's (who polished and 'corrected' the Bard's book) 1971 musical adaptation it becomes a light-hearted and enjoyable introduction to his work, full of the same pluck and irreverence that distinguished MacDermot's Hair, but fully capable of standing on its own merit too. New Line Theatre and director Scott Miller's current production of Two Gentlemen of Verona not only rocks, but it's hilarious as well, aided greatly by the spectacular efforts of an enthusiastic cast and a crack band. I honestly can't recall when I've ever witnessed an audience laugh at and enjoy Shakespeare more; the resident 'Bad Boy of Musical Theatre' has come through again.

New Line Theatre, 'The Bad Boy of Musical Theatre,' continues its Twentieth Anniversary Season of provocative, adult, alternative musical theatre with the rock and roll, Shakespearean sex comedy TWO GENTLEMEN OF VERONA, running March 3-26, 2011, at the Washington University South Campus Theatre (formerly CBC High School), 6501 Clayton Road, just east of Big Bend.

The critically acclaimed drama series BIG LOVE kicks off its ten-episode fifth season with the episode entitled 'Winter,' debuting SUNDAY, JAN. 16 (9:00-10:00 p.m. ET/PT), exclusively on HBO, followed by other new episodes on subsequent Sundays at the same time.

The critically acclaimed drama series BIG LOVE kicks off its ten-episode fifth season with the episode entitled 'Winter,' debuting SUNDAY, JAN. 16 (9:00-10:00 p.m. ET/PT), exclusively on HBO, followed by other new episodes on subsequent Sundays at the same time.

New Line Theatre, 'The Bad Boy of Musical Theatre,' continues its Twentieth Anniversary Season of provocative, adult, alternative musical theatre with the rock and roll Shakespearean sex comedy TWO GENTLEMEN OF VERONA, running March 3-26, 2011, at the Washington University South Campus Theatre (formerly CBC High School), 6501 Clayton Road, just east of Big Bend.