Ben Stonick

There must be something in the water on campus at Nashville's Belmont University - sure, the theatre and musical theatre faculty's skills are virtually unparalleled, but it's the talent, the quality and the devotion to their craft of the students that truly boggles the mind and is worthy of unbridled and enthusiastic acclaim. You'd have to search far and wide for a more impressive group of student actors who, with director James Al-Shamma's staging of The Government Inspector, have once again proven themselves equal to any theatrical challenge.

'There are no small parts, only small actors,' goes the old theatrical saw that's tossed about willy-nilly to encourage budding thespians to take on roles they suspect might be beneath them and their lofty stature. But, of course, there's much truth to be found in the axiom and you will certainly see it brought to life in the efforts of the members of many acting ensembles, particularly those considered among the best in Nashville's 2010 theater season:

With a cast of 125 performers, a seven-member band, the show's running crew and a smattering of other people holding forth, the backstage scene at last Sunday night's First Night Nashville Theatre Honors was a virtual stage show in itself with all the hustle and bustle amid the hushed tones associated with the backstage area of a huge theatrical production.

When eight of Nashville's best-known theater visionaries are lauded for their inspiration, commitment and leadership during the 2010 First Night Nashville Theatre Honors, eleven of the region's brightest young actors also will be recognized for their own theatrical achievements and the promise of much more to come.

When eight of Nashville's best-known theater visionaries are lauded for their inspiration, commitment and leadership during the 2010 First Night Nashville Theatre Honors, eleven of the region's brightest young actors also will be recognized for their own theatrical achievements and the promise of much more to come.

Director Don Griffiths' staging of Miller's now-classic tragedy, with its echoes of the Greek classics, is heart-wrenching, certain to stir up all the emotions one can muster. Beautifully designed and executed, with superb performances from a cast that includes professional actors from Actors Bridge, along with the affecting portrayals of some exceptionally talented Belmont students, the production is completely satisfying on all levels, without even one iota of staginess to mar the proceedings.