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BWW Review: PETER AND THE STARCATCHER at The Commonweal Theatre


Yes, PETER AND THE STARCATCHER is a magical, funny adventure!

BWW Review: Actors' Empathy, Emotion Shines Through in CATCO's THE ELEPHANT MAN


From its Broadway debut in 1979 to its revival starring Bradley Cooper just last year, Bernard Pomerance's Tony Award-winning play "The Elephant Man" has challenged audiences through the decades to think beyond physical appearances and sympathize with others' plights. Now, this message comes to the Columbus stage with CATCO's production -- the first of its 2015-16 season -- of this dramatic classic.

Photo Coverage: First look at CATCO's THE ELEPHANT MAN


Fresh from its Broadway revival, this Tony® Award-winning tour-de-force has touched the hearts of theatre-goers since its British debut in 1978. John Merrick suffered a physical deformity that rendered his body and features grotesquely misshapen. 'Sometimes I think my head is so large because it is filled with dreams,' he says as he contemplates his plight.

BWW Reviews: STATE OF CONTROL Leaves Audience Laughing and Thinking


Stan is not the type of person who goes to prison. With his conservative suits, ties and lifestyle, the tightly wound accountant is content to work his way to the top by doing the right thing in the dark comedy STATE OF CONTROL.

BWW Interviews: STATE OF CONTROL Opens Tonight - A Comic Nightmare with a Message


For a man who says he doesn't remember most of his dreams, Columbus-based playwright Bill Cook spends a lot of time writing about nightmares. Cook describes his latest work, STATE OF CONTROL, as a comic nightmare.

BWW Interviews: STATE OF CONTROL a Comic Nightmare with a Message


For a man who says he doesn't remember most of his dreams, Columbus-based playwright Bill Cook spends a lot of time writing about nightmares. Cook describes his latest work, STATE OF CONTROL, as a comic nightmare.

BWW Reviews: New Players Theater Does HENRY IV: PART ONE Justice


Appearing in rotation with its production of "The Taming of The Shrew" as part of their summer series at Mill Run Amphitheater's "Island", "Henry IV: Part One" is one of Shakespeare's history plays, but this version is also one of the more accessible Shakespeare productions I have seen in awhile. The storyline, as written by the bard, is admittedly a bit dry at times, but this particular production is acted with gusto, and the plotline is easily understandable, even without the program synopsis. The tale centers around the universal themes of family and duty, and is a coming of age tale of Hal, the Prince of Wales who finds himself torn between living the life of the free and easy at Eastcheap Tavern with his buddies, or assuming the duty of protecting the kingdom of his father, King Henry IV.

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