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BOND AND BEYOND Comes to National Arts Centre This Week

Performances run January 12-14.

BOND AND BEYOND Comes to National Arts Centre This Week

Join Her Majesty's Secret Service for an unparalleled evening of music that brings the world's favourite secret agent to Southam Hall. Guest conductor Michelle Merrill, powerhouse vocalist Rebecca Noelle, and the NAC Orchestra celebrate the superspy and the music that is as timeless as the man himself - with classics like Live and Let Die, For Your Eyes Only, Goldfinger, and Skyfall.

Don't miss this evening of undercover music at its best - because Nobody Does it Better than Bond. James Bond.

Performances run January 12-14.



Review: Kanata Theatres Production of HAVING RELATIONS Photo
A fluffy, lighthearted rom-com that moves at a good pace and is highly entertaining. Running through April 1st at the Ron Maslin Playhouse.

Review: DISNEYS ALADDIN at Ottawas National Arts Centre Photo
Broadway Across Canada has brought the touring production of Disney's Aladdin to Ottawa for the first time as part of its 2022-2023 season. Celebrating its ninth anniversary on Broadway, it was obvious that audiences have been waiting a long time for the musical to visit and there was a sense of excitement in the air. Predictably, the audience was a mixture of all ages since the animated film that inspired the musical was released over thirty years ago, back in 1992.

BECAUSE YOU NEVER ASKED Comes to MAI in April Photo
Based on discussions between composer Roger White and his grandmother, Marianna Clark (née Goldmann), about her experiences fleeing Nazi Germany and arriving in the UK as a refugee, the piece combines texts mined from diaries and letters that Marianna wrote in her late teens and early 20s with the recordings of her speaking in her 90s.

Interview: Senzel Ahmady of DISNEYS ALADDIN Photo
Performing as Jasmine at Ottawa's National Arts Centre from March 21st to 26th as part of Broadway Across Canada's 2022-2023 Season


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Based on discussions between composer Roger White and his grandmother, Marianna Clark (née Goldmann), about her experiences fleeing Nazi Germany and arriving in the UK as a refugee, the piece combines texts mined from diaries and letters that Marianna wrote in her late teens and early 20s with the recordings of her speaking in her 90s.

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