BWW Review: DRUIDSHAKESPEARE: RICHARD III Beguiles and Seduces at Lincoln Center's White Light Festival
a?oeAnother ticket! Another ticket! My kingdom for another ticket!a?? one may be moved to exclaim as they depart Gerald W. Lynch Theater at John Jay College. The sleek and sexy production of DRUIDSHAKESPEARE: RICHARD III, despite being roughly 386 years old and drawing on Tudor propaganda, feels rem...
BWW Review: Peter Dinklage Deserves Better Than Dreary, Passionless CYRANO Musical
The cleverest part of adaptor/director Erica Schmidt's new musical based on Edmond Rostand's classic CYRANO DE BERGERAC is that the two times a character makes mention of the title fellow's very large nose, there is a pause before the word, making it clear that the speaker was about to say something...
BWW Review: Michael Benjamin Washington Portrays Members Of A Divided Community in Crisis in Anna Deavere Smith's FIRES IN THE MIRROR
It's been a long-time point of pride among New Yorkers to be living in the most culturally and ethnically diverse spot on the planet, and given the history of the planet you can say that, comparatively, the city has done pretty well in encouraging a society of integration and acceptance....
BWW Review: Keen Company's MOLLY SWEENEY at Theatre Row
Set in contemporary Ballybeg, Ireland, the image-laden story of MOLLY SWEENEY commands our attention as we listen closely to visualize what is being described to us from contrasting perspectives. In words and movement, the measured cadence of this economically directed nested narrative metes out min...
BWW Review: ONE DISCORDANT VIOLIN at 59E59 Theaters is for Music Lovers and Many More
'One Discordant Violin' is an enthralling play adapted by Anthony Black from a short story by Yann Martel, the author of 'Life of Pi.' It is directed by Ann-Marie Kerr and Anthony Black, and features an original score by Aaron Collier and Jacques Mindreau....
BWW Review: Richard Nelson Adds a New Family To His Intriguing Rhinebeck Panorama with THE MICHAELS
Of the many common features shared by the eight (thus far) plays that make up playwright/director Richard Nelson's 'Rhinebeck Panorama' series, perhaps the most unusual is that they all take place on the date of their opening night at the Public Theater....
BWW Review: Boffo Belter Klea Blackhurst Is In The Zone As Cole Porter's PANAMA HATTIE
After enchanting Broadway sophisticates with his fizzy entertainments of the 1920s and 30s, Cole Porter went decidedly middle-brow at the start of the next decade with a trio of musicals about average Janes and Joes, all including some swell comical characters serving in the U.S, military....
BWW Review: BIG APPLE CIRCUS Flips and Flies Its Way Back To Lincoln Center
For the past couple of years, the sumptuous vocals of bluesy diva Storm Marrero has been seducing New York audiences in the erotic theatre/dance productions created at Company XIV, but the Brooklyn-born artist has found more family-friendly surroundings as the new ringmaster of The Big Apple Circus....
BWW Review: Raul Esparza and Krysta Rodriguez Clash in Theresa Rebeck's Art Vs. Commerce Comedy, SEARED
It's a bit of a longshot, perhaps, but given the organization's tendency to honor less-than-traditional terpsichorean achievements, don't be too shocked if Raul Esparza is named as one of this season's Chita Rivera Award nominees as Outstanding Male Dancer in an Off-Broadway show....
BWW Review: Something Edited This Way Comes as John Doyle Directs Corey Stoll, Nadia Bowers in MACBETH
'When shall we three meet again?' the eight weird sisters ask each other in unison at the outset of director John Doyle's Classic Stage Company production of Shakespeare's Macbeth, shaved down to 100 minutes....
BWW REVIEW: Ntozake Shange's Groundbreaking FOR COLORED GIRLS WHO HAVE CONSIDERED SUICIDE/WHEN THE RAINBOW IS ENUF Returns To The Public
Back in 1976, when Ntozake Shange's ravishingly written celebration of survival, FOR COLORED GIRLS WHO HAVE CONSIDERED SUICIDE/WHEN THE RAINBOW IS ENOUGH, transferred from The Public Theater to The Booth, if would have been a safe bet to say that Broadway had seen nothing like it before....
BWW Review: Refugee Politics Leads To Sexual Politics In Sylvia Khoury's Absorbing POWER STRIP
There's more than one meaning to the title of Sylvia Khoury's relevant, absorbing and quite heartbreaking drama, Power Strip, being granted an excellent premiere production by Lincoln Center Theater's LCT3....
BWW Review: Real Life Provides The Intriguing Script For Tina Satter's Tense Drama IS THIS A ROOM
On June 3rd, 2017, 25-year-old United States Air Force Intelligence Specialist Veteran Reality Winner was arrested due to evidence that she had leaked to online news source The Intercept a classified government report suggesting that Russian hackers had accessed a voting software supplier, enabling ...
BWW Review: Harvey Fierstein Tips His Hat To The Iconic Abzug in BELLA BELLA
a?oeThis boy's club crap can't last. One day women will figure this out... And the whole world will change on that day when women take hold of their power.a??...
BWW Review: Gerard Alessandrini's FORBIDDEN BROADWAY: THE NEXT GENERATION Aims Satirical Darts At Broadway's Freshest Targets
For those of us who began making regular pilgrimages to Palsson's Supper Club back in the early 80s to see Gerard Alessandrini's smart new revue pack with parody lyrics and impersonations that skewered the gods and goddesses of Times Square, Broadway just isn't Broadway without FORBIDDEN BROADWAY ar...
BWW Review: Jonathan Groff, Tammy Blanchard, Christian Borle Star In Buoyant and Bouncy Revival of LITTLE SHOP OF HORRORS
Bucking the current trend of rewriting and reinterpreting older musicals to suit current sensibilities, director Michael Mayer's buoyant and bouncy revival of Little Shop of Horrors, with a story involving a hero who murders and a leading lady who defends the actions of her physically abusive boyfri...
BWW Review: The York Revisits Ben Bagley's THE DECLINE AND FALL OF THE ENTIRE WORLD AS SEEN THROUGH THE EYES OF COLE PORTER
Long before Broadway's saturation with jukebox musicals and song catalog shows, Ben Bagley, a producer of modestly-financed Off-Broadway revues, added to what was then musical theatre's long title trend (HOW TO SUCCEED IN BUSINESSWITHOUT REALLY TRYING, A FUNNY THING HAPPENED ON THE WAY TO THE FORUM....
BWW Review: KATSURA SUNSHINE'S RAKUGO Brings Traditions and Laughs to New World Stages
BWW Review: KATSURA SUNSHINE'S RAKUGO at New World Stages...
BWW Review: David Henry Hwang, Jeanine Tesori's SOFT POWER Brilliantly Comments on Entertainment's Power To Mislead
A version of American, and of American musical theatre, as seen through a Chinese lens as inaccurate as Rodgers and Hammerstein's lens when focused on Siam....
BWW Review: Joshua Henry Thrills With Authoritative Vocals, Sensitive Acting in Ross Golan's THE WRONG MAN
Songwriter Ross Golan has frequently ranked high in the pop charts with hits for the likes of Ariana Grande, Selena Gomez, Nicki Minaj and Justin Bieber, and for his first venture into musical theatre, he's got some pretty high-ranking stars on his team as well, in director Thomas Kail, music superv...
BWW Review: Barbara Hammond's TERRA FIRMA Takes It's Cue From A Quirky Bit of International Politics
It may not be recognized by the U.N., or by any other nation, but ever since 1967, when squatter Paddy Roy Bates, a retired British army major, declared it so, the Principality of Sealand, located on an abandoned British fort built in international waters off the coast of Suffolk during World War II...
BWW Review: Trump-Hating Conservatives Debate Right Wing Strategies in Will Arbery's HEROES OF THE FOURTH TURNING
The desire to see our current president out of office as soon as possible can be regarded as a bit of common ground between the five conservatives depicted on stage and the liberals who traditionally populate the vast majority of seats at non-profit Off-Broadway theatres. The ground most likely co...
BWW Review: ROUND TABLE at 59E59 Theaters-Clever and Captivating
'Round Table,' written by Liba Vaynberg and directed by Geordie Broadwater is a one of a kind show. This modern romantic comedy is being performed at 59E59 Theaters through October 20. Starring an talented five person cast, the show cleverly melds elements from King Arthur legends with a story about...
BWW Review: Jeff Augustin's THE NEW ENGLANDERS Seeks To Expand The Perception of Stage Characters of Color
As explained in his program notes, playwright Jeff Augustin moved from Miami to attend college in Boston; envisioning New England as a liberal mecca where he could pursue his American Dream while freely exploring his identity. What he found was a part of the country he describes as a?oedeeply steep...
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