BWW Reviews: Jacobs-Jenkins' GLORIA, A Fight For The Public's Collective Memory
The 30-year-old playwright is solidly emerging as one of American theatre's most provocative and challenging voices....
BWW Reviews: Greif's THE TEMPEST of the Teapot Variety
Sam Waterston leads a Delacorte production that lacks firm propulsion....
BWW Reviews: Malloy's PRELUDES Doesn't Lead To Very Much
Sergei Rachmaninoff's reaction to the disastrous premiere of his first symphony inspires this abstract piece....
BWW Reviews: THE QUALMS Plays Like Sex in Clybourne Park
Bruce Norris' latest Pam MacKinnon-directed offering keeps echoing the second act of his Pulitzer-winner....
BWW Reviews: WOMEN ARE CRAZY BECAUSE MEN ARE A**HOLES is Comedy Gone Wrong
After a four year run in Los Angeles, Brad T. Gottfred's hit comedy WOMEN ARE CRAZY BECAUSE MEN ARE A**HOLES is running Off-Broadway at New York City's Cherry Lane Theatre. The outlandish comedy is about four couples coming together for a brunch to celebrate the minting of a new couple. With a premi...
BWW Reviews: DINNER WITH THE BOYS and Dinner with the Boys
Enjoy the hit play 'DINNER WITH THE BOYS' and dine with the stars after the show at Tony's Di Napoli in Times Square....
BWW Reviews: GUARDS AT THE TAJ Considers the Ugly Cost of Beauty
Rajiv Joseph's thoughtful and engaging new entry is suggested by a gruesome legend regarding the Taj Mahal....
BWW Reviews: THE TOXIC AVENGER Spreads Hot Toxic Love at 54 Below
The Toxic Avenger, based on Lloyd Kaufman's character and film by the same name and winner of the Outer Critics Circle Award for Best Off-Broadway Musical, returned to New York City on Monday night for a special one-night-only concert reunion at 54 Below. Following a critically acclaimed run at The ...
BWW Reviews: Greenspan Interprets Stein in COMPOSITION... MASTER-PIECES... IDENTITY
David Greenspan approaches three Gertrude Stein pieces in a graceful solo performance....
BWW Reviews: A HUMAN BEING DIED THAT NIGHT; Interviews With a Political Assassin
Nicholas Wright's engrossing and superbly acted drama deals with the man South Africans called Prime Evil....
BWW Reviews: Eisenberg's THE SPOILS Tests The Limits of Compassion
The playwright/actor's hyper-charged character drama is intriguing and well-acted....
BWW Reviews: LaBute Goes Soft in THE WAY WE GET BY
The playwright best known for displaying the uglier side of human nature takes a shot at quirky romance....
BWW Review: Despite Flaws, THE REPUBLIC Offers One of Orlando's Most Uniquely Entertaining Experiences
'There is in every one of us, even those who seem to be most moderate, a type of desire that is terrible, wild, and lawless;' this ancient axiom is the crux of Orlando's newest, and most unique independent entertainment option, THE REPUBLIC, which opened last weekend after an award-winning beta run ...
BWW Reviews: Bio-Musical CAGNEY Has Legs but Needs To Pack More Heat
Composer/lyricist Robert Creighton gives a gutsy performance as Hollywood's tough-guy song and dance man....
BWW Reviews: Mobile Shakespeare Unit's MACBETH Settles Into The Public
Edward Torres' gritty and energetic portable production opens a limited run after touring NYC prisons and shelters....
BWW Reviews: Elevator Repair Service's THE SOUND AND THE FURY is of Questionable Significance
The concept of the company's presentation of William Faulkner's text proves more interesting than watching its execution....
BWW Reviews: Simon Callow in TUESDAYS AT TESCOS at 59E59 Excellent and Compelling
See 'Tuesdays at Tesco's' starring Simon Callow. This compelling play is now on at the 59E59 Theaters through June 7th....
BWW Reviews: Thou Shalt and Shalt Again in Askins' PERMISSION
Robert Askins' irreverent comedy of Domestic Christian Discipline has couples spanking for Jesus....
BWW Reviews: STREET SINGER Inspires at The OUT NYC Hotel
"No!" she sings. The first note sailed, as from the ruddy heart of the Seine to the mood indigo of the Hudson. "I regret nothing!"...
BWW Reviews: Annie Baker's THE FLICK Unapologetically Returns
Director Sam Gold's original production of Annie Baker's controversial Pulitzer winner returns to Off-Broadway....
BWW Reviews: Kristine Nielsen's a Bad Influence in WHAT I DID LAST SUMMER
A.R. Gurney's 1983 coming-of-age warmedy pushes many of the familiar buttons....
BWW Reviews: ONE HAND CLAPPING by Anthony Burgess at 59E59 is Outstanding
See Anthony Burgess' 'One Hand Clapping' no on stage at 59E59 Theater. This captivating play is part of the 'Brits Off-Broadway' festival of performances at the theater....
BWW Reviews: THE PAINTED ROCKS AT REVOLVER CREEK Honors Outsider Artist Mabusa
Athol Fugard's touching new drama is inspired by a South African rock garden....
BWW Reviews: THE FLOATONES Please, at La MaMa
It was a sold-out show. That's saying a lot. The Floatones were last seen at La MaMa twenty years ago....
BWW Reviews: Kander, Ebb & Stein's Underappreciated ZORBA! Gets a Robust Encores! Production
John Turturro and Zoe Wanamaker are terrific in a concert mounting that incorporates some past revisions and, thankfully, dismisses others....
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