BEETLEJUICE (NON-UNION TOUR) OPEN CALL FOR DANCERS IN NYC
SEEKING:
Fantastic NON-UNION dancers of all shapes, sizes, genders & types, 18+, to play various characters and residents of the Netherworld. Should be excellent athletic jazz dancers, with strong singing voices and comedy chops. Tumbling and acro tricks, a plus.
WHEN: September 15, 2025
First Group dances at 10:00am (Sign up begins at 9:00am)
Dancers must be signed in by 11:00am to be considered.
Unofficial lists will not be honored.
WHERE: Pearl Studios - 519 8th Avenue, 12th Floor New York, NY 10018
WHAT TO PREPARE: Please bring a headshot & resume, stapled.
Arrive warmed up and ready to dance in comfortable clothes and shoes you can turn in (no heels).
If you are asked to stay and sing, please be prepared with a 16 bar cut of a song of your own that shows your range. Bring sheet music in the appropriate key. A piano accompanist will be provided.
Producer: NETworks Presentations
Music & Lyrics by Eddie Perfect
Book by Scott Brown & Anthony King
Original Direction: Alex Timbers
Tour Direction: Catie Davis
Original Choreography: Connor Gallagher
Tour Choreography: Michael Fatica
Music Supervision: Kris Kukul
Casting: Geoff Josselson Casting
General Management: Gentry & Associates
1st Rehearsal: January 13, 2026
Technical Rehearsals: February 5, 2026
1st Performance: February 13, 2026
Tour is currently booked through August 2026, but further bookings are anticipated
Point of Origin: NYC
Compensation Package:
Rehearsals salary: $700/week.
Performance salary: Ensemble: $700/week
Cast also receives a percentage of the Producers share of overage, per diem of $315/week, and health plan. Producer-provided transportation and housing beginning with Technical Rehearsal period. No housing, or per diem provided during the pre-technical rehearsal period.
Callbacks will take place between September 16th - October 16th in NYC.
This is a Non-Union tour and we can not consider any performer who is a member of Actors Equity (AEA).
THERE IS NO VIRTUAL DANCE AUDITION OPTION AT THIS TIME.
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