BWW Review: A Ceremonious Anniversary of DANCING AT LUGHNASA
In the wake of Brian Friel's death, director Annabelle Comyn's clear production is more than dutiful.
In the wake of Brian Friel's death, director Annabelle Comyn's clear production is more than dutiful.
Something strange is suppressed under a polite meeting inside a drab hotel.
Twenty nine years after The Commitments first burst from the pages of Roddy Doyle's best-selling novel, the world's hardest working soul band will be returning home to entertain audiences where it all began - Dublin!
THISISPOPBABY's decision to stage Mark Palmer's 12-part song cycle is difficult to fathom.
With music/lyrics by Mark Palmer and book/direction by Phillip McMahon, I'm Your Man aims, to quote Palmer's note in the programme, 'to lay bare the plurality of the human psyche'; as one might gather from that, it's not exactly a laugh riot.
A cluttered bedsit becomes a refuge in Conor McPherson's drama.
Cork's finest musical talent will be out in force for a major fundraiser on Thursday, 15th October 7pm at the CIT Cork School of Music.
The fictional has-beens of Alan Howley and Jack Cawley resemble anxious players returning to settle old scores.
Stefanie Preissner's new play was already promised to Tiger Dublin Fringe when her funding application was unsuccessful.
Luke Murphy's svelte demeanour can instantly give way to warrior-like choreography.
Dancers Ruairí Donovan and Asaf Aharonson flit as gentle lovers in this showing up of archaic law.
Theatre etiquette is dashed in Kim Noble's epic search for companionship.
To Thomas Bartlett's possessed swoops on the piano, Mx Justin Vivian Bond powerfully sends hexes out into the universe.
The new chapter of Company SJ's Beckett in the City series articulates the ramshackle body of the woman in nationalist Ireland.
If fetishisation of machinery is part of aerial play, Emily Aoibheann's experiment cuts and fuses shapes that show the mechanical taking over.
Popstar-wannabe Xnthony makes his move for Eurovision 2016.
Michael Glen Murphy's play returns to the late days of Dublin's Theatre Royal.
Barry McStay's nail-bitingly good play asks timely questions in the wake of the Marriage Equality Referendum.
Louise White's pastoral promenade inside a disused commercial building suggests the possibility of regrowth, drawing on the experiences of The Abbeyleix Bog Project.
Goerge Brant's unsettling play asks questions about the changing state of warfare.
A fictional Irish town becomes victim to a sinister wind-farm plot in Jane Madden's brilliant farce.
Aisling O'Mara and Robbie O'Connor summon two Abbey actors who fought in Easter week 1916.
In this beguiling co-production, junk ensemble and Brokentalkers place confidence in a cast of strangers.
Alice Malseed is exemplifiable of millennials burnt out by their late twenties, their hopes dashed in the bust.
This autumn the Abbey Theatre proudly presents Wayne Jordan's new version of Oedipus by Sophocles.
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Reuben Solo: Someone In This Crowd Will Betray Me The Sugar Club (9/03-9/03) |
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Dirty Dancing - The Classic Story On Stage Bord Gais Energy Theatre (3/02-3/13) |
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Two MR PS In a Podcast: Live - Let That Be a Lesson Ambassador Theatre (2/27-2/27) |
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The Other Side Of Murder Gaiety Theatre (10/13-10/17) |
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Mná na hÉireann Ambassador Theatre (10/14-10/16) |
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Dracula Gaiety Theatre (11/03-11/07) |
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Heathers the Musical Bord Gais Energy Theatre (11/17-11/21) |
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Cats Bord Gais Energy Theatre (3/16-3/20) |
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Give My Head Peace Vicar Street (4/04-4/04) |
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Steve Steinman''s Bat! Bat Out of Hell 50th Anniversary Tour 3Olympia Theatre (10/20-10/20) |