BWW Review: FEFU AND HER FRIENDS REIGN AT CATASTROPHIC THEATRE
FEFU AND HER FRIENDS passes the Bechdel test with glowing colors a?" there are no men seen, and only mentioned briefly, even though we feel their presence as plot catalysts.
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FEFU AND HER FRIENDS passes the Bechdel test with glowing colors a?" there are no men seen, and only mentioned briefly, even though we feel their presence as plot catalysts.
Why did Stages choose THE FANTASTICKS to open The Gordy, their sparkling new home? Because it is perfect.
“This—something, life and.
Narratively ELLIOT, A SOLDIER'S FUGUE simply combines three soldiers in Korea, Vietnam, and Iraq.
Most people know the music pretty well, but few knew the band had a colorful history full of crimes and mob connections that were against the clean cut tradition of their era.
The year is 1967, the place is San Francisco, and the conflict? A young and optimistic mixed-race couple has just announced their upcoming plans of marriage to unsuspecting parents.
THE BAND'S VISIT reminds audiences what musical theater can be when we remove garish production values and jukebox hits.
This is HAMLET like you have never seen before - performed by a handsome stranger who is hellbent on turning Shakespeare's longest work into a 90 minute aria.
a?oeDolly will never go away again!a?? But that's just it.
I first saw ELF when TUTS produced it back in 2013, and last year I had the absolute joy of working on a production of it at Queensbury Theatre.
In the thick of the holiday season, there are generally two camps of seasonal shows in the repertoire of our Houston theatre scene: those that indulge the festive, heartfelt genre of holiday classics, and those that provide an alternative.
Vincent Victoria has made a name for himself by recreating black female icons that loom large over our cultural imagination.
Claire Barron's edgy comedy/drama centers on a small, slightly dysfunctional family and their problems, the biggest of which is a massive storm system moving relentlessly their way.
The Nutcracker is beloved for many reasons; the endless eye candy, the dynamic score, and the marriage of artistry and excellence.
It was amazing to see DEAR EVAN HANSEN with an enthusiastic audience.
World Series tickets may have been the hottest tickets Tuesday night, but they definitely weren't the only tickets in town.
It wasn't the comedy of broadcasters who have absolutely no information to share but share it anyway that stayed with me, nor was it watching each of these characters disintegrate into their lowest common denominators as they desperately cling to order.
4th Wall Theatre Company's production shows a lot of love for Tennessee Williams, and they have thrown a ton of resources behind it.
Theatre Under The Stars' Spring Awakening does more than entertain its audiences.
Is it possible to be released from the bondage of suffering, while still in the midst of it? How often does sufferinga?'past or presenta?'grasp hold of our entire being, making it near impossible to believe in the goodness around us? The World Premiere Adaption of THE HIDING PLACE asks us these ques
Director Julie Kramer and choreographer Jessica Hartman have stayed true to the 1975 vision, but also managed to make it more energetic and faster paced.
To the delight of the audience she covers horror movies, several ghastly tales of the saints, and even unleashes a fashion show where you can dress up as an unlucky martyr to go trick or treating.
In 1996, Jonathan Larson's rock-opera RENT changed the landscape of American theatre.
This one has everything you could want - broadly drawn characters, exotic settings, and a spectacular murder with no shortage of suspects.
As the biggest musical A.
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