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Note: Click on a Column Head to Sort/Graph by Column. Complete Statistical Data Not Available for Shows Prior to 1996.
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
& JULIET (STEPHEN SONDHEIM) |
$1,174,596 | $1,174,596 | $143 $323 |
8,201 | 8,208 | 8 | 99.90% |
|
A BEAUTIFUL NOISE, THE NEIL DIAMOND MUSICAL (BROADHURST) |
$605,929 | $605,929 | $117 $348 |
5,160 | 9,224 | 8 | 55.90% |
|
ALADDIN (NEW AMSTERDAM) |
$1,365,733 | $1,365,733 | $105 $216 |
13,030 | 13,816 | 8 | 94.30% |
|
AN ENEMY OF THE PEOPLE (CIRCLE IN THE SQUARE) |
$972,188 | $972,188 | $142 $480 |
6,827 | 6,624 | 8 | 103.10% |
|
BACK TO THE FUTURE: THE MUSICAL (WINTER GARDEN) |
$1,223,626 | $1,223,626 | $108 $247 |
11,282 | 11,824 | 8 | 95.40% |
|
CHICAGO (AMBASSADOR) |
$895,592 | $895,592 | $114 $242 |
7,853 | 8,640 | 8 | 90.90% |
|
DAYS OF WINE AND ROSES (STUDIO 54) |
$375,238 | $375,238 | $76 $247 |
4,913 | 7,904 | 8 | 62.20% |
|
DOUBT: A PARABLE (TODD HAIMES) |
$491,427 | $491,427 | $100 $323 |
4,918 | 5,089 | 7 | 96.60% |
|
HADESTOWN (WALTER KERR) |
$1,185,096 | $1,185,096 | $159 $599 |
7,448 | 7,344 | 8 | 101.40% |
|
HAMILTON (RICHARD RODGERS) |
$2,004,814 | $2,004,814 | $188 $399 |
10,691 | 10,592 | 8 | 100.90% |
|
HARRY POTTER AND THE CURSED CHILD (LYRIC) |
$1,381,323 | $1,381,323 | $113 $299 |
12,260 | 12,976 | 8 | 94.50% |
|
KIMBERLY AKIMBO (BOOTH) |
$582,376 | $582,376 | $99 $273 |
5,872 | 6,184 | 8 | 95.00% |
|
MERRILY WE ROLL ALONG (HUDSON) |
$1,623,816 | $1,623,816 | $210 $649 |
7,728 | 7,728 | 8 | 100.00% |
|
MJ THE MUSICAL (NEIL SIMON) |
$1,552,032 | $1,552,032 | $146 $329 |
10,614 | 11,096 | 8 | 95.70% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
MOULIN ROUGE! THE MUSICAL (AL HIRSCHFELD) |
$1,427,838 | $1,427,838 | $137 $399 |
10,422 | 10,400 | 8 | 100.20% |
|
SIX (LENA HORNE) |
$969,235 | $969,235 | $118 $249 |
8,216 | 8,248 | 8 | 99.60% |
|
SPAMALOT (ST. JAMES) |
$862,505 | $862,505 | $83 $329 |
10,404 | 12,576 | 8 | 82.70% |
|
SWEENEY TODD: THE DEMON BARBER OF FLEET STREET (LUNT-FONTANNE) |
$1,410,644 | $1,410,644 | $136 $329 |
10,346 | 10,486 | 7 | 98.70% |
|
THE BOOK OF MORMON (EUGENE O'NEILL) |
$1,032,652 | $1,032,652 | $122 $299 |
8,466 | 8,528 | 8 | 99.30% |
|
THE LION KING (MINSKOFF) |
$2,110,037 | $2,110,037 | $161 $215 |
13,081 | 13,568 | 8 | 96.40% |
|
THE NOTEBOOK (SCHOENFELD) |
$767,281 | $767,281 | $96 $323 |
7,998 | 8,136 | 8 | 98.30% |
|
THE OUTSIDERS (JACOBS) |
$149,970 | $149,970 | $148 $247 |
1,015 | 1,015 | 1 | 100.00% |
|
THE WHO'S TOMMY (NEDERLANDER) |
$891,874 | $891,874 | $121 $299 |
7,377 | 8,225 | 7 | 89.70% |
|
WATER FOR ELEPHANTS (IMPERIAL) |
$898,413 | $898,413 | $86 $278 |
10,429 | 11,112 | 8 | 93.90% |
|
WICKED (GERSHWIN) |
$2,105,229 | $2,105,229 | $137 $275 |
15,403 | 15,408 | 8 | 100.00% |
| TOTAL | $28,059,463 | $1,122,379 | $127.57 $328.60 |
219,954 | 234,951 | 190 | 93.62% |
Note: All data presented for informational purposes only. BroadwayWorld.com makes no guarantees as to the accuracy of the data, or the matter in which it's presented. Source: The Broadway
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