SOUL TRAIN THE MUSICAL - Equity video submissions (chorus) Revised
American Conservatory Theater | San Francisco, CA
Notice: Submission
REVISED
Title of the show updated to SOUL TRAIN THE MUSICAL.
LORT Non-Rep
$1207 weekly minimum (LORT A)
Equity actors for chorus parts in SOUL TRAIN THE MUSICAL (see breakdown).
NYC and San Francisco Bay Area actors encouraged to submit.
We invite you to submit via the submission form online at
www.xcastingnyc.com/auditions. Please submit one copy of your headshot and resume. Submission videos will not be accepted via email, or if they are linked to an external website (such as Vimeo, Dropbox, We Transfer, YouTube). Video must be submitted as a file upload at
http://www.xcastingnyc.com/auditions" target="_blank">www.xcastingnyc.com/auditions.
Deadline: 12/28/2022
Produced by American Conservatory Theater (A.C.T.)
Book by Dominique Morisseau
Directed by Kamilah Forbes
Choreographed by Camille A. Brown Music Supervisor: Kenny Seymour Casting by X Casting
Viewing auditions:
Casting Director, Victor Vazquez, CSA Casting Associate Sujotta Pace, CSA
DEVELOPMENT SESSION DATES:
Development Session 1: Approximately, February 6, 2023 - March 5, 2023 (dates TBD)
Development Session 2: Approximately, April 10, 2023 - April 30, 2023
Development Session 3: Approximately, June 19, 2023 - July 9, 2023
PRODUCTION DATES:
First Rehearsal: July 11, 2023
First Preview: August 25, 2023
Opening: September 6, 2023
Closing: October 1, 2023
Possible Extension through: October 15, 2023
Development Session Location: NY, NY Production Location: San Francisco, CA
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit.
SINGERS: Please prepare two 16-32 bars of two contrasting songs in the style of soul, funk, disco, pop, Afro pop, Latin, R&B. If you do not have your own music or accompaniment, we invite you to use the following piano accompaniment of the song ‘September’ by Earth, Wind & Fire (sound file, music sheet, and melody provided) sing the verse and chorus, first two pages in the music sheet, including the repeat.
Dance Choreo Combination Video:
Dance Choreo Music Track (starts at the top):
[COMPANY MEMBER 1] - 20s-40s, Black, Indigenous, Person of Color, male identifying or non binary, Tenor. Flexible between a rotating group of Soul Train personalities. Voice, presence, and humor are helpful for all.
[COMPANY MEMBER 2] - 20s-40s, Asian, female identifying or non-binary, Soprano. Flexible between a rotating group of Soul Train personalities. Voice, presence, and humor are helpful for all. Cheryl Song, a Soul Train dancer known as “The Asian girl with the long hair”. Was the first non-Black dancer on the show.
[COMPANY MEMBER 3] - 20s-40s, Black, Indigenous, Person of Color, male identifying or non binary, Tenor. Flexible between a rotating group of Soul Train personalities. Voice, presence, and humor are helpful for all.
[COMPANY MEMBER 4] - 20s-40s, Afro-Latine, and/or Black-Mexican, male identifying or non binary, any vocal part. Flexible between a rotating group of Soul Train personalities. Voice, presence, and humor are helpful for all. Louie Ski Carr.
[COMPANY MEMBER 5] - 20s-40s, Black, Indigenous, Person of Color, female identifying or non binary, Alto. Flexible between a rotating group of Soul Train personalities. Voice, presence, and humor are helpful for all.
SOUL TRAIN THE MUSICAL - Equity video submissions (chorus) Page 2 of 3
[COMPANY MEMBER 6] - 20s-40s, Black, Indigenous, Person of Color, female identifying or non binary, Alto. Flexible between a rotating group of Soul Train personalities. Voice, presence, and humor are helpful for all.
[DANCER 1] - Black, Indigenous, Person of Color, any gender identity/ non-binary, well versed in African-American social dances through time, and a strong handle on contemporary dance. Popping, locking, waacking a plus. Has a strong sense of rhythmic sensibility.
[DANCER 2] - Black, Indigenous, Person of Color, any gender identity/ non-binary, well versed in African-American social dances through time, and a strong handle on contemporary dance. Popping, locking, waacking a plus. Has a strong sense of rhythmic sensibility.
[DANCER 3] - Black, Indigenous, Person of Color, any gender identity/ non-binary, well versed in African-American social dances through time, and a strong handle on contemporary dance. Popping, locking, waacking a plus. Has a strong sense of rhythmic sensibility.
[DANCER 4] - Black, Indigenous, Person of Color, any gender identity/ non-binary, well versed in African-American social dances through time, and a strong handle on contemporary dance. Popping, locking, waacking a plus. Has a strong sense of rhythmic sensibility.
[DANCER 5] - Black, Indigenous, Person of Color, any gender identity/ non-binary, well versed in African-American social dances through time, and a strong handle on contemporary dance. Popping, locking, waacking a plus. Has a strong sense of rhythmic sensibility.
[DANCER 6] - Black, Indigenous, Person of Color, any gender identity/ non-binary, well versed in African-American social dances through time, and a strong handle on contemporary dance. Popping, locking, waacking a plus. Has a strong sense of rhythmic sensibility.
Videos
