SOMEWHERE IN TIME Equity Chorus Call Dancers - Developmental Lab Auditions

Posted November 19, 2014
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SOMEWHERE IN TIME - Developmental Lab

SOMEWHERE IN TIME - ECC / Dancers
Davenport Theatricals/Foresight | New York, NY

Date of Audition:
12/8/2014


Call Type
Equity Chorus

Time(s)
Equity Chorus Call / Dancers

Monday, December 8th, 2014
10 AM - Equity Female Dancers
2 PM - Equity Male Dancers

Contract
Other
Developmental Lab Agreement; $1000/week

Location
Pearl Studios NYC 500
500 Eighth Avenue
(35th/36th Streets)
New York, NY
4th floor


Seeking
Equity dancers who sing for the ensemble.

See breakdown.

Preparation
Please prepare a contemporary musical theatre song that shows vocal range.

Please bring a picture and resume, STAPLED TOGETHER.

Other Dates
Contract Dates: January 26th- February 15th, 2015

EPA: 12/10, 10-6, at Pearl 500 8th Ave.
ECC/Singers: 12/9, at Pearl 500 8th Ave., 10 women, 2 men
ECC/Dancers: 12/8 at Pearl 500 8th Ave., 10 women, 2 men

Other
Casting: Tara Rubin Casting/Lindsay Levine

Based on the novel and the Universal Pictures film written by Richard Matheson

Personnel
Book by Ken Davenport
Music by Doug Katsaros
Lyrics by Amanda Yesnowitz
Director: Dan Knechtges
Musical Direction: Paul Staroba
Choreography by Dan Knechtges

· Chorus rules are in effect.

· A monitor will be provided.

Performers of all ethnic and racial background are encouraged to attend.

Always bring your Equity Membership Card to auditions.


Breakdown

Young playwright Richard Collier has an encounter with a mysterious old woman on the opening night of his earliest success; she entreats him, to his bewilderment, to “come back to me.” Several years later, with his life and career in disarray, he seeks quiet and contemplation and checks in to a storied hotel from his youth. But his stay at the hotel turns into the journey of a lifetime as he unravels history—and time—to discover a powerful but perhaps impossible love.

SEEKING:

ENSEMBLE

Please note that everyone in the ensemble will play multiple roles, and they all must be strong singers and good actors. Also, many members of the ensemble will need to be very strong dancers with good partnering skills, and ballet training/experience is a plus

Ensemble Man 1 /(Robert) – early to mid 40’s. Robert is Richard’s older brother. He is serious and strong, and pushes Richard to take his illness seriously. Strong singer/actor. C'' to F'''

Ensemble Man 2 /(Matheson) – 40’s or older. Matheson is a British scientist who wrote a book about time travel that Richard uses in his quest. He should feel a bit mad, strange, and very passionate. Must be comfortable with movement, and be very strong singer/actor. A' to E'''

Ensemble Man 3 (Desk Clerk) – any age, strong dancer. The snooty desk clerk at the Grand hotel. Good sense of comedy needed. Tenor

Ensemble Man 4 (Director) – any age, character man, strong dancer. He plays a young George M Cohan, who is staging the play Elise is starring in. High Baritone

Ensemble Man 5 (Photographer) – any age, strong dancer. The enthusiastic photographer at the Grand Hotel. He loves his camera, and loves taking pictures. Good sense of comedy a plus. Tenor

Ensemble Man 6 (Stage Manager) – any age, very strong dancer. This actor will play many small roles, and will be a featured dancer. Extremely strong dance ability is most important for this track. High Baritone

Ensemble Woman 1 (Older Elise, Miss Sally) – ideally would read in her 70’s or 80’s, but could be younger. Still beautiful. Older Elise only appears at the beginning of the show, when she shows up at an opening of one of Richard’s plays in 1966 and gives him a watch. She has been searching for him for over 50 years. Miss Sally is a mysterious fortune teller who is the wardrobe mistress for Robinson’s company in 1912. This role requires a strong, mature actress and singer. Alto

Ensemble Woman 2 (Older Laura) – ideally would read in her 70’s, but could be younger. Older Laura was Elise’s assistant and dear friend in 1912. She has written books about Elise, and is the keeper of her memory. This role requires a very strong actress who feels a bit delicate and frail in her major scene as Older Laura, but will also be able to play multiple other roles and middle aged characters. Alto

Ensemble Woman 3 (Laura) – early 20’s, good actress and very strong dancer. Elise’s young and enthusiastic assistant. Soprano

Ensemble Woman 4 (Band Singer) – 20’s, strong singer with a good period sound, also very strong dancer. The Band Singer sings the title song at a dance in 1912, so someone with strength and panache as a performer is necessary. A'' to F''''

Ensemble Woman 5 (Librarian) – late 20’s – 30’s, very strong dancer, actress with good sense of comedy. This track can be a bit charactery, the librarian is a comedic character who keeps hitting on Richard, and who he keeps ignoring, prompting sarcastic quips. Alto

Ensemble Woman 6 (Young Actress) – 20’s or 30’s, very strong dancer. This actress will play multiple small roles, and will be a featured dancer. Extremely strong dance ability is the most important quality for this track. Soprano

WE ARE SEEKING ACTORS OF ALL ETHNICITES AND CULTURAL BACKGROUNDS.

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