SISTER ACT Equity Chorus Call Dancers - Broadway Theatre Auditions

SISTER ACT – Equity Chorus Call Dancers

Broadway / Production Contract $1653/week minimum

Producers: Whoopi Goldberg & Stage Entertainment

Music: Alan Menken

Lyrics: Glenn Slater

Book: Cheri Steinkellner & Bill Steinkellner

Additional Book Material: Douglas Carter Beane

Dir: Jerry Zaks

Choreo: Anthony van Laast

Mus Suprvsr: Michael Kosarin

GM: 321 Theatrical Management

Casting: Telsey + Company

Currently running on Broadway.

Equity Chorus Call / Dancers:

Thursday, September 22, 2011 Pearl Studios NYC “500”

10 AM – Equity female dancers 500 Eighth Avenue, 12th Floor

2 PM – Equity male dancers New York City

Please be warmed up and ready to dance when the call begins. Women: Character heels. Some dancers may be asked to stay and sing after all have danced. Please prepare 16 bars of a pop song, disco song, or contemporary musical theatre song in the style of Alan Menken. Bring sheet music in the correct key; accompanist is provided, but may not transpose.

Please bring a picture & resume, stapled back-to-back.

Seeking, for possible future replacements in the Broadway production:

Female Ensemble:

Characters are 20-55, all ethnicities. Seeking great singers and strong movers of all types, shapes and sizes. All need very strong legit and belt voices. Should have style and the ability to play various characters—including nuns and blue-collar Philadelphians—and understudy principal roles. Also seeking women to play Tina and Michelle (Deloris’s back-up singers; low-rent, but sexy, wannabe Pointer Sisters, whose moves are smooth and their attitude sassy); they need to be strong dancers. There are two additional strong dancers among the Female Ensemble.

Male Ensemble:

Characters are 20-55, all ethnicities. Seeking great singers (with disco falsetto a la Bee Gees, Beach Boys, Four Seasons) and strong movers of all ethnic types, shapes and sizes. Should have style and the ability to play various small parts—including blue-collar Philadelphians—and understudy principal roles.