LAST DAYS OF SUMMER - NYC ECC / Male Singers
George Street Playhouse
AUDITION DATE
Fri, May 31, 2019
9:30 am (EDT)
Equity Male Singers who move well
CONTRACT
LORT Non-Rep $696/week
SEEKING
Equity singers for the ensemble. See breakdown for ensemble details.
PREPARATION
Please prepare a 1940’s era song or a classic musical theater song that shows as much range as possible Please bring a picture and resume, STAPLED TOGETHER.
LOCATION
Actors' Equity New York Audition Center
165 W 46th St
16th Fl
New York, NY 10036
PERSONNEL
Jeff Calhoun - Director
Artistic Director - David Saint
Book and Lyrics by Steve Kluger, based on his novel
Music by Jason Howland
Produced in Association with Daryl Roth
General Manager: Scott Goldman (Attending)
OTHER DATES
1st Rehearsal 9/25/19
Opening 10/25/19
Closing 11/10/19
OTHER
ECC Procedures are in effect for audition.
An Equity monitor will be provided.
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.
Always bring your Equity Membership card to auditions.
BREAKDOWN
MALE ENSEMBLE (8) :
GORDON BIERMAN
12 YRS. OLD. Your typical neighborhood punk. Dark-haired and German, he’s ruthless with kids who are weaker than he is—unless a world-famous baseball player happens to talk him out of that particular endeavor. But once he’s on the right track, he’s not entirely incapable of turning into one of the good guys. Vocal range- A below middle C to high D – VOICE AS YET UNCHANGED!
CHUCKY MARGOLIS
12 yrs. old—A shrewd kid who aspires to be a Jedi knight. He may be only 12, but he knows his father better than his father does. Vocal range- belt/mix A below middle C to high d flat; VOICE AS YET UNCHANGED!
STUKE
20s. If he isn’t left-handed, he ought to be—because he’s got an oddball way of looking at things that’s unique to most lefties. A second baseman by trade but a philosopher at heart, he’s naturally drawn to unusual people, especially those who have a lot of moxie. A calming influence on even the most intractable of his friends, he’s a Xan
RABBI LIEBERMAN
30s-50s While probably not the most patient man who ever lived, he’s nonetheless deeply pious and committed to caring for those in his charge. Like Aunt Carrie, he isn’t an easy person to get to know—until you get to know him. Vocal range- Baritone to F
2 MALE ENSEMBLE
TO PLAY A VARIETY OF CHARACTERS INCLUDING BALLPLAYERS and MARINES, 20s to 30s
2 MALE ENSEMBLE
TO PLAY A VARIETY OF CHARACTERS INCLUDING C ONDUCTOR, COLONEL, GINATS MANAGER, 30s to 40s
FEMALE ENSEMBLE:
RACHEL PANITZ
She’s thirteen years old, utterly appealing in a stubborn and high maintenance way, and she’s got a full-time job on her hands trying to hide the fact that she finds Joey unbearably cute. She even almost succeeds. Vocal range- Mix/belt A below middle C to a D
IDA MARGOLIS
20s-40s; Joey’s mom is laid back to the point of being an omniscient observer— until you cross somebody in whom she believes. Then watch out. She has no patience for prejudice of any stripe; her pride in her Jewish heritage and her comfort in her own skin allows her to treat everyone exactly the same. Vocal range- Mezzo mix to F, mix belt to D
AUNT CARRIE
20s-40s; On the other hand, there’s Aunt Carrie. Far more forcefully Jewish than Ida (in a room full of police officers, she’ll only speak to Sgt. Greenberg), she’s sharp and opinionated, and it takes a lot of effort to break through her armor—but once that’s been accomplished, her devotion is unassailable. Vocal range- Soprano to high G w/ mix belt to D
ELSIE MCKEEVER and others
20s-30s including Waitress
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to audition.
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