FINDING NEVERLAND Equity Chorus Call Female Singers - National Tour Auditions

Posted September 20, 2017
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FINDING NEVERLAND - National Tour

FINDING NEVERLAND (SETA) - NYC ECC / Female Singers

FNL Touring LLC


AUDITION DATE

Wed, Oct 11, 2017

10:00 am (EDT)

CONTRACT

Short Engagement Touring

Category 1 ($944/week minimum)

SEEKING

Equity ensemble singers who move very well. For future replacements in the currently running SETA Tour.

PREPARATION

Please prepare a short, contemporary pop/rock song that shows off your range. Please bring sheet music as an accompanist will be provided.

Please bring a picture and resume, stapled together.

LOCATION

Pearl Studios NYC (500)

500 8th Avenue

New York, NY 10018-6504

4th floor

PERSONNEL

Music & Lyrics: Gary Barlow and Eliot Kennedy
Book: James Graham
Producer: The Weinstein Company
Executive Producer: NETworks Presentations
Director: Diane Paulus
Choreographer: Mia Michaels
Music Supervisor: Fred Lassen
Casting Director: Benton Whitley, CSA of Stewart/Whitley
Associate Casting Director: Danny Dunitz of Stewart/Whitley
In the room: Danny Dunitz of Stewart/Whitley, Cam Moncur, Associate Music Director

OTHER

ECC Procedures are in effect for this audition.

An Equity monitor will be provided.

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.

Always bring your Equity Membership card to auditions.

BREAKDOWN

[FEMALE ENSEMBLE/MARY BARRIE]
Ensemble, Female, 20’s –30’s. Any ethnicity. To play various roles in the ensemble including members of high society and members of the acting troupe. Must have strong pop/rock voices with a great sensibility of British contemporary music. Doubles as MARY BARRIE–the wife of J.M. Barrie, she cares about the trappings of society. She and her husband do not share the same interest and live progressively separate lives. Must have an excellent sense of navigating comedy. Must have a strong pop/rock sound as well as strong soprano.

[FEMALE ENSEMBLE SINGER/BASSETT]
Ensemble, Female, 20’s –30’s. Any ethnicity. To play various roles in the ensemble including members of high society and members of the acting troupe. This track will most likely understudy SYLVIA LLEWELYN DAVIES, MARY BARRIE, and MRS. DU MARRIER. Must have strong pop/rock voices with a great sensibility of British contemporary music.

[FEMALE ENSEMBLE SINGER/JONES]
Ensemble, Female, 20’s –30’s. Any ethnicity. To play various roles in the ensemble including members of high society and members of the acting troupe. This track will most likely understudy SYLVIA LLEWELYN DAVIES, MARY BARRIE, and MRS. DU MARRIER. Must have strong pop/rock voices with a great sensibility of British contemporary music.

[MALE ENSEMBLE SINGER/ELLIOT]
Ensemble, Male, 20’s. Any ethnicity. Strong physical comedy skills required. To play various roles in the ensemble including members of high society and members of the acting troupe. Must have strong pop/rock voices with a great sensibility of British contemporary music Acrobatic skills are a plus. All singers should move very well.

[MALE ENSEMBLE SINGER/TURPIN]
Ensemble, Male, 30’s – 40’s. Any ethnicity. To play various roles in the ensemble including members of high society and members of the acting troupe. This track most likely understudies CHARLES FROHMAN/HOOK. Must have strong pop/rock voices with a great sensibility of British contemporary music. All singers should move very well and have strong comedy skills.

[MALE ENSEMBLE SINGER/HENSHAW]
Ensemble, Male, 30’s – 40’s. Any ethnicity. Ideal type is physically tall and thin. To play various roles in the ensemble including members of high society and members of the acting troupe. This track most likely understudies CHARLES FROHMAN/HOOK. Must have strong pop/rock voices with a great sensibility of British contemporary music. All singers should move very well and have strong comedy skills and aplomb.

[MALE ENSEMBLE SINGER/LORD CANNAN]
Ensemble, Male, 20’s – 40’s. Any ethnicity. To play various roles in the ensemble including members of high society and members of the acting troupe. This track will most likely understudy J.M. BARRIE. Must have strong pop/rock voices with a great sensibility of British contemporary music. All singers should move very well and have strong comedy skills.

[MALE ENSEMBLE SINGER/CROMER]
Ensemble, Male, 20’s-30’s. Any ethnicity. Strong physical comedy skills required. Ideal type is physically short and stocky. To play various roles in the ensemble including members of high society and members of the acting troupe. Must have strong pop/rock voices with a great sensibility of British contemporary music. All singers should move very well.


Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to audition.

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