ABOUT TIME Equity Principal Actors - Producing Org TBD Auditions

ABOUT TIME - NYC EPA

Producing Org TBD

Notice: Audition Call Type: EPA

AUDITION DATE

LOCATION

Tuesday, January 6, 2026

Pearl Studios (500)
500 8th Ave
10:00 AM - 6:00 PM (E)
New York, NY 10018-6504

Break: 1:30 PM - 2:30 PM
Studio #401 (Audition Room) / Studio #408 (Holding Room)

CONTRACT

Off Broadway

PERSONNEL

$803 weekly minimum

Producers: Joey Parnes Productions, Janet Brenner, Laura Ivey

General Manager: Joey Parnes

Director: Richard Maltby, Jr.

Music: David Shire

Lyrics: Richard Maltby, Jr.

Choreographer and Musical Staging: Marcia Milgrom Dodge

Associate Choreographer and Musical Staging: Josh Walden

Music Director: Deniz Cordell

Casting Associate: Spencer Gualdoni CSA

Casting Directors: Merri Sugarman and Claire Burke

Accompanist

PREPARATION

Choose a song you feel shows you as a person as well as a performer, showing vocal and emotional range in the style of Maltby and Shire. Please bring sheet music and a stapled headshot and resume.

OTHER DATES

1st Rehearsal: on or about February 2, 2026

1st Performance: February 19, 2026

Closing: May 10, 2026

OTHER

Venue: Marjorie S. Deane Little Theater, NYC

EPA Procedures are in effect for this audition. An Equity Monitor will be provided.

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.

Always bring your Equity Membership card to auditions.

BREAKDOWN

SEEKING:

[F2]: 50s-60s; female-presenting; Alto/Mezzo-Soprano with a belt. Dramatic storytelling and comedic featured material. Comfortable holding harmony parts in group vocals. Strong musical theatre voice, plus a soprano. With warmth and a sense of comedy.

[F3]: 50s-60s; female-presenting; Alto with extended upper range. Role calls for ensemble and solo singing. Equal amount of dramatic storytelling and comedic featured material. Comfort with “patter” style songs beneficial. Strong musical theatre voice and comedy. This part can go several different ways, but a down-to-earth energy and warmth, with touching comedy will be a factor. Very strong top notes.

[MALE-PRESENTING SWING]: 50s-60s; male-presenting to cover 3 roles; Tenor. Dramatic storytelling with a comic bend in featured material. Ability to perform with standard British or Cockney accent a plus. Very versatile, with strong voice, a good sense of comedy, and excellent sense of words/use of text and language.

[FEMALE-PRESENTING SWING]: 50s-60s; female-presenting to cover 3 roles; multitalented, very versatile, with a strong voice, high soprano notes and belt, good sense of comedy, and excellent sense of words/use of text and language.

THE FOLLOWING ROLES ARE ON OFFER:

[M1]: Male-presenting; 50s-70s. Tenor. Dramatic storytelling with a comic bent in featured material. Ability to perform with standard British or Cockney accent a plus. Role calls for ensemble and solo singing. THIS ROLE IS ON OFFER.

[M2]: Male-presenting; 50s-60s. Tenor 2, with higher notes available. Equal amounts dramatic storytelling and comedy. Must be comfortable with learning and holding harmony parts in group vocals. THIS ROLE IS ON OFFER.

[M3]: Male-presenting; 50s-60s. Baritone. Several comic turns, with dramatic moments – a wide range of material. Role calls for ensemble and solo singing. THIS ROLE IS ON OFFER.

[F1]: Female-presenting; 50s-60s. Warm Soprano with strong upper range. Should have comfortable Bb5’s. Role calls for ensemble and solo singing. A wide range of material – mostly dramatic storytelling, with some comedy. THIS ROLE IS ON OFFER.