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OPERA THEATER REVIEWS

The latest reviews and critic recommendations from Opera
BWW Reviews: Opera Philadelphia's A COFFIN IN EGYPT -- Von Stade is Wonderful, But It

BWW Reviews: Opera Philadelphia's A COFFIN IN EGYPT -- Von Stade is Wonderful, But It's Otherwise Mummified

by Marakay Rogers — June 16, 2014
Von Stade out of retirement is cause for celebration, but there's no other purpose to the vehicle for it...
BWW Reviews: Skylark Opera Showcases Two Celebrated 20th Century American Composers i

BWW Reviews: Skylark Opera Showcases Two Celebrated 20th Century American Composers in its Summer Festival

by Jill Schafer — June 17, 2014
For their annual summer festival, Skylark Opera is presenting the Leonard Bernstein classic operetta Candide and the musical revue Berlin to Broadway with Kurt Weill....
BWW Reviews: Washington National Opera's Emotionally Touching AN AMERICAN SOLDIER

BWW Reviews: Washington National Opera's Emotionally Touching AN AMERICAN SOLDIER

by Benjamin Tomchik — June 16, 2014
I love theater that challenges me as an audience member and An American Soldier does just that....
BWW Reviews: Soprano Mariella Devia is 'Queen for a Day' at Opera Orchestra's ROBERTO

BWW Reviews: Soprano Mariella Devia is 'Queen for a Day' at Opera Orchestra's ROBERTO DEVEREUX

by Richard Sasanow — June 11, 2014
In New York, Donizetti's ROBERTO DEVEREUX will forever be associated with Beverly Sills' powerful portrayal of Elizabeth I, and her stern photo glaring out from the cover of Time Magazine. However, Italian soprano Mariella Devia, a vocal miracle at 66, nearly caused a riot in the role at Carnegie Ha...
BWW Reviews: Il Divo's Masterful MUSICAL AFFAIR Garners Enthusiastic Ovations in Prov

BWW Reviews: Il Divo's Masterful MUSICAL AFFAIR Garners Enthusiastic Ovations in Providence

by Veronica Bruscini — June 9, 2014
Il Divo's A MUSICAL AFFAIR lives up to its promise and brings impressed and appreciative audience members enthusiastically to their feet. The Providence show marked the final stop on Il Divo's North American tour and, rather fittingly, this "love letter" to musical theater graced PPAC's stage on t...
BWW Reviews:  OTSL's ELIXIR OF LOVE is intoxicating!

BWW Reviews: OTSL's ELIXIR OF LOVE is intoxicating!

by Steve Callahan — June 3, 2014
Well, it worked on me! 'The Elixir of Love' opened last night at the Opera Theatre of St. Louis, and after only a sip or two I fell head over heels for it. At the end of the evening I was, like Nemorino, giddy (oh, let's admit it, the better word is 'drunk') with happiness and delight. It was si...
BWW Reviews: Gotham Chamber Opera's US Premiere of THE RAVEN Cries 'Nevermore'

BWW Reviews: Gotham Chamber Opera's US Premiere of THE RAVEN Cries 'Nevermore'

by Richard Sasanow — June 2, 2014
When New York's Gotham Chamber Opera--in collaboration with the Gerald Lynch Theatre at John Jay College--presented Toshio Hosokawa's THE RAVEN in its US premiere last week, as part of the NY Philharmonic Biennial, the composer could not have wished for a production that made a better case for it. Y...
BWW Reviews: Hub Opera's THE MARRIAGE OF FIGARO Features an Evening of Clever Charact

BWW Reviews: Hub Opera's THE MARRIAGE OF FIGARO Features an Evening of Clever Characters and Beautiful Music

by Johnna Leary — May 30, 2014
The Hagerstown Hub Opera production of one of Mozart's most famous operas, The Marriage of Figaro, is an enjoyable way to spend an evening, providing audiences with gorgeous music and vocals and very clever caricatures of the well known opera buffa stereotypes....
BWW Reviews: OTSL's MAGIC FLUTE Delights St. Louis

BWW Reviews: OTSL's MAGIC FLUTE Delights St. Louis

by Steve Callahan — May 27, 2014
Opera Theatre of St. Louis has opened its thirty-ninth season with a bang. Their production of The Magic Flute is unlike any other you've seen (or ever will see)....
BWW Reviews: Deal or No Deal, Dutch National Opera's FAUST Is Damned

BWW Reviews: Deal or No Deal, Dutch National Opera's FAUST Is Damned

by Richard Sasanow — May 27, 2014
Even with its visions of damnation and redemption, Gounod's FAUST, with libretto by Barbier and Carre, is pretty tame stuff. In the wrong hands, it can be dull as well. Well, you can't accuse the Dutch National Opera's new production--by Barcelona's Alex Ollé and the theatre company La Fura dels B...

ST. LOUIS OPERA FLOURISHES THIS SUMMER

by Steve Callahan — May 27, 2014
Seven productions tempt opera-lovers in a bright summer season....
BWW Reviews: The Foibles of DON GIOVANNI at Opera Philadelphia

BWW Reviews: The Foibles of DON GIOVANNI at Opera Philadelphia

by Marakay Rogers — May 19, 2014
Nicholas Muni gives a stylish yet peculiar take on an age-old story...
BWW Reviews: Opera Colorado's Subdued, Stifled, and Subpar Version of the Operatic Cl

BWW Reviews: Opera Colorado's Subdued, Stifled, and Subpar Version of the Operatic Classic, CARMEN

by Michael Mulhern — May 19, 2014
Sometimes less is more, but in this case more is more....and much more was needed!...
BWW Reviews: From Kaufmann and Florez to Beczala and Camarena, It's the Year of the T

BWW Reviews: From Kaufmann and Florez to Beczala and Camarena, It's the Year of the Tenor

by Richard Sasanow — May 13, 2014
“The party's over,” wrote Betty Comden & Adolph Green in BELLS ARE RINGING. “It's time to call it a day.” The opera season at the Metropolitan said its farewells to 2013-2014 on May 10 with a bel canto doubleheader of Rossini's LA CENERENTOLA (a shot heard round the world via radio and The M...
BWW Reviews:  LA TRAVIATA Is a Heartrending Tale of Doomed Love, Duty, and Honour

BWW Reviews: LA TRAVIATA Is a Heartrending Tale of Doomed Love, Duty, and Honour

by Barry Lenny — May 5, 2014
With only three more performances of this operatic masterwork, it is essential to waste no time in booking tickets. This is not to be missed....
BWW Reviews: WNO's Eye-Popping MAGIC FLUTE Casts a Musical Spell

BWW Reviews: WNO's Eye-Popping MAGIC FLUTE Casts a Musical Spell

by Jeffrey Walker — May 4, 2014
A winner from start to finish, THE MAGIC FLUTE features Mozart's score, a delightful new translation, superb casting, and the stunning design work of Jun Kaneko. Perfect for fans and novices, this MAGIC FLUTE is a must see....
BWW Reviews: ALO Introduced Austin to Up-And-Coming Opera Stars with ELIXIR OF LOVE

BWW Reviews: ALO Introduced Austin to Up-And-Coming Opera Stars with ELIXIR OF LOVE

by Jeff Davis — May 2, 2014
Poor, plain, easily ignored Nemorino. He's so in love with the beautiful Adina, but she doesn't love him back. Ultimately, lovesick Nemorino is forced to buy a love potion from a charlatan to win Adina's heart. While that may be the plot of Gaetano Donizetti's comic opera, it doesn't take a potion t...
BWW Reviews: The Tenor's a Cinderella, the Mezzo's Charming and the Met's CENERENTOLA

BWW Reviews: The Tenor's a Cinderella, the Mezzo's Charming and the Met's CENERENTOLA is a Dream

by Richard Sasanow — May 2, 2014
When the Met's production of LA CENERENTOLA, Rossini's version of the Cinderella story. arrives in movie theatres around the world next week, the star for many will be tenor Juan Diego Florez as the prince. But he didn't make it to the first three performances of the opera this season in New York--n...
BWW Reviews: Soprano Olga Peretyatko Debuts in I PURITANI at the Met, But, Oh, That H

BWW Reviews: Soprano Olga Peretyatko Debuts in I PURITANI at the Met, But, Oh, That High F from Tenor Lawrence Brownlee

by Richard Sasanow — April 28, 2014
One of the thrilling things about live opera performance is that it's like watching a tightrope walker, particularly when it's one with as many high notes and such florid writing as in Bellini's I PURITANI. Only daredevils need apply. That was the atmosphere when Russian soprano Olga Peretyatko made...
BWW Reviews: Houston Grand Opera's CARMEN is Sultry and Opulent

BWW Reviews: Houston Grand Opera's CARMEN is Sultry and Opulent

by David Clarke — April 27, 2014
Closing their 2013-14 Season, HGO is presenting Georges Bizet's acclaimed CARMEN. For this production, Award winning Broadway Director and Choreographer Rob Ashford took the reins and has created a CARMEN that is as beautiful as it is exciting....
BWW Reviews: One Small Step for MACBETH, One Huge Leap for Opera in Africa

BWW Reviews: One Small Step for MACBETH, One Huge Leap for Opera in Africa

by David Fick — April 28, 2014
In MACBETH, Brett Bailey gives us Shakespeare by way of Giuseppe Verdi's opera, filtered through Third World Bunfight's trademark post-colonialist, avant-garde manifesto....
BWW Reviews: Kristine Opolais' BUTTERFLY Spreads Its Glorious Wings at the Met

BWW Reviews: Kristine Opolais' BUTTERFLY Spreads Its Glorious Wings at the Met

by Richard Sasanow — April 21, 2014
By this time in the Met's season, audiences can be a little “been there, done that”--but not when it came to Latvian soprano Kristine Opolais, singing the title role in Puccini's MADAMA BUTTERFLY for the first time in New York. They nearly stormed the stage when she came out for her curtain call...
BWW Reviews: Soprano Karita Mattila Shimmers in Strauss's FOUR LAST SONGS at Carnegie

BWW Reviews: Soprano Karita Mattila Shimmers in Strauss's FOUR LAST SONGS at Carnegie Hall

by Richard Sasanow — April 16, 2014
Of all the music that Richard Strauss wrote during his long career—and he'd composed almost 60 songs and more than 40 piano works by the time he was 18—perhaps none are more gorgeous and moving than his FOUR LAST SONGS (VIER LETZTE LIEDER). Finnish soprano Karita Mattila's performance on Satur...
BWW Reviews: Houston Grand Opera's DAS RHEINGOLD is Full-Throttle Spectacle

BWW Reviews: Houston Grand Opera's DAS RHEINGOLD is Full-Throttle Spectacle

by David Clarke — April 15, 2014
Houston Grand Opera, which opened a lavish production of DAS RHEINGOLD this past weekend, is proudly kicking off their first Ring Cycle by Richard Wagner. Like any modern production of Wagner's Ring Cycle, Houston Grand Opera is sparing no expense. At Sunday's matinee, the audience leapt to their fe...
BWW Reviews: Furlanetto Conquers La Mancha - With Dignity

BWW Reviews: Furlanetto Conquers La Mancha - With Dignity

by Erica Miner — April 7, 2014
For two magical hours, Ferruccio Furlanetto lifted an embattled San Diego Opera from its doldrums to the lofty heights only such an artist can invoke, in his exquisite rendering of Jules Massenet's noble, genteel Don Quixote....
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