BWW Reviews: Met Takes New FIGARO in Marriage for Season Opener
More than most stagings of Mozart's LE NOZZE DI FIGARO, the new Richard Eyre production that opened the season at the Met made it hard to remember that the miserable duo who head the household were the happy couple of Rossini's IL BARBIERE DI SIVIGLIA....
BWW Interview: FIGARO's Isabel Leonard -- The Girl, the Boy and the Voice
'Cherubino is crazy in some ways, in good ways,' says Isabel Leonard, who is singing the role of the young male page in the Almaviva household in the Metropolitan Opera's new Richard Eyre production of LE NOZZE DI FIGARO. 'He sees everything in Technicolor, eyes wide open, taking everything in, not...
BWW Reviews: TWISTED Enthralls Columbus on Opening Night
From the first bombastic notes of Richard Wagner's "Prelude to Act III from Lohengrin" to the last pieces of gold confetti raining down onto the stage after the show-stopping finale, "Twisted: A Trio of Excellence" delighted opening night audiences with a unique fusion of movement and sound set to c...
BWW Reviews: Skylight Fabulously Re-Fashions Rossini's CINDERELLA
Think fairytales can be out of fashion? Please think again. Fairytales represent stories beloved and valued by every culture for untold centuries. So when a contemporary, in high fashion fairytale opens the 2014-2015 Skylight Music Theatre's 56th season bringing Milwaukee 'Fairytales and Fantasy' u...
BWW Reviews: World Premiere of TEST PILOT Finds Moments of Flight
Test Pilot, a world premiere dance opera co-created by Penelope Freeh and Jocelyn Hagen, opened at the O'Shaughnessy Theater in Saint Paul on September 12 as a part of the Women of Substance series at St. Catherine University....
BWW Reviews: Isango Ensemble Brings Magical Stagecraft to Mozart's MAGIC FLUTE
Offering a South African spin on Mozart's beloved opera, the Isango Ensemble brings simple stagecraft and a unique musical flair to Washington for a limited run. Performing in repertory with Shakespeare's VENUS AND ADONIS for a limited run, Isango displays their expert ensemble in a must-see produc...
BWW Reviews: NOLI ME TANGERE OPERA Manila
So how do you sell a show that was conceived and first staged more than 50 years ago--an opera at that --to a younger audience who probably haven't even heard of Verdi, Puccini, or Maria Callas? The much-awaited return of the Filipino stage classic seems to be tackling just that....
BWW Reviews: Opera Australia and John Frost's THE KING AND I
Before Thursday's opening night, Opera Australia and John Frost's revival of the Rodger and Hammerstein classic musical The King and I was already a resounding success following positive reviews during it's run in Melbourne, impressive advanced ticket sales and a Helpmann Award for Best Musical. It ...
BWW Reviews: SF Opera's SUSANNAH a Stunning Masterpiece
Set in Tennessee around the time of the Dust Bowl, 'Susannah' takes its inspiration from a story in the book of Daniel. Composer Carlisle Floyd's decision to remove the original's redemptive prophet seems to condemn Christianity, but also gives his revised version the dramatic thrust needed to explo...
BWW Reviews: Pérez and Costello Heat Up San Diego Opera's Stage
The 'red hot' Ailyn Perez-Stephen Costello duo, having been likened to rock star couples, rarely perform together....
BWW Reviews: PSYCHE A Modern Rock Opera, Art Brought to Life
The world premiere of PSYCHE: A Modern Rock Opera is undeniably impressive, especially when you consider the scope of the author's vision and the level of detail that has gone into its execution....
BWW Reviews: THE TELEPHONE is an Enticing, Operatic Apéritif
Opera Santa Barbara presents The Telephone, a comedic opera in one act for a quick taste of Gian Carlo Menotti's lighter, more humorous work....
BWW Reviews: SIEGFRIED Triumphs at Union Avenue
The Union Avenue Opera continues its bold venture into Wagner's Ring Cycle with the opening of a fine production of Siegfried, the third in that titanic tetralogical juggernaut that has rolled through opera history since 1874....
BWW Reviews: dell'Arte Opera Ensemble's MACBETH is Atmospheric and Intimate
As an art form, it seems that opera is having a hard time finding its footing with the current generation of young professionals. Increasingly, opera companies are scaling back as their current subscribers have no one to pass their torches on to. Despite this, dell'Arte Opera Ensemble is continuing ...
BWW Reviews: PHILIP GLASS PORTRAIT TRILOGY: SATYAGRAHA Completes an Amazing Week of Opera
This is top quality opera in every direction, no matter what criteria you care to judge it against. Timothy Sexton and Leigh Warren have pulled of a major coup....
BWW Reviews: PHILIP GLASS PORTRAIT TRILOGY: EINSTEIN ON THE BEACH Radically Reinvents Opera
The opera has no plot or narrative, but offers sketches, suggests thoughts and, perhaps could be best described as an impressionist opera....
BWW Reviews: dell'Arte Opera Ensemble's THE FAIRY QUEEN is Whimsical and Mirthful
In New York City, summer and Shakespeare go hand in hand. For their 2014 Season the dell'Arte Opera Ensemble is producing 'A Summer of Shakespeare,' and they kicked off this season with a fully staged production of Henry Purcell's THE FAIRY QUEEN. While giving the show a modern twist, dell'Arte Oper...
BWW Reviews: A STREETCAR NAMED DESIRE Shines at Union Avenue Opera
Andre Previn's operatic adaptation of 'A Streetcar Named Desire' opens at the Union Avenue Opera....
BWW Reviews: THE TSAR'S BRIDE a Heavenly Marriage with the Bolshoi Opera at Lincoln Center Festival
It's easy for opera-lovers to complain about the homogenization of casting at the world's great houses—particularly when there's only a small handful of Annas, Jonases, Juan Diegos, Cecilias, etc., that everybody wants to hear. So it was a treat to hear the visiting Bolshoi's concert performance o...
BWW Reviews: The Union Avenue Opera's Exquisite Production of LA TRAVIATA
When you think of classic operas LA TRAVIATA is certainly one that immediately comes to mind. Composer Giuseppe Verdi (with a libretto by Francesco Maria Piave) created a wonderful piece that has stood the test of time, and when hearing it, you'll often find a number of familiar themes, some of whic...
BWW Reviews: THE PASSENGER Makes Welcome Stopover at the Park Avenue Armory and Lincoln Center Festival
The Houston Grand Opera's brilliant production of Mieczyslaw Weinberg's THE PASSENGER, directed by David Pountney, was a stunning visitor to the Park Avenue Armory last week as a coproduction with the Lincoln Center Festival. It's not an easy experience, but well worth the effort....
BWW Reviews: Standing Ovation for St. Petersburg Opera Company's WEST SIDE STORY
Music director Mark Sforzini and stage director Bill Leavengood have struck gold with their top-flight cast. If you haven't gotten your tickets yet, then do so quickly. This fantastic production features several performances that should not be missed....
BWW Reviews: Big Voices, Not Big Names, Reign at the Met Summer Recital Series Opener in Central Park
I'd call it “love at first sight” (or, more properly, “first hearing”), but this wasn't the first time I'd heard mezzo Jamie Barton. And I certainly hope it won't be the last. Her performances at opening of this year's Summer Recital Series from the Metropolitan Opera at Central Park's Summe...
BWW Reviews: OTSL's DIALOGUES OF THE CARMELITES Grandly Rewards Your Patience
The Opera Theatre of St. Louis has opened the fourth production in its June festival season--'The Dialogues of the Carmelites', by Francis Poulenc. The cast features some St. Louis favorites: Kelly Kaduce, who gave us that jaw-dropping Salome five years ago, now plays a much timider leading lady-...
BWW Reviews: OTSL's '27' Opens to Ovations
Opera Theatre of St. Louis has just opened a new commissioned work entitled simply '27'. With music by Ricky Ian Gordon and libretto by Royce Vavrek, it brings us into the world of Gertrude Stein and Alice B. Toklas....
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