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America Opera Projects to Present COMPOSERS & THE VOICE: SIX SCENES, Today

Matthew Barnson, Emily Roller, Edward Einhorn,
Mark Sonnenblick, Marc LeMay, Duncan McFarlane,
Sky Macklay, Cecilia Livingston, Carlos R. Carrillo,
Nell Shaw Cohen
Photo by Steven Pisano

This fall, contemporary opera producer AMERICAN OPERA PROJECTS (AOP) will present COMPOSERS & THE VOICE: SIX SCENES 2016, a concert of opera scenes from ten artists emerging in the world of contemporary opera. Audiences will get a first look at six wildly different new works that range from imagining moments in the lives of famous people such as Sigmund Freud and Mabel Dodge Luhan or events taking place in a spaceship, an asylum, and a uterus. The composers Matthew Barnson, Carlos R. Carrillo, Nell Shaw Cohen, Marc LeMay, Cecilia Livingston, and Sky Macklay and librettists Edward Einhorn, Duncan McFarlane, Emily Roller, and Mark Sonnenblick, were chosen by AOP to spend a year creating new works in its bi-annual fellowship program Composers & the Voice (C&V).

The performances will be held on Friday, September 30 at 8:00pm at South Oxford Space (138 S. Oxford St.) in Fort Greene, Brooklyn, the home of AOP, and on Sunday, October 2 at 2:30pm at the National Opera Center (330 7th Ave, 7th floor) in Manhattan. Tickets range from $10-$25 general admission and are available at www.aopopera.org.

Six Scenes 2016 will be performed by the AOP Resident Ensemble of Singers: coloratura soprano Tookah Sapper (Manhattan School of Music), lyric soprano Jennifer Goode Cooper (NYCO, Glimmerglass), mezzo-soprano Caitlin McKechney (Opera Memphis, Florida Grand Opera), tenor Blake Friedman (BAM, St. Petersburg Opera), baritone Kyle Guglielmo (Sarasota Opera), and bass Jonathan Woody (BAM, Apollo's Fire). Each of the scenes were composed specifically for the singers' voices, after months of study and experimentation during the C&V program. Supporting on piano will be C&V Music Directors Mila Henry, Kelly Horsted, and Charity Wicks.

Previous Six Scenes concerts have given audiences their first look at operas that went on to fully-produced world premieres including Gregory Spears' Paul's Case (UrbanArias and Prototype Festival), Jack Perla's Love/Hate (ODC/San Francisco Opera 2012), and the upcoming Three Way by Robert Paterson (Nashville Opera 2017) and The Summer King by Daniel Sonenberg (Pittsburgh Opera 2017).

Following the performances, one of the scenes will be selected to receive a staged reading at Manhattan School of Music in Spring 2017 as part of their annual New American Opera Previews series From Page to Stage.

ABOUT COMPOSERS & THE VOICE

Created and led by Steven Osgood (General and Artistic Director of Chautauqua Opera and former Artistic Director of AOP), Composers & the Voice gives composers and librettists experience working collaboratively with singers on writing for the voice and contemporary opera stage. American Opera Projects selects composers and librettists bi-annually for the fellowships,made possible in part by generous awards from The Andrew W. Mellon Foundation and The Victor Herbert Foundation. Participants meet in closed sessions from September to April to present and discuss new works composed specifically for the individual voices of the Resident Ensemble with additional training in acting, improv, and libretto study.

In addition to the workshop sessions, C&V fellows benefit from one-on-one mentoring from Ricky Ian Gordon, Daron Hagen, Michael Korie, David T. Little, Missy Mazzoli, Tobias Picker, Gene Scheer, Stephen Schwartz, and Royce Vavrek. Each of these distinguished artists review their C&V fellow's work, offer feedback, and participate in C&V discussions.

Since launching in 2002, C&V has fostered the development of 54 composers & librettists including composers Stefan Weisman (The Scarlet Ibis, PROTOTYPE Festival, 2015), Hannah Lash (Aspen Music Festival), Aleksandra Vrebalov (Mileva, Serbian National Theater), Vivian Fung (2013 Juno Award "Classical Composition of the Year") and librettist Sara Cooper (The Memory Play, off-Broadway). A complete list of alumni can be found atwww.aopopera.org/composers_voice.

Founded in 1988, American Opera Projects is at the forefront of the contemporary opera movement, commissioning, developing, presenting, and producing opera and music Theatre Projects, collaborating with young, rising, and established artists, and engaging audiences in unique and transformative theatrical experiences. AOP has produced over 30 world premieres, including the Nathan Davis/Brendan Pelsue dance chamber opera Hagoromo starring Wendy Whelan (BAM, 2015), Kaminsky/Reed/Campbell's As One (BAM, 2014), Nkeiru Okoye's Harriet Tubman: When I Crossed That Line to Freedom (Irondale Center, 2014), and Lera Auerbach'sThe Blind (co-production with Lincoln Center Festival, 2013). Other notable premieres include Kimper/Persons' Patience & Sarah (1998), Weisman/Rabinowitz's Darkling (2006), Lee Hoiby's This is the Rill Speaking (2008), and Phil Kline's Out Cold, also at BAM (2012). AOP-developed operas that premiered with co-producers include Stefan Weisman's The Scarlet Ibis at PROTOTYPE Festival (2015), Gregory Spears's Paul's Case at Urban Arias (2013) and PROTOTYPE Festival and Pittsburgh Opera (2014), Jack Perla's Love/Hate at ODC Theater with San Francisco Opera (2012), Stephen Schwartz's Séance on a Wet Afternoon at New York City Opera (2011), Tarik O'Regan's Heart of Darkness at London's Royal Opera House (2011) and Opera Parallèle (2015).


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