Far Lands Share New Single 'Oh, Molly'

On April 30, Portland-based band Far Lands will release their sophomore album There Be Monsters via Get Loud Recordings (pre-order). Far Lands is Andy McFarlane, producer Matt Drenik and Ivan Howard of The Rosebuds, Gayngs, Howard Ivans. Today the band is pleased to present "Oh, Molly," the final pre-release single from the forthcoming release. The song pays tribute to Far Lands' Andy McFarlane late father and features some of the poetry that he had written. McFarlane says, "They say you die the first time at the moment of your physical death and that you die a second death the final time your name is spoken. I guess by including my late father, Tom McFarlane's poem at the end of 'Oh, Molly' I was offering up a little assist in his potential immortality."

On the song Ivan Howard says:

"Have you ever had a grown man read honest heartfelt words to you, alone in a room, just the two of you with nothing but silence all around? It's a very powerful thing that'll catch you off guard if you're not ready for it. Andy caught me off guard when he read a pile he wrote and then another couple his dad wrote. I knew we had to include a reading of his dad's poem 'Sunset Fever' on the record somehow, it just needed the right world to live in. When we did the music for 'Oh, Molly' I knew we had found it a home. The guitars and music are the fever, and the words are the sunset after a brutal but somehow hopeful day. What a blast for me and Andy to make in the studio with Randal, Taylor, Paulie and the crew.

The release of "Oh Molly" follows up the album's singles "It's Time," which features Alexandra Savior and the album's title track which are available to share on all streaming platforms.

The Pacific Northwest holds a wealth of beautiful things to get excited about: neverending pine forests and coastal views surrounded by stark, snow-capped mountains, some of the world's finest coffee, and a blustering creative scene that leads many to migrate west. It took a freak ice storm in Portland to bring together the two local artists who would eventually create There Be Monsters.

"We were recording our first album (2017's Oh What An Honor, Oh What A Drag), and Matt (Drenik, producer) decided we needed some backing vocals," McFarlane recalls. "Next thing I knew, this lanky dude came bursting through the door with a giant scraper! PDX local, Ivan Howard, the "lanky dude" in question says, "I was going stir crazy because everything was shut down. The ice was taking its toll, so I used an old hoe I found in the shed of our rental house, and made my way on foot to the studio. It was only about a mile!" "I couldn't believe he showed up," Drenik says. "I was just looking for a different voice on a song, and I figured he would just do it at home."

"Oh What An Honor, Oh What A Drag was drawn from about ten years of writing," McFarlane says. "A lot of heavy emotion; processing the death of my parents, the end of my marriage. As I started writing the new album, I began to feel a bigger sense of optimism. I guess it was time to set sadness to rest." Before long, McFarlane had basic structure and chords for a handful of songs and was ready to start recording, but his main collaborator, Matt Drenik, had moved to California. With fragments of songs cluttering his voice memo box and arrangements beginning to fill notebook pages, McFarlane just needed someone to help form these into a record.

Enter Ivan Howard. Having provided backup vocals on the Far Lands debut LP, he joined the "touring" band on bass. And since Drenik's departure, Howard had stepped in as McFarlane's artistic counterpart. So when the fragments started to overflow, he seemed to be a natural fit for helping McFarlane take these scattered songs into fully realized soundscapes.

Howard's list of collaborations is long and head turning. It's not every day that the same person who shows up to the studio to offer some backing vocals is the same person that happens to be a collaborator of Justin Vernon's (Bon Iver, GANYS), and flew to Vernon's studio to cut vocals on a Kanye West track.

Howard and McFarlane entered the studio, keeping many of the core players from the last album, while tapping Howard's rolodex for new talent (Alexandra Savior, Mel Guérison). Where "Oh, What an Honor, Oh, What a Drag" was paired down and singular in focus, "There Be Monsters" is sprawling and expansive, the technicolor tonal palettes shifting moods throughout, the usual guitars and synths augmented by soulful horns or lush strings.

But the creative simplicity of recording stood in stark contrast to the developing situation in Portland, with the COVID-19 pandemic being compounded by scattered protests and calls for racial justice. The album's themes of exploring the unknown, both externally and internally, started to take on a different tone as 2020 wound on. As the sessions drew to a close and the album became ready for release, McFarlane sat back and took stock.

Frankly, not much has changed. The world is still aimless and unsettled, the disease still rages, and things are still tough, but it's time for the world to hear McFarlane's second act; one of love, growth and change. It's a reminder to navigate these trying days with an open heart, and take comfort in the ever-expanding unknown, because maybe you'll end up in an ice storm that will change your life.

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