The latest reviews and critic recommendations from Dance.
Tuesday, October 14th, marked the midway point of New York City Center's Fall for Dance and represented companies from three continents: South Africa's Vuyani Dance Theatre in a spiritual meditation, Sara Mearns and Company in full Broadway fanfare, Trisha Brown Dance Company's reconstruction of Son
All of the sights, sounds, and thankfully not smells that can make you think of nothing else but New York City herself filled New York City Center within the first few seconds of Career Transition For Dancers 29th Anniversary Jubilee, NEW YORK NEW YORK a heulluva town, this past Monday, October 6, 2
The Fall for Dance Festival at New York City Center has been a cultural staple for New York City for eleven years, giving audiences the opportunity to witness excellence found in the worldwide field of dance (and at an affordable price, too!).
A look at Harvard scholar Carol J.
New York City Center's October 10th Fall for Dance program smartly suited up with Lucinda Childs' Concerto and Alvin Ailey American Dance Theater (which indirectly featured Sara Mearns of New York City Ballet) in Ohad Naharin's Minus 16.
The Baxter Dance Festival celebrates its tenth anniversary this year.
Dance Cleveland opened its 59th season in spectacular style with a performance of the Aspen Santa Fe Ballet at E.
Far and away the highlight on opening night of the Pacific Northwest Ballet's five-day return engagement at NYC's Joyce on October 8th 2014 was the soul-stirring and remarkably supple performance by Carla Korbes.
This weekend, BalaSole Dance Company's fall show Pastiche was presented at The Ailey Citigroup Theater, introducing audiences to a variety of new solos from a diverse group of dancers.
Set to Tchaikovsky's sweeping score, the success of SWAN LAKE depends on its Odette/Odile, the sweetly vulnerable white swan/cunningly malevolent black swan.
On the first ever World Ballet Day, October 1st 2014, I postponed watching the video stream of five top ballet companies in favor of attending what turned out to be a mesmerizing mixed bill featuring Balanchine ballets to the music of Stravinsky at the Koch Theater in Lincoln Center.
The Argentine writer Leopold Marcecchal (1900-1970) wrote that 'tango has infinite possibilities.
This week on DANCING WITH THE STARS, the couples paid tribute to the big screen.
With influences of Italian divertissements to the Russian avant-garde, the New York City Ballet's All Balanchine program presents the pancultural genius of their founding artist.
From its outset, Mix-Tape: The Z-Sides invited viewers to contemplate the ageless, creative form of dance, stunningly engaged in multidisciplinary juxtaposition.
When I saw the press release for "River Run, " an adaptation of James Joyce's Finnegan's Wake, I immediately contacted a Joyce fanatic and asked him if he would attend the show with me.
On Saturday September 21st, the New Chamber Ballet, directed by Miro Magloire, celebrated its 10th anniversary with a five-piece program at the City Center Studios.
From the first bombastic notes of Richard Wagner's "Prelude to Act III from Lohengrin" to the last pieces of gold confetti raining down onto the stage after the show-stopping finale, "Twisted: A Trio of Excellence" delighted opening night audiences with a unique fusion of movement and sound set to c
The DANCING WITH THE STARS Results Show started off on a high note with an opening dance number to British pop group Little Mix's 'Salute.
On September 21st 2014 at Lincoln Center, Wendy Whelan and Craig Hall delivered a soul stirring al fresco performance of the pas de deux from Christopher Wheeldon's 'After the Rain' to the haunting music of Arvo Part.
Test Pilot, a world premiere dance opera co-created by Penelope Freeh and Jocelyn Hagen, opened at the O'Shaughnessy Theater in Saint Paul on September 12 as a part of the Women of Substance series at St.
BWW Reviews: Houston Ballet is Transcendent in FROM HOUSTON TO THE WORLD
Toto, we're not in Athens anymore.
The Public Theater was founded on the idea that “Culture belongs to everyone.
Francis Patrelle, the artistic director/resident choreographer of Dances Patrelle says in a program note that prior to 1982 he had never seen any version of the Romeo and Juliet ballet.
