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Dance Theater Reviews

The latest reviews and critic recommendations from Dance.

BWW Reviews: Fall for Dance Offers 'Diverse' Bill

BWW Reviews: Fall for Dance Offers 'Diverse' Bill

by Lauren Wingenroth — October 20, 2014

Though formulaic, Fall for Dance programs, presented each fall at New York City Center with the universal ticket price of $15, tend to succeed in including a diverse set of voices.

BWW Reviews: Gone Dancin' with New York City Center's Fall For Dance

BWW Reviews: Gone Dancin' with New York City Center's Fall For Dance

by Melia Kraus-har — October 17, 2014

Tuesday, October 14th, marked the midway point of New York City Center's Fall for Dance and represented companies from three continents: South Africa's Vuyani Dance Theatre in a spiritual meditation, Sara Mearns and Company in full Broadway fanfare, Trisha Brown Dance Company's reconstruction of Son

BWW Reviews: FALL FOR DANCE 2014 - Program One

BWW Reviews: FALL FOR DANCE 2014 - Program One

by Jessica Abejar — October 15, 2014

The Fall for Dance Festival at New York City Center has been a cultural staple for New York City for eleven years, giving audiences the opportunity to witness excellence found in the worldwide field of dance (and at an affordable price, too!).

BWW Reviews: Playing with the Rules at Fall for Dance

BWW Reviews: Playing with the Rules at Fall for Dance

by Melia Kraus-har — October 14, 2014

New York City Center's October 10th Fall for Dance program smartly suited up with Lucinda Childs' Concerto and Alvin Ailey American Dance Theater (which indirectly featured Sara Mearns of New York City Ballet) in Ohad Naharin's Minus 16.

BWW Reviews: BALASOLE Gives Voice to Diverse Dancers

BWW Reviews: BALASOLE Gives Voice to Diverse Dancers

by Jessica Abejar — October 8, 2014

This weekend, BalaSole Dance Company's fall show Pastiche was presented at The Ailey Citigroup Theater, introducing audiences to a variety of new solos from a diverse group of dancers.

BWW Review: CIA. Union Tanguera

BWW Review: CIA. Union Tanguera

by Holly Kerr — October 1, 2014

The Argentine writer Leopold Marcecchal (1900-1970) wrote that 'tango has infinite possibilities.

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