BWW Dance Review: Slaying with DivaDance
Slaying is 'doing the first thing that comes to mind and owning it.
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Slaying is 'doing the first thing that comes to mind and owning it.
For whom is a dance made and why? This question kept coming to me as I watched the unveiling of Merce Cunningham's 'Cunningham Ballett' at Baryshnikov Arts Center on May 18th, 2016.
'La Fille mal gardee', Frederick Ashton has given us folksy innocence, clever games, and sunny smiles.
Sydney Dance Company's opening night performance of CounterMove explodes onto the stage at Melbourne's Southbank Theatre.
With over fifty presenters, conference attendees engaged in a vibrant discourse on ballet structure, technique(s), and form; race; gender; and, sustainability at New York University's Center for Ballet and the Arts and Barnard College, Columbia University.
On the afternoon of May 22nd 2016, audience members at a nearly sold out performance of New York City Ballet's 'Classic NYCB II' program at the Koch Theater in Lincoln Center were treated to five selections that underscored the impressive range and enduring excellence of the troupe's repertoire.
Amanda Selwyn Dance Theatre premiered the second edition of its modern dance festival May 19, 2016 at the Marjorie S.
On paper, Lawrence Goldhuber/Bigmanarts contrasted with Christopher Williams -- both theatrically inclined and unafraid of being wacky -- sounds marvelous.
On the evening of May 16th 2016 at the Metropolitan Opera House in Lincoln Center, the beloved troupe that was recognized as 'America's National Ballet Company' in 2006 by the United States Congress proved once again that the American Ballet Theatre is indeed a treasure.
International Dance Festival Birmingham has always strived to open up the world of dance to new and diverse audiences, and no show tackles this mission more directly than Dance: Sampled.
A review of ABT's performance of 'Sylvia' at the Met Opera House.
First things first.
On May 11, 2016, The Cutting Room on East 32nd Street housed Polly Ferman's Glamour Tango.
On May 9th 2016, the Center for Ballet and the Arts at New York University curated an interesting presentation entitled: Ballet and Tap Dancing: Oil and Water? The History of Attempts to Mix Ballet and Tap as part of their public conversations series.
A different kind of energy crackled throughout the David H.
I longed to see more.
Cape Town City Ballet is nothing if not ambitious.
One of the most intriguing items on the programme of the International Dance Festival Birmingham 2016 is the Cloud Gate Dance Theatre of Taiwan with Songs of the Wanderers.
Saturated with the vibrant colors of gold-adorned chandeliers, majestic red velvet curtains and shiny Baroque accents framing the Ohio Theatre stage, BalletMet's "Sleeping Beauty" appeared to be a scene come to life from an ornately illustrated storybook.
One of New York City's cultural treasures, the New York Theatre Ballet, presented Children's Dance on a Shoestring on May 6th and May 7th, 2016, at New York Theatre Ballet's intimate E.
New York City Ballet, home to George Balanchine's vision of dance in America, is well known for commissioning new work.
Like the musical icons who inspired the work, The Washington Ballet's program BOWIE & QUEEN toys with the art form - respectful of classical roots yet pushing forward.
The International Dance Festival Birmingham (IDFB) 2016 at the Hippodrome opened with a progressive programme of works from NDT2 – the junior division of Netherlands Dans Theater which focuses specifically on talent development for dancers aged 18-23.
Two very different organizations, the Isadora Duncan Dance Foundation (IDDF) and the Nietzsche Circle, came together for a unique collaboration in a program entitled An Affirmation of Life: Friedrich Nietzsche, Isadora Duncan, and the Making of Modern Dance.
By my count, I've seen at least 250 productions in my lifetime, the last one in Australia.