The latest reviews and critic recommendations from Dance.
ABT's Resident Choreographer Alexei Ratmansky, who created the version of 'The Golden Cockerel' that had its company premiere on June 6th 2016, is quoted in a Playbill article by Caroline Hamilton as saying, 'This production is overwhelmingly theatrical'.
I was delighted but not surprised by the polished professionalism of the teenage musicians and dancers from Michigan's Interlochen Center for the Arts who performed on the afternoon of June 5th 2016 at David Geffen Hall in Lincoln Center as part of the New York Philharmonic's Biennial celebration.
The guerdon in attending a repertory company's concert is being able to savor the variety of work on display.
Does the idea of listening to Yvonne Rainer read excerpts from news articles while six nominally enthusiastic dancers of a certain age perform movement patterns mixed in with jazz phrases appeal to you? Then you would have loved being at The Kitchen on June 3rd, 2016 for American Dance Institute's p
In a cozy, familiar theater filled with memories and the history of dancers past, I took in the premiere of Cherylyn Lavagnino Dance's Veiled, held at the Jack Crystal Theater in the East Village.
The afternoon performance on Saturday May 28, 2016 of the New York City Ballet (NYCB) was bubbling with children and balletomanes in anticipation of A Midsummer Night's Dream.
At its best, classical ballet has the ability to utterly transfix, bending the boundaries of what we as human beings think is possible.
Saturday, May 21, 2016 was a special day.
A funny thing happened on the evening of May 22, 2016, at the Metropolitan Opera House, where ABT was presenting Alexei Ratmansky's 'Shostakovich Trilogy.
The Joffrey Ballet Concert Group, under the artistic direction of Davis Robertson, is performing at New York Live Arts, where I saw them on Friday, May 27, 2016.
May 12th 2016 - May 15th 2016 By Balanchine, Neenan, & Scarlett, music by Tchaikovsky, Poulenc & Herion May 12, 2016 to May 15, 2016 - Academy of Music
Paul Taylor is a trailblazer of modern dance.
BWW Review: DANCEAFRICA 2016 Brings Color and Poignancy to BAM with SENEGAL: DOORS OF ANCIENT FUTURES
Slaying is 'doing the first thing that comes to mind and owning it.
For whom is a dance made and why? This question kept coming to me as I watched the unveiling of Merce Cunningham's 'Cunningham Ballett' at Baryshnikov Arts Center on May 18th, 2016.
'La Fille mal gardee', Frederick Ashton has given us folksy innocence, clever games, and sunny smiles.
Sydney Dance Company's opening night performance of CounterMove explodes onto the stage at Melbourne's Southbank Theatre.
With over fifty presenters, conference attendees engaged in a vibrant discourse on ballet structure, technique(s), and form; race; gender; and, sustainability at New York University's Center for Ballet and the Arts and Barnard College, Columbia University.
On the afternoon of May 22nd 2016, audience members at a nearly sold out performance of New York City Ballet's 'Classic NYCB II' program at the Koch Theater in Lincoln Center were treated to five selections that underscored the impressive range and enduring excellence of the troupe's repertoire.
Amanda Selwyn Dance Theatre premiered the second edition of its modern dance festival May 19, 2016 at the Marjorie S.
On paper, Lawrence Goldhuber/Bigmanarts contrasted with Christopher Williams -- both theatrically inclined and unafraid of being wacky -- sounds marvelous.
On the evening of May 16th 2016 at the Metropolitan Opera House in Lincoln Center, the beloved troupe that was recognized as 'America's National Ballet Company' in 2006 by the United States Congress proved once again that the American Ballet Theatre is indeed a treasure.
International Dance Festival Birmingham has always strived to open up the world of dance to new and diverse audiences, and no show tackles this mission more directly than Dance: Sampled.
A review of ABT's performance of 'Sylvia' at the Met Opera House.
First things first.
