As I watched the townspeople of Cinderella sing Queen’s “Somebody to Love” to celebrate the changing of the guard, I was forced me to think about what it is that makes some jukebox musicals work, while others (like, perhaps, Cinderella), perhaps…don’t quite.
Looking back four years later, I can say with confidence that the application/audition process for college theatre programs is probably the most difficult thing I have ever done.
Several years ago, Dance Lab New York pioneered its Broadway Choreography Intensive – a unique intensive for early-career choreographers to train specifically in theatrical choreography.
Alongside all the other strange experiences of the last year and a half, repeatedly coming home to a Seattle without live theatre was one of the strangest.
Recognizing the massive crossover, overlap, and connections between the dance and theatre worlds, I’m reflecting on the way the emotional demands of ballet have shaped my own journey, the way those demands can manifest in a theatre setting, and the work we can do to prioritize healthier theatrical
When we think of choreography for the theatre, we imagine big dance breaks in classic musicals –and yet one of my first major choreographic opportunities was an expressionist, non-musical play.
Soon after planning for this year’s Dolphin Show began in late winter 2020, the team faced a question: how on earth were they to produce a show that holds the record for being “the biggest student-produced musical in the country” in the midst of a global pandemic?
When I moved to Seattle in middle school, I never would have guessed that one of the city’s leading professional theatres would become an artistic home.
Whether choosing material for the next season of Next on Stage, an audition, or performance, finding the right song can feel as difficult as mastering the song itself.
It was 2020 -- the year of zoom teaching – that showed me that such work would be a part of my career not just to make ends meet, but to fulfill a deep love for the practice of theatre teaching itself.
I was recently reminded that this time eight years ago I was opening one of my favorite holiday experiences: Elf: The Musical at The 5th Avenue Theatre.