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Nicky Sweetland

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Most Popular Articles

BWW Review: BAT OUT OF HELL, Dominion Theatre

BWW Review: BAT OUT OF HELL, Dominion Theatre

April 20, 2018

After a run at the London Coliseum last year and a subsequent tenure in Toronto, Jim Steinman's Bat Out of Hell is back in town - and it puts rock well and truly back into the West End.

BWW Review: RACHEL TUCKER, Shoreditch Town Hall

BWW Review: RACHEL TUCKER, Shoreditch Town Hall

November 18, 2017

Following a hugely successful UK tour and an engagement at the acclaimed Feinstein's/54 Below in New York, West End star Rachel Tucker has become a celebrated solo performer.

CD Review: BLONDEL Original London Cast Album

CD Review: BLONDEL Original London Cast Album

June 18, 2017

It's been over 10 years since the comedy musical Blondel was last seen on stage in London and with a new production about to open at the Union Theatre, Stage Door Records has released the Original London Cast album as a timely reminder of the wonderfully wacky show.

BWW Review: THE PLAY THAT GOES WRONG, Exeter Northcott Theatre

BWW Review: THE PLAY THAT GOES WRONG, Exeter Northcott Theatre

May 16, 2017

From humble beginnings in a pub in Islington, when a group of LAMDA graduates first conceived Mischief Theatre, the company has gone from strength to strength and following an award winning run in the West End, their first commercially successful comedy offering, The Play That Goes Wrong has recentl

BWW Review: LA STRADA, Exeter Northcott Theatre

BWW Review: LA STRADA, Exeter Northcott Theatre

May 3, 2017

It was recently announced that Federico Fellini's film masterpiece La Strada has been restored and is set to receive a nationwide reissue, but it's also being given a new life on the stage in this touring production, which captures both the charm and grittiness of the original.

BWW Review: A CHRISTMAS CAROL, Arts Theatre

BWW Review: A CHRISTMAS CAROL, Arts Theatre

December 19, 2016

The classic Charles Dickens' fable, A Christmas Carol, can be seen in many guises over the festive period, but Simon Callow's one-man presentation of the epic saga at the Arts Theatre, is an excellent illustration of how a well-written traditional tale needs no frills and can stand alone when told w




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