BWW Review: GRATITUNES by TILT Performance Group
When the world is burning, gratitude seems to elude us.
Madelyn Geyer
Latest Articles
BWW Review: THE VORTEX ODYSSEY is Imperfect but Impactful
With traditional theatre performances cancelled indefinitely as covid-19 continues to ravage the world, companies must think differently about bringing performances to their audiences.
BWW Interview: Bonnie Cullum of The VORTEX Theatre Isn't Letting a Global Pandemic Dampen Her Spirit
Madelyn Geyer: We're in the middle of an unprecedented global pandemic.
BWW Interview: Simone Alexander of New Manifest Theatre Company Creates the Change She Wants to See
Madelyn Geyer: We're more than halfway through a historic and heartbreaking year in the world, and especially for the United States.
BWW Interview: TILT Performance Group is in the Business of Shattering Stereotypes
TILT Performance Group's Executive Director Amy Tarver and Artistic Director Adam Roberts discuss the unexpectedly positive impacts of COVID-19, upcoming projects, and shattering stereotypes on and off the stage.
BWW Feature: THE SHOW MUST GO ON: Austin's Theater Community Faces This Uncertain Time With Resolve and Creativity
Austin's theatre community faces this uncertain time with resolve and creativity
BWW Interview: Austin Playwright Maggie Gallant Discusses Finding Balance in the Current Chaos and the Video Premiere of Her Play, HOT DOGS AT THE EIFFEL TOWER
Thank goodness there's an abundance of artists in Austin providing that much needed escape through their art; much of which has been moved to a virtual medium.
BWW Interview: Resilience in the Present and Hope in the Future: A Chat with Benjamin and Andrea Summers of Street Corner Arts
In the last few weeks we've gotten to see what happens when the world stops and waits with bated breath.
BWW Review: Austin Shakespeare's HEDDA Directs Its Destiny
Forty-five minutes into Austin Shakespeare's production of Henrik Ibsen's HEDDA, the eponymous main character finally answers a question we've all been waiting for her to answer: why in the world she married her new husband, the well-meaning but blissfully dense professor to be, George Tesman.
BWW Review: The Precise Compassion of THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME at St. Edward's University
When overwhelmed, we all have different coping mechanisms.
BWW Review: THE TURN OF THE SCREW at Filigree Theatre: An Intimate Little Haunt
I walk into the Romy Suskin Photography Studio serving as the venue for The Filigree Theatre's THE TURN OF THE SCREW.
BWW Review: THE BUTCHER OF BARABOO at Street Corner Arts is Cozy Yet Sinister
Pull out your best butcher knife, pour yourself a steaming cup of coffee, and prance over to the Hyde Park Theatre to experience Street Corner Arts' production of THE BUTCHER OF BARABOO.
BWW Review: MARY SHELLEY'S FRANKENSTEIN at DIFFERENT STAGES
This winter, Austin's Different Stages theatre company takes on one of the most famous novels of the 19th century: FRANKENSTEIN by Mary Shelley.
BWW Review: SPRING AWAKENING at University Of Texas At Austin Wears Its Heart on Its Sleeve
Well, they've done it again.
BWW Review: DIONYSUS IN AMERICA Rages Against the War Machine at the Vortex Theatre
The Butterfly Bar at The Vortex theatre buzzes with anticipation.
BWW Review: Say Oui to HOT DOGS AT THE EIFFEL TOWER at Hyde Park Theatre
There's a Hopi Indian proverb that goes: a?oeThose who tell the stories will rule the worlda??.
BWW Review: JEKYLL & HYDE at MacTheatre
It's #savage season at MacTheatre, the Fine Arts Academy of McCallum High School.
BWW Review: Step into the Office of Outrageous Talent in Summer Stock Austin's HOW TO SUCCEED IN BUSINESS WITHOUT REALLY TRYING
Some of the most talented students in Austin tear up the stage in HOW TO SUCCEED IN BUSINESS WITHOUT REALLY TRYING, a Summer Stock Austin musical production you won't want to miss this August.
BWW Review: Recommended Viewing (and reading): THE BOOK OF WILL Delights at Austin Playhouse
You can't write about a work of Shakespeare or about a work about Shakespeare without quoting one of his most famous (and theatrically appropriate) lines: "All the world's a stage, and all the men and women merely players.
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