Robert McNamara directs three Scena Theatre veterans in the Washington-area premiere of SOMEONE IS GOING TO COME, Norwegian writer Jon Fosse's absurdist exploration of magnified paranoia.
The classic fairy tale SLEEPING BEAUTY is hundreds of years old, but Synetic Theater has improved it from an emotional standpoint by incorporating an unexpected twist: the Witch is a multidimensional person.
The Hub Theatre's THE MAGI is in many ways made for the winter holidays: it is unabashedly about love and sacrifice.
The plot of A VIEW FROM THE BRIDGE is straightforward, and the source material by Arthur Miller is pretty good, but the spectacular staging of this classic work at the Kennedy Center elevates what could have been a fairly pedestrian family drama to atmospheric heights.
There's something about a classic, standard musical that tugs at the heartstrings.
43 1/2: THE GREATEST DEATHS OF SHAKESPEARE'S TRAGEDIES, a 2013 Capital Fringe favorite from Nu Sass, is back again with its enthusiastic original cast for a third run.
Spooky Action Theater opens its season with a cutting-edge play that covers politics, celebrity, and the nature of genius.
The world premiere of Jen Silverman's COLLECTIVE RAGE: A PLAY IN FIVE BOOPS kicks off Woolly Mammoth's season with a perfect balance between the really absurd and the absurdly real.
For a play that is essentially about deciding when it's time to say goodbye to the one dream that has made you happy, THE LAST CLASS: A JAZZERCIZE PLAY is as funny as it is insightful.
Let's be honest - with the state of current affairs, the political circus, the ongoing tragedies around the world - we're all feeling at least a little jaded these days.
The Hub Theatre's REDDER BLOOD, co-produced with the Jewish Community Center of Northern Virginia, is many things: a dysfunctional family drama, a romantic sitcom, and a philosophical exploration.
In an evening featuring classic musical favorites and unexpected gems, longtime DC performer Dani Stoller presents 'Awkward: A Musical Ode to the Funny Best Friend' as part of Creative Cauldron's 2016 Summer Cabaret Series.
Originally earning 11 Helen Hayes nominations and audience acclaim in 2014, Synetic Theater's silent 1920s-style take on TWELFTH NIGHT is re-staged this season - which is not a moment too soon.
For those who think they can easily spot a liar (especially in this city), PERFECT LIARS CLUB returns to Capital Fringe Festival and offers an opportunity to pick one out of a lineup.
Capital Fringe Festival's PLAY CUPID is a crowdsourced dating app in which we, the audience, decide who gets paired up as we watch the action unfold.
'Life's not worth a damn 'til you can say, 'Hey world, I am what I am!' In a world where so many are still struggling to be who they are, LA CAGE AUX FOLLES, as well as its iconic anthem of authenticity 'I Am What I Am,' is as relevant today as it was on Broadway in 1983.
What a time for THE TAMING OF THE SHREW.
Change takes many forms in CAROLINE, OR CHANGE: dramatic historical change, personal change, pocket change.
Edward Albee's WHO'S AFRAID OF VIRGINIA WOOLF? has long been considered an American masterpiece, with some of the best dialogue in the history of drama.
There are a variety of mysteries explored in Bathsheba Doran's new play THE MYSTERY OF LOVE AND SEX.
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