Yale School Of Drama Announces 2009-10 Season

By: Sep. 14, 2009
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The Yale School of Drama (James Bundy, Dean; Victoria Nolan, Deputy Dean) has just announced their 2009-10 season, three plays that offer radically different, and equally provocative views on what it means-and what it costs-to desire, to love, and to be truly alive: PHÈDRE by Jean Racine, LA RONDE by Arthur Schnitzler, and Virginia Woolf's ORLANDO adapted by Sarah Ruhl.

The Yale School of Drama 2009-10 season will run as follows:

PHÈDRE
By Jean Racine
Translated by Ted Hughes
Directed by Christopher Mirto

October 27-31 University Theatre
222 York Street

Love is fierce. And still we crave it.

In Phèdre, Jean Racine's 17th-century "fairy tale for fools," the gods wield love as a weapon, using it to turn the world upside down. To ravish it. Queen Phèdre, dying from an uncontrollable love for her stepson Hippolytus, savagely wages war against herself and her own fate. Politics and passions, the mind and the body contaminate each other as a cursed family struggles to navigate a labyrinth of dangerous secrets and unspoken desires. When love unleashes the monster within, is there any hope of salvation?

LA RONDE
By Arthur Schnitzler
Translated by Carl R. Mueller
Directed by Jesse Jou

December 12-17
University Theatre
222 York Street

"Girls, you know you better watch out. Some guys are only about That Thing."
- Lauryn Hill, Doo Wop (That Thing)

In ten amorous dialogues, La Ronde captures the erotic world of fin de siècle Vienna, where prostitutes cavort with counts, wives seduce louche young gentlemen, and husbands cheat with Sweet Young Things. Schnitzler's penetrations into the tangle of sex, love, and power - That Thing - affirm La Ronde as a humanist masterpiece. Today, post-Freud, That Thing is like a particle in quantum physics whose nature eludes every attempt to describe it. Cracking Schnitzler's atom will set off not a nuclear explosion, but a cascade of glittering shrapnel that will reflect the desperation and joy of being human.

Virginia Woolf's
ORLANDO

Adapted by Sarah Ruhl
Directed by Jen Wineman

January 26-30
Iseman Theater
1156 Chapel Street

One lifetime isn't enough. One body isn't enough.

After living 200 years as a handsome English nobleman, Orlando falls asleep and awakens-as a woman. In a dream or in reality, Orlando must now continue on in a body she does not recognize, but perhaps always sensed was her own. Sarah Ruhl's adaptation of Virginia Woolf's semi-autobiographical novel examines time's relentless drive forward and our instinct to fill each moment of life with poetry, imagination, passion, and eroticism.

Tickets, starting at $10, are available online at drama.yale.edu, by phone at (203) 432-1234 and in person at the Box Office (1120 Chapel Street at York Street). Yale School of Drama is creating a series of behind-the-scenes videos that follows the creative process from rehearsals to performance, and also includes interviews with the director, cast, and other members of the creative team. The videos will be available at drama.yale.edu, YouTube, and Facebook.



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