A DELICATE BALANCE, Edward Albee's Pulitzer Prize and Tony-winning masterwork returns to Broadway with an extraordinary cast.
In A DELICATE BALANCE, Agnes (Glenn Close) and Tobias (John Lithgow), a long-married couple, must maintain their equilibrium as over the course of a weekend they welcome home their 36-year-old daughter (Martha Plimpton) after the collapse of her fourth marriage, and give shelter to their best friends (Bob Balaban and Clare Higgins), all the while tolerating Agnes' alcoholic sister Claire (Lindsay Duncan).
The Daily News calls A DELICATE BALANCE "a beautiful play- easily Albee's best and most mature, filled with humor and compassion and touched with poetry." It "proves that old-fashioned stage virtues- originality of voice, depth of feeling, richness of language- can still provide a thrill" (TIME Magazine). "If you really care about serious theatre, brilliant theatre, great acting, and great playwriting, this is the only play to see on Broadway" (New York Post).
, : I will tell you now that you can't miss these performances -- including British actress Clare Higgins. Albee's play is a masterpiece and this group conveys it very well. There is some shaky direction by Pam McKinnon...Albee's play about family, friendship, love, and loss is devastating. 'Balance' maintains its own balance as a conventional drawing room comedy of manners that becomes an existential jigsaw puzzle. Close and Lithgow have an amazing rapport, as do Balaban and Higgins. Martha Plimpton gives it all heft as the voice of reason. The amazing Lindsay Duncan is there for upheaval, and for playing the accordion. I wish she did more on Broadway.
...although the play still dazzles with wit, gorgeous writing and the lurking terror of mortality, we miss the accumulating shock he gave to the characters' lives of cozy self-satisfaction. Director Pam MacKinnon...spells things out here instead of letting Albee toy with us through suggestion and suspense...Albee...challenges actors with tyrannical syntactic demands -- mouthfuls of polysyllabic, unforgiving, grown-up paragraphs that require virtuosos to make them sound like speech. Lithgow is droll and manor-born as the retired Tobias, though we never believe he is as ineffectual as Agnes claims. Oddly, Close, who has three best-actress Tonys, seemed daunted at a recent preview by Agnes' exhilarating but Olympian monologues. Stumbling over the words is a special problem for a silver fox who fancies herself the fulcrum of the family's equilibrium...instead of upsetting the balance of self-satisfied old money, the scene screams ostentation. Nothing, alas, is delicate.
1966 | Broadway |
Broadway |
1996 | Broadway |
Broadway Revival Broadway |
2014 | Broadway |
Broadway Revival Broadway |
2022 | Off-Broadway |
Transport Group Off-Broadway Production Off-Broadway |
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