The Pirates of Penzance 00/00/0000

Gina Galati's marvelous Winter Opera company has mounted a delightful production of Gilbert and Sullivan's The Gondoliers. It opened last night at the new Kirkwood Performing Arts Center to a full and warmly responsive audience.

To celebrate the founding of Amore Opera in 2009, Artistic Director Nathan Hull has programmed six main-stage opera productions this season. Over the past decade, Amore has created a niche for itself in New York City's cultural realm, offering lively stagings of opera classics, neglected gems of the repertoire, appealing children's fare, and ever-popular Gilbert & Sullivan presentations in the well- appointed and intimate 200-seat Riverside Theatre at Riverside Church, 91 Claremont Avenue, (near 121st Street,) New York, NY 10027.

To celebrate the founding of Amore Opera in 2009, Artistic Director Nathan Hull has programmed six main-stage opera productions this season. Over the past decade, Amore has created a niche for itself in New York City's cultural realm, offering lively stagings of opera classics, neglected gems of the repertoire, appealing children's fare, and ever-popular Gilbert & Sullivan presentations in the well-appointed and intimate 200-seat Riverside Theatre at Riverside Church, 91 Claremont Avenue, (near 121st Street,) New York, NY 10027.

'Gilbert and Sullivan?', you might say. 'Who are they? What are their last names? Are they some kind of alternative rock band, or perhaps a rap duo?'

Heartbeat Opera is a new company intent upon re-imagining opera in intimate spaces for a new generation. Employing a minimalism that allows the emotional integrity of the music to shine through, the company's work focuses on the body of the singer and the visceral power of the music. Co-Artistic Directors Louisa Proske and Ethan Heard, who trained together in the Directing program at the Yale School of Drama, are committed to nurturing the actor in every singer they work with. The company creates productions of classics and new pieces that are daring and visceral—productions that manifest the emotional grandeur and theatrical power of opera with minimal means. Heartbeat's one-act festival presentation of György Kurtág's Kafka-Fragments, directed by Heard, and the New York premiere of Jacques Offenbach's Daphnis & Chloé, in a new English translation directed by Proske, marks this young company's debut. Heartbeat Opera's resident music ensemble Cantata Profana, described by The New York Times as “a stylish early music ensemble,” will provide musical accompaniment.

Heartbeat Opera is a new company intent upon re-imagining opera in intimate spaces for a new generation. Employing a minimalism that allows the emotional integrity of the music to shine through, the company's work focuses on the body of the singer and the visceral power of the music. Co-Artistic Directors Louisa Proske and Ethan Heard, who trained together in the Directing program at the Yale School of Drama, are committed to nurturing the actor in every singer they work with. The company creates productions of classics and new pieces that are daring and visceral—productions that manifest the emotional grandeur and theatrical power of opera with minimal means. Heartbeat's one-act festival presentation of György Kurtág's Kafka-Fragments, directed by Heard, and the New York premiere of Jacques Offenbach's Daphnis & Chloé, in a new English translation directed by Proske, marks this young company's debut. Heartbeat Opera's resident music ensemble Cantata Profana, described by The New York Times as “a stylish early music ensemble,” will provide musical accompaniment.

Heartbeat Opera is a new company intent upon re-imagining opera in intimate spaces for a new generation. Employing a minimalism that allows the emotional integrity of the music to shine through, the company's work focuses on the body of the singer and the visceral power of the music.

Heartbeat Opera is a new company intent upon re-imagining opera in intimate spaces for a new generation. Employing a minimalism that allows the emotional integrity of the music to shine through, the company's work focuses on the body of the singer and the visceral power of the music. Co-Artistic Directors Louisa Proske andEthan Heard, who trained together in the Directing program at the Yale School of Drama, are committed to nurturing the actor in every singer they work with. The company creates productions of classics and new pieces that are daring and visceral—productions that manifest the emotional grandeur and theatrical power of opera with minimal means. Heartbeat's one-act festival presentation of György Kurtág's Kafka-Fragments, directed by Heard, and the New York premiere of Jacques Offenbach's Daphnis & Chloé, in a new English translation directed by Proske, marks this young company's debut. Heartbeat Opera's resident music ensemble Cantata Profana, described by The New York Times as “a stylish early music ensemble,” will provide musical accompaniment.

Today we are talking to a versatile performer first known to the world at large through her iconic early-career movie theme recordings - singing the Oscar-winning 'The Morning After' from THE POSEIDON ADVENTURE, as well as the classic themes from THE TOWERING INFERNO, SUPERMAN and musical material and a memorable musical moment in AIRPLANE!; in addition to her many full-length studio albums later in life - who then emerged as a compelling theatrical performer with a string of roles on Broadway, Off Broadway and in regional theater - a replacement star of NINE, as well as THE PIRATES OF PENZANCE, as well as original cast member of 1989's THE 3 PENNY OPERA, 1984's premire production of BROWNSTONE, and, most recently, a Broadway featured cast member in LITTLE WOMEN - the radiant and vocally resplendent Maureen McGovern. Looking back on her remarkable career and taking us on the journey from Hollywood to Broadway and beyond, McGovern reflects on some famous co-stars and her side of the riveting productions she participated in both onstage and onscreen, as well as opens up about some of her favorite recordings and composers to date insofar as her recording career is concerned, to say nothing of her proud position as the so-deemed self-confessed 'Disaster Theme Queen'. We also outline her cabaret work over the years, in anticipation of McGovern's week of shows at 54 Below, titled HOME FOR THE HOLIDAYS, beginning December 18 and running through December 23, where she will be sharing some of her favorite seasonal songs, new and old, as well as reviving some of her show-stopping standards and iconic movie themes and perhaps a surprise or two, too. Additionally, we touch upon her bio-musical, CARRY IT ON, her new women writer retrospective concert show and much, much more!