Manon Lescaut 1901

Women take charge in Opera San José’s rollicking production of Verdi’s Falstaff. Adapted from Shakespeare’s The Merry Wives of Windsor and scenes from Henry IV, Parts 1 and 2.

Independent, confident, active, sensible, dominant, strong, dependent, soft, emotional and gentle concepts, is one of the most important beings of human beings from yesterday to today and tomorrow.

The verismo double bill of Mascagni's Cavalleria Rusticana and Leoncavallo's Pagliacci returns to the Met beginning January 8, 2018. Sir David McVicar's production features Roberto Alagna as the chief protagonist in both parts; as Turiddu, a returning soldier in Cavalleria; and as Canio, the head of a traveling performance troupe in Pagliacci. The French tenor previously accomplished the feat of singing both of the one-act operas in one evening at the Met, in 2009, one of ten singers to have done so with the company since 1901.

Kristine Opolais stars in her first Met performances of her breakthrough role, the title character in Dvo?ak's Rusalka, in a new staging, directed by Mary Zimmerman and conducted by Sir Mark Elder, opening at the Met February 2.

Kristine Opolais stars in her first Met performances of her breakthrough role, the title character in Dvo?ak's Rusalka, in a new staging, directed by Mary Zimmerman and conducted by Sir Mark Elder, opening at the Met February 2.

Conducted by CSO Music Director Rossen Milanov, this passionate and spectacular piece touches every emotion from stark terror to soothing beauty to an uplifting sense of spirituality. Although composed as a sacred work, its deep theatricality has led to it being frequently described as "Verdi's greatest opera." To adequately convey the breadth of his vision, Verdi called for the combined forces of a full orchestra, chorus, and four solo vocalists. As such, the Columbus Symphony will be joined by the Columbus Symphony Chorus, soprano Michelle Johnson, mezzo-soprano Margaret Mezzacappa, tenor Evan Johnson, and bass Burak Bilgili.

Conducted by CSO Music Director Rossen Milanov, this passionate and spectacular piece touches every emotion from stark terror to soothing beauty to an uplifting sense of spirituality. Although composed as a sacred work, its deep theatricality has led to it being frequently described as "Verdi's greatest opera." To adequately convey the breadth of his vision, Verdi called for the combined forces of a full orchestra, chorus, and four solo vocalists. As such, the Columbus Symphony will be joined by the Columbus Symphony Chorus, soprano Michelle Johnson, mezzo-soprano Margaret Mezzacappa, tenor Evan Johnson, and bass Burak Bilgili.

The 27th annual Bard Music Festival - an exploration of 'Puccini and His World' - opens this Today, August 5 with Weekend One: Puccini and Italian Musical Culture.

The 27th annual Bard Music Festival - an exploration of 'Puccini and His World' - opens this Friday, August 5 with Weekend One: Puccini and Italian Musical Culture.

This summer marks another historic milestone for the annual Bard SummerScape festival. For the first time since its founding, this season's focus is on the music and culture of Italy, with seven weeks of music, opera,theater, dance, film, and cabaret keyed to the theme of the 27th Bard Music Festival, "Puccini and His World." This intensive examination of the life and times of Giacomo Puccini opens a window onto Italy's rich musical heritage from Palestrina to Menotti, by way of the most popular and successful - yet, paradoxically, frequently critically underrated - opera composer of all time. Complementing the music festival, some of the Tuscan master's most compelling compatriots provide other key SummerScape highlights. These include a rare, fully staged production of Iris, a forerunner of Madama Butterfly by Puccini's close contemporary Pietro Mascagni; the world premiere of Demolishing Everything with Amazing Speed, four newly unearthed puppet plays from leading Italian Futurist Fortunato Depero, as reimagined by Dan Hurlin;the world premiere of Fantasque, a new ballet set to the music of Respighi and Rossini by John Heginbotham and Amy Trompetter; a film series on "Puccini and the Operatic Impulse in Cinema"; and the return of Bard's authentic and sensationally popularSpiegeltent,hosted by the inimitable Mx. Justin Vivian Bond. Taking place between July 1 and August 14 in the Frank Gehry-designed Richard B. Fisher Center for the Performing Arts and other venues on Bard College's stunning Hudson River campus, SummerScape's 2016 offerings provide new opportunities to discover that, as Time Out New York puts it, "the experience of entering the Fisher Center and encountering something totally new is unforgettable and enriching." Tickets go on sale on Monday, February 15; click here for more information.

Following chart-topping debuts in the U.K. and Germany, The Maltese Tenor, Joseph Calleja's third solo album for Decca Classics, will be released in the U.S. on Monday, October 24. To coincide with the release, Joseph Calleja will appear that same evening in concert at New York City's hip downtown club Le Poisson Rouge at 7:30pm.

Following chart-topping debuts in the U.K. and Germany, The Maltese Tenor, Joseph Calleja's third solo album for Decca Classics, will be released in the U.S. on Monday, October 24. To coincide with the release, Joseph Calleja will appear that same evening in concert at New York City's hip downtown club Le Poisson Rouge at 7:30pm.