Edmund Kean 1983

Just in time for the holiday season, THE WOMAN IN BLACK is inviting guests to try something new this year with a holiday ticket package. For those looking to bond over a spine-tingling live theater performance, THE WOMAN IN BLACK will include a drink from the bar with the purchase of a ticket using the code HOLIDAY through January 6, 2019. An experience surely not to miss, the production has been called "Spectacular" by the Chicago Sun-Times, and "Brilliant" by Chicago Theater Review, receiving rave reviews from critics across the board. 

Over eight million people have lived to tell the tale of one of the most successful - and terrifying - theatre events ever staged, and it's coming to shock audiences in Chicago this fall. The Woman in Black - London's long-running West End play -  will open at Chicago's Royal George Theatre in November with all the stage thrills that have led audiences in London to shriek in fear for 30 years.

Rubicon Theatre presents a timely and trenchant production of Shakespeare's tragedy KING LEAR as the centerpiece of the company's 20th Anniversary Season. Directed by Co-Founder James O'Neil, the production features a 20-member cast led by acclaimed actor and company memberGeorge Ball, who has starred in previous Rubicon productions of All My Sons, Man of La Mancha, and Jacques Brel… (New York, L.A., and international companies of the latter).

Frank Farrell presents his adaptation of John Keats's only full-length play, retitled The Dark Ages: Otho the Great, based on the life of Otto I, German king in 936 CE and Holy Roman Emperor from 962 until his death in 973. The production depicts the tragic fate of Otho's valiant but hotheaded son Ludolph, whose unfaithful lover and her scheming brother induce him to rebel against his father and persecute his innocent cousin. The show runs 2 ½ hours with one intermission.

Frank Farrell presents his adaptation of John Keats's only full-length play, retitled The Dark Ages: Otho the Great, based on the life of Otto I, German king in 936 CE and Holy Roman Emperor from 962 until his death in 973. The production depicts the tragic fate of Otho's valiant but hotheaded son Ludolph, whose unfaithful lover and her scheming brother induce him to rebel against his father and persecute his innocent cousin. The show runs 2 ½ hours with one intermission.

For its 2016-17 season, the 33-year-old Raven Theatre Company will again bring new plays and playwrights to Chicago audiences along with revivals of classic and lesser-known works by masters of modern drama. Michael Menendian, producing artistic director, today announced a lineup that includes the early Tennessee Williams play Not About Nightingales and Pinter'sBetrayal as well as the Midwest premieres of Richard Greenberg's recent Broadway hit The Assembled Parties and Red Velvet by Lolita Chakrabarti, one of the U.K.'s most acclaimed new playwrights, and the world premiere of Sycamore - a drama of contemporary family life set in the Midwest by New York-based playwright Sarah Sander.

Indhu Rubasingham has announced her inaugural season at The Tricycle, which will launch with the World Premiere of Red Velvet, written by Lolita Chakrabarti with Adrian Lester in the role of Ira Aldridge; followed by The Tricycle's first festive family show, The Arabian Nights, written by Mary Zimmerman and adapted from The Book Of The Thousand Nights and One Night. In 2013, The Tricycle present an Eclipse Theatre production of One Monkey Don't Stop No Show, by Don Evans, followed by another World Premiere: Paper Dolls, written by Philip Himberg and adapted from the award-winning documentary by Tomer Heymann, produced by Stanley Buchthal.

Roger Rees, a 22-year veteran of the Royal Shakespeare Company (RSC), will return to the stage with WHAT YOU WILL, a side-splitting one-man-show that combines the Bard's greatest soliloquies with colorful observations about the acting life and offbeat (and occasionally bawdy) tales of theatrical disaster.

Roger Rees, a 22-year veteran of the Royal Shakespeare Company (RSC), will return to the stage with WHAT YOU WILL, a side-splitting one-man-show that combines the Bard's greatest soliloquies with colorful observations about the acting life and offbeat (and occasionally bawdy) tales of theatrical disaster.