Die Mommie Die! 2007 - Articles Page 3

Ring in the new year with the legendary Charles Busch. Actor/playwright/award-winning cabaret artist, Charles Busch (Die Mommie Die, Psycho Beach Party, The Tale of the Allergist's Wife), returns to Feinstein's/54 Below for his third delightful New Year's Eve show with his dashing longtime musical director Tom Judson and special guests Howard McGillin (The Phantom of the Opera, The Mystery of Edwin Drood), Andrea Burns (On Your Feet!, In the Heights), Peter Flynn (The Scarlet Pimpernel, Beauty and the Beast), and Ashley Austin Morris ("Murphy Brown," "The Good Wife"). Join them for a warm, outrageous, fun-filled early evening of music and storytelling.

Celebrate New Year's Eve at Feinstein's/54 Below as two beloved stars return to Broadway's Supper Club to usher in the new year: Actor, playwright, and award-winning cabaret artist, Charles Busch (Die Mommie Die, Psycho Beach Party, The Tale of the Allergist's Wife), and the Broadway, film, and television star Aaron Tveit (Catch Me If You Can, Next to Normal, Les Miserables).

The Broadway production of Harper Lee's To Kill A Mockingbird, a new play by Aaron Sorkin, starring Jeff Daniels as Atticus Finch, begins previews tonight, Thursday, November 1. Get to know the cast below as they begin Broadway performances!

L.A. Theatre Works has announced its 2018-19 season of seven plays, each to be recorded in front of a live audience for future radio broadcast and online distribution. All performances take place at the James Bridges Theater, located on the campus of UCLA in West Los Angeles. In addition, the company will introduce audiences to its signature style of radio theater at venues across the country during its 15th national tour.

In September, New Conservatory Theatre Center will kick off its 2018-2019 Season with the San Francisco premiere of the delectable, campy satire, Red Scare on Sunset. Directed by Allen Sawyer and starring San Francisco drag cabaret sensation, J. Conrad Frank, Red Scare on Sunset is full of "outrageous plot twists, chicanery and a finale that careens over the top" (LA Weekly). Written by the Tony-nominated playwright of The Tale of the Allergist's Wife and Vampire Lesbians of Sodom, Charles Busch, this lavish comedy delightfully defangs the McCarthyism that took the world by storm. It's 1950's Hollywood and the Cold War is about to come knocking on silver-screen star Mary Dale's palatial front door: her husband's Method acting class is a front for the Communist party and threatens to destroy everything she holds dear. Mary must rally to defend her marriage, Hollywood and the American way in this outrageously funny and ironically timely parody.

The world premiere of a new musical for animal lovers of all agesis set to open at the Kirk Douglas Theatre in Culver City. Ryan Bergmann (Die, Mommie, Die! at CTG Block Party) will direct the furry tale of fun created by Tony Cookson, with a book by Cookson and music and lyrics by John Daniel, Tony Cookson, Robb Curtis Brown and David O. Anthony Lucca will musical direct, and the choreographer is Janet Roston. Previews begin July 10, with the press opening set for July 15. Performances will continue through Aug. 5.

Dialing It UpThis quote from a live cabaret performance by Charles Busch could be referencing his play, Die! Mommie Die!, which is a parody of the kind of grotesque, overwrought melodrama that fueled the careers of Bette Davis and Joan Crawford in the 1960's. Busch is certainly juicing up an old model, registering the conniving and backstabbing plot twists beneath a veneer of arch camp.

DIE, MOMMIE, DIE! is a campy noir classic that follows the devious actions of fading Hollywood star Angela Arden, played to the hilt by Drew Droege in drag. Think of Gloria Swanson in "Sunset Boulevard" and throw in a bit of Joan Crawford's attitude and you get the idea of who Angela Arden is. And let me tell you, Droege is a wonder running across the stage in high heels, always dressed to feminine perfection by costumer Allison Dillard. But Angela is trapped in an unhappy marriage and plots to kill her husband, Hollywood producer Sol Sussman (Pat Towne) in order to be with her young, and very well-hung lover Tony Parker (Andrew Carter). His endowment is a running gag throughout the play, aimed at almost every other character at some point, a bit too suggestive and sexy for young audiences.

The Celebration Theatre production of "Die, Mommie, Die!," which Center Theatre Group is remounting at the Kirk Douglas Theatre as part of the second annual Block Party: Celebrating Los Angeles Theatre, will open Saturday, May 12 at 8 p.m. Written by Charles Busch and directed by Ryan Bergmann, "Die, Mommie, Die!" is currently in previews and will close May 20.

Casting is set for the Celebration Theatre production of 'Die, Mommie, Die!' which Center Theatre Group is remounting at the Kirk Douglas Theatre as part of the second annual Block Party: Celebrating Los Angeles Theatre. Written by Charles Busch and directed by Ryan Bergmann, 'Die, Mommie, Die!' will begin previews May 10, open May 12 and close May 20.

Casting is set for the Celebration Theatre production of 'Die, Mommie, Die!' which Center Theatre Group is remounting at the Kirk Douglas Theatre as part of the second annual Block Party: Celebrating Los Angeles Theatre. Written by Charles Busch and directed by Ryan Bergmann, 'Die, Mommie, Die!' will begin previews May 10, open May 12 and close May 20.

The world premiere of a new musical for animal lovers of all agesis set to open at the Kirk Douglas Theatre in Culver City. Ryan Bergmann (Die, Mommie, Die! at CTG Block Party) will direct the furry tale of fun created by Tony Cookson, with a book by Cookson and music and lyrics by John Daniel, Tony Cookson, Robb Curtis Brown and David O. Anthony Lucca will musical direct, and the choreographer is Janet Roston. Previews begin July 10, with the press opening set for July 15. Performances will continue through Aug. 5.

Casting is set for the Celebration Theatre production of 'Die, Mommie, Die!' which Center Theatre Group is remounting at the Kirk Douglas Theatre as part of the second annual Block Party: Celebrating Los Angeles Theatre. Written by Charles Busch and directed by Ryan Bergmann, 'Die, Mommie, Die!' will begin previews May 10, open May 12 and close May 20.

Pandora Productions ends her family themed Season with Die! Mommie Die!, Charles Busch's outrageous, campy, impossible comedy. Poisoned suppositories are just the beginning of this thriller comedy with multiple suspects, with many motives and a twist we never see coming.

Applications are now being accepted for Center Theatre Group's third annual Block Party: Celebrating Los Angeles Theatre, which will highlight some of the remarkable work being done on other, more intimate stages throughout Los Angeles by producing three previously staged productions at the Kirk Douglas Theatre.

Charles Busch will return to Theater for the New City (Crystal Field, Executive Artistic Director) this spring in his uproarious new comedy The Confession of Lily Dare for a limited premiere showcase engagement. Directed by Busch's longtime collaborator Carl Andress (The Tribute Artist, Judith of Bethulia, The Divine Sister), The Confession of Lily Dare will play a limited engagement of 24 performances from Wednesday, April 4 to Sunday, April 29 at Theater for the New City's Johnson Theater (155 First Avenue).

Center Theatre Group has selected three local productions for the second annual Block Party: Celebrating Los Angeles Theatre at the Kirk Douglas Theatre. Block Party 2018 will remount Celebration Theatre's production of Die, Mommie, Die!, Critical Mass Performance Group's production of Ameryka and Playwrights' Arena's production of Bloodletting. Each production will have a two-week run with 12 performances presented March 29 through May 20, 2018. The three visiting companies will receive the full support of Center Theatre Group and its staff in order to fund, stage and market each production.

The 2017 awards honor productions which opened between October 1, 2016 and September 30, 2017. Nominations were completely reader-submitted and after the nomination period ended October 31, BroadwayWorld's local editors proofed the list for eligibility and errors.

The 2017 awards honor productions which opened between October 1, 2016 and September 30, 2017. Nominations were completely reader-submitted and after the nomination period ended October 31, BroadwayWorld's local editors proofed the list for eligibility and errors.

The 2017 awards honor productions which opened between October 1, 2016 and September 30, 2017. Nominations were completely reader-submitted and after the nomination period ended October 31, BroadwayWorld's local editors proofed the list for eligibility and errors.

The 2017 awards honor productions which opened between October 1, 2016 and September 30, 2017. Nominations were completely reader-submitted and after the nomination period ended October 31, BroadwayWorld's local editors proofed the list for eligibility and errors.

The 2017 awards honor productions which opened between October 1, 2016 and September 30, 2017. Nominations were completely reader-submitted and after the nomination period ended October 31, BroadwayWorld's local editors proofed the list for eligibility and errors.

The 2017 awards honor productions which opened between October 1, 2016 and September 30, 2017. Nominations were completely reader-submitted and after the nomination period ended October 31, BroadwayWorld's local editors proofed the list for eligibility and errors.

The 2017 awards honor productions which opened between October 1, 2016 and September 30, 2017. Nominations were completely reader-submitted and after the nomination period ended October 31, BroadwayWorld's local editors proofed the list for eligibility and errors.

Twenty-two years ago a struggling playwright wrote his first screenplay as a writing sample. It ended up being produced by Steven Spielberg, filmed with an all-star cast and became the #1 movie in America as well as a ground breaking LGBTQ film and a cult favorite with a large and devoted following. Five time Tony nominated playwright Douglas Carter Beane returns to his original script of To Won Foo to see if it is stage worthy.