"Eurydice" reimagines the classic myth of Orpheus and Eurydice not through Orpheus's infamous pilgrimage to retrieve his bridge, but through the eyes of its heroine. Dying too young on her wedding day, Eurydice must journey to the underworld, where she reunites with her father and struggles to remember her lost love. With contemporary characters, plot twists, and a script written to be a playground for designers, the play is a fresh look at a timeless love story.
Eurydice had its world premiere at Madison Repertory Theatre in Madison, Wisconsin in 2003, after which is was performed at Berkeley Repertory Theatre in 2004, and Yale Repertory Theatre in 2006, directed by Les Waters. It opened Off-Broadway at Second Stage Theater in 2007. Sarah also adapted the play into the libretto for an opera, Eurydice by Matthew Aucoin, which premiered at the L.A. Opera in February 2020.
Second Stage Theatre (Carole Rothman, Artistic Director; Ellen Richard, Executive Director) will continue its 30th Anniversary Season with the New York premiere of Gina Gionfriddo's play, BECKY SHAW, directed by Peter DuBois.
Profiles Theatre continues its 20th Anniversary Season with the OBIE Award-winning dark comedy The Thugs by Adam Bock, directed by Profiles Artistic Director Joe Jahraus. The production runs October 29-December 14, 2008, at Profiles Theatre, 4147 N. Broadway. The play will run in repertory with Profiles' production of Men of Tortuga, playing through December 7, 2008. The press opening for The Thugs is Wednesday, October 29, 2008, at 8:00 p.m.
Second Stage Theatre (Carole Rothman, Artistic Director; Ellen Richard, Executive Director)kicks off its 30th Anniversary Season with a new production of Howard Korder's comedy, BOYS' LIFE, directed by Michael Greif.
Managing Maxine, a World Premiere by Janece Shaffer, directed by Susan V. Booth will play at the Alliance Theatre from October 8 - November 2, 2008
Profiles Theatre continues its 20th Anniversary Season with the OBIE Award-winning dark comedy The Thugs by Adam Bock, directed by Profiles Artistic Director Joe Jahraus. The production runs October 29-December 14, 2008, at Profiles Theatre, 4147 N. Broadway. The play will run in repertory with Profiles' production of Men of Tortuga, playing through December 7, 2008. The press opening for The Thugs is Wednesday, October 29, 2008, at 8:00 p.m.
Managing Maxine, a World Premiere by Janece Shaffer, directed by Susan V. Booth will play at the Alliance Theatre from October 8 - November 2, 2008
Completing its 30th Anniversary Season, Second Stage Theatre (Carole Rothman, Artistic Director; Ellen Richard, Executive Director) will present EVERYDAY RAPTURE, written by Dick Scanlan (Tony nominee for Thoroughly Modern Millie) and Sherie Rene Scott (Tony nominee for Dirty Rotten Scoundrels), with musical supervision by Tom Kitt (Next to Normal, High Fidelity), directed by Michael Mayer (Tony Award winner for Spring Awakening).
Second Stage Theatre (Carole Rothman, Artistic Director; Ellen Richard, Executive Director) will kick off its 30th Anniversary Season with a new production of Howard Korder's comedy, BOYS' LIFE, directed by Michael Greif starting tonight, October 2nd. The official opening will be Monday, October 20th. This 20th Anniversary production of BOYS' LIFE will feature Jason Biggs, Rhys Coiro, and Peter Scanavino as 'the boys' as well as Dan Colman, Michelle Federer, Betty Gilpin, Paloma Guzman, Laura-Leigh, and Stephanie March.
The Tony Award®-winning Old Globe presents the world premiere of Back Back Back, by Globe Playwright-in-Residence Itamar Moses (The Four of Us, Bach at Leipzig), directed by Davis McCallum, to run in the Globe's arena stage at the San Diego Museum of Art's James S. Copley Auditorium September 19 - October 26 (press opening: Thursday, September 25 at 8pm). Tickets are available by calling (619) 23-GLOBE, online at www.TheOldGlobe.org, or by visiting the Globe Box Office at 1363 Old Globe Way in Balboa Park.
Today Tony Taccone, artistic director of Berkeley Repertory Theatre, announced additional dates for two solo shows that he staged in Berkeley before launching them on tours across the continent. Danny Hoch's Taking Over had its world premiere at Berkeley Rep in January and hit it big in Montreal this July; next week it starts an All City Tour featuring free performances in Brooklyn, Queens, and the Bronx in addition to previously announced dates in Manhattan and Los Angeles. Moreover, after a record-breaking run in Berkeley last winter, Carrie Fisher's Wishful Drinking careened through Hartford, San Jose, Santa Fe, and Washington, DC this summer; now it adds Seattle to a list of upcoming destinations that also includes Boston.
South Coast Repertory will present the Southern California premiere of Dead Man's Cell Phone, Sarah Ruhl's fantastical new play about a woman who answers a dead man's cell phone and finds her life turned upside down. Directed by Bart DeLorenzo, Dead Man's Cell Phone runs Sept. 21 - Oct. 12 on the Julianne Argyros Stage.
ACT's Central Heating Lab continues its innovative collaborative initiative by supporting Seattle Dance Project in Project Orpheus running September 13 through October 4, 2008. Designed as a companion piece to ACT's mainstage production of Eurydice, Project Orpheus marries the three distinct artistic styles of renowned local choreographers Wade Madsen, Eva Stone and Olivier Wevers into one seamless narrative. Together, with lighting/technical director Peter Bracillano and music director Dave Abramson, Seattle Dance Project creates a modern, moody interpretation of the tragic Greek myth that uses dance to explore the physicality of love, jealousy, compassion and grief.
Eurydice, a bold, slyly comic, visually fascinating take on the classic Orpheus myth by Sarah Ruhl, is enjoying an
ambitious revival by Victory Gardens Theater, to open the 35th season at Chicago's #1 presenter of new plays.
ACT's Central Heating Lab continues its innovative collaborative initiative by supporting Seattle Dance Project in Project Orpheus running September 13 through October 4, 2008. Designed as a companion piece to ACT's mainstage production of Eurydice, Project Orpheus marries the three distinct artistic styles of renowned local choreographers Wade Madsen, Eva Stone and Olivier Wevers into one seamless narrative. Together, with lighting/technical director Peter Bracillano and music director Dave Abramson, Seattle Dance Project creates a modern, moody interpretation of the tragic Greek myth that uses dance to explore the physicality of love, jealousy, compassion and grief.
South Coast Repertory will present the Southern California premiere of Dead Man's Cell Phone, Sarah Ruhl's fantastical new play about a woman who answers a dead man's cell phone and finds her life turned upside down. Directed by Bart DeLorenzo, Dead Man's Cell Phone runs Sept. 21 - Oct. 12 on the Julianne Argyros Stage.
Berkeley Repertory Theatre kicks off its 2008/09 Season with the world premiere of a provocative new play set in Berkeley and written by a Berkeley native: renowned playwright Itamar Moses returns to his hometown with Yellowjackets, a script set just around the corner in the halls of his alma mater.
The Tony Award®-winning Old Globe presents the world premiere of Back Back Back, by Globe Playwright-in-Residence Itamar Moses (The Four of Us, Bach at Leipzig), directed by Davis McCallum, to run in the Globe's arena stage at the San Diego Museum of Art's James S. Copley Auditorium September 19 - October 26 (press opening: Thursday, September 25 at 8pm). Tickets are available by calling (619) 23-GLOBE, online at www.TheOldGlobe.org, or by visiting the Globe Box Office at 1363 Old Globe Way in Balboa Park.
Second Stage Theatre (Carole Rothman, Artistic Director; Ellen Richard, Executive Director) will kick off its 30th Anniversary Season with a new production of Howard Korder's comedy, BOYS' LIFE, directed by Michael Greif.
The complete company of the Royal Court Theatre's critically acclaimed production of Anton Chekhov's THE SEAGULL, in a new version by Christopher Hampton, will begin rehearsals on Monday, August 25 in London, under the direction of Ian Rickson.
Victory Gardens Theater, Chicago's #1 presenter of new work, announced today it will present the Midwest premiere of British playwright David Harrower's provocative drama Blackbird as the final production of its 2008-2009 season.
YALE REPERTORY THEATRE (James Bundy, Artistic Director; Victoria Nolan, Managing Director) presents PASSION PLAY by Pulitzer Prize nominee and MacArthur Foundation Fellowship recipient Sarah Ruhl, directed by OBIE Award-winner Mark Wing-Davey at the University Theatre (222 York Street, New Haven), September 19-October 11 only. Opening Night is Thursday, September 25
Berkeley Repertory Theatre kicks off its 2008/09 Season with the world premiere of a provocative new play set in Berkeley and written by a Berkeley native: renowned playwright Itamar Moses returns to his hometown with Yellowjackets, a script set just around the corner in the halls of his alma mater.
On Tuesday, July 15, during its Annual Meeting at McCaw Hall, Seattle Opera General Director Speight Jenkins announced that the company's Artist of the Year awards went to tenor Lawrence Brownlee, who performed the role of Arturo in Seattle Opera's production of Bellini's I Puritani in May 2008, and to Thomas Lynch, set designer for Seattle Opera's production of Wagner's Flying Dutchman in August 2007 and Seattle Opera's co-production with the Metropolitan Opera of Gluck's Iphigenia in Tauris in October 2007.
The long, strange trip is coming to an end: Passing Strange, the rock musical that was born at Berkeley Repertory Theatre, enjoyed an extended off-Broadway run at The Public Theater, and then burst onto Broadway with its original cast intact is scheduled to close this Sunday - but not until it's saved on film. On Saturday, celebrated director Spike Lee will shoot two of the show's final performances to preserve it for future generations!
Kristin Scott Thomas will star on Broadway in her Olivier Award-winning role of Arkadina in the critically acclaimed Royal Court Theatre production of Anton Chekhov's THE SEAGULL.
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