EOT proves once again that they are several notches above other community theatres; this is one terrific show where everything comes together.
This May, Feinstein's/54 Below, Broadway's Supper Club, presents some of the brightest stars from Broadway, cabaret, jazz and beyond. Scroll down for the full lineup!
The tour Broadway Across America has brought into Houston is outstanding in how it handles expectations and shatters them in new and original ways. This is a great production of a thought-provoking show, and it brings the Roundabout Theatre Company experience out of New York City.
The Martin E. Segal Theatre Center (MESTC) presents its second annual Segal Center Film Festival on Theatre and Performance (FTP).
The Martin E. Segal Theatre Center (MESTC) announces the full schedule for its second annual Segal Center Film Festival on Theatre and Performance (FTP).
Yale Repertory Theatre opens its 2015-16 season with the world premiere of INDECENT, a new play with music, written by Paula Vogel, created by Paula Vogel and Rebecca Taichman, and directed by Rebecca Taichman, at the University Theatre (222 York Street), now through October 24. Opening Night is tonight, October 8. The world premiere of INDECENT is a co-production with La Jolla Playhouse, where it will play November 13-December 10.
Yale Repertory Theatre opens its 2015-16 season with the world premiere of INDECENT, a new play with music, written by Paula Vogel, created by Paula Vogel and Rebecca Taichman, and directed by Rebecca Taichman, at the University Theatre (222 York Street), tonight, October 2, through October 24. Opening Night is Thursday, October 8. The world premiere of INDECENT is a co-production with La Jolla Playhouse, where it will play November 13-December 10.
Yale Repertory Theatre opens its 2015-16 season with the world premiere of INDECENT, a new play with music, written by Paula Vogel, created by Paula Vogel and Rebecca Taichman, and directed by Rebecca Taichman, at the University Theatre (222 York Street), October 2-24. Opening Night is Thursday, October 8. The world premiere of INDECENT is a co-production with La Jolla Playhouse, where it will play November 13-December 10.
Conductor Todd Ellison is quite possibly one of the busiest men in the industry right now. His involvement in the fast-approaching production of THE BAND WAGON with Encores!, a Christmas concert with the Pittsburgh Symphony, and his own staged musical in March, only begin to scratch the surface of his hectic schedule for the next six months. Fortunately for us, he recently took the time to sit down and discuss these as well as prior engagements.
From September 4-14, 2014, Houston Ballet launches its 45th season with the company premiere of John Neumeier's three-act ballet A Midsummer Night's Dream. The ballet is based on Shakespeare's lighthearted play of the same name and follows the hijinks and hilarity that ensues when a well-intentioned plan with a love potion goes awry. Created in 1977, A Midsummer Night's Dream has served as Mr. Neumeier's calling card, being seen as one of his most joyous and popular creations. Houston Ballet is the first American ballet company to perform the famous work and it is the first piece by Mr. Neumeier to enter the Houston Ballet repertoire.
Today, Mary Bridges Davies speaks exclusively to BroadwayWorld about her love of the blues, her Broadway debut and why playing the role of Janis Joplin may have been her destiny.
If you have a hankering to see a room full of grown-ups acting like those teenagers watching The Beatles on the Ed Sullivan show, then get thee to The Metropolitan Room, where Marilyn Maye is doing her traditional job of knocking 'em dead.
Playwright Richard Nelson first introduced audiences to the family of Apple siblings with That Hopey Changey Thing, which took place on election night 2010 and, by design, opened on that same night. He pulled the same trick last year with Sweet and Sad, which opened and was set on the tenth anniversary of the September 11th attacks.
The development of Phil Spector's magnificent Wall Of Sound productions, 'Tomorrow's Sound Today,' is given its most expansive display ever on the new box set, Phil Spector Presents The Philles Album Collection.
On sale to State Theatre Members Tues, Aug 2 (Box Office window at 453 Northampton Street opens at 6 AM; Online Ticketing and Phone lines open at Noon). Tickets will go on sale to the Public August 16 at 10 AM.
This month, the university's Performing Arts Department (PAD) in Arts & Sciences will present the world premiere of Chris Kammerer's THE STROKE SCRIPTURES in the A.E. Hotchner Studio Theatre. Performances take place at 8 p.m. Thursday, Friday and Saturday, April 28, 29 and 30; and at 2 p.m. Saturday and Sunday, April 30 and May 1. Tickets are $15, or $10 for students, seniors and Washington University faculty and staff, and are available through the Edison Theatre Box Office and all MetroTix outlets.
This month, the university's Performing Arts Department (PAD) in Arts & Sciences will present the world premiere of Chris Kammerer's THE STROKE SCRIPTURES in the A.E. Hotchner Studio Theatre. Performances take place at 8 p.m. Thursday, Friday and Saturday, April 28, 29 and 30; and at 2 p.m. Saturday and Sunday, April 30 and May 1. Tickets are $15, or $10 for students, seniors and Washington University faculty and staff, and are available through the Edison Theatre Box Office and all MetroTix outlets.
This month, the university's Performing Arts Department (PAD) in Arts & Sciences will present the world premiere of Chris Kammerer's THE STROKE SCRIPTURES in the A.E. Hotchner Studio Theatre. Performances take place at 8 p.m. Thursday, Friday and Saturday, April 28, 29 and 30; and at 2 p.m. Saturday and Sunday, April 30 and May 1. Tickets are $15, or $10 for students, seniors and Washington University faculty and staff, and are available through the Edison Theatre Box Office and all MetroTix outlets.
It's 'crunch-time' for gift giving and it's never too late to get a gift certificate from Amazon.com, who I wholeheartedly support, because I have yet to find better pricing on everything that my colleagues and I write about and review here at BroadwayWorld.com ... No, this is not a paid endorsement.
It doesn't need Bob Fosse or Gwen Verdon, but Sweet Charity requires much more than this revival offers
| 1966 | Off-Broadway |
Off-Broadway |
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