It’s the opening night of The Golden Egg on Broadway, and the wealthy producer Julia Budder is throwing a lavish party in her lavish Manhattan townhouse. Downstairs the celebrities are pouring in, but the real action is upstairs in the bedroom, where a group of insiders have staked themselves out to await the reviews. The group includes the excitable playwright; the possibly unstable wunderkind director; the pill-popping leading lady, treading the boards after becoming infamous in Hollywood; and the playwright’s best friend, for whom the play was written but who passed up this production for a television series. Add to this a drama critic who’s panned the playwright in the past and a new-in-town aspiring singer, and you have a prime recipe for the narcissism, ambition, childishness, and just plain irrationality that infuse the theatre—and for comedy. But don’t worry: This play is sure to be the hit they have all been hoping for.
BroadwayWorld just chatted with directors Steinfeld and Brody (who also play the Baker and Lucinda/Wolf/Cinderella's Prince respectively), as well as Fiasco Theater Co-Artistic Director cast member Jessie Austrian (Baker's Wife) about the thrills of bringing the show to life, the concept of their re-imagined version and so much more. Check out the full interview below!
Dixon Place (Ellie Covan, Artistic Director) presents the 23rd Annual HOT!, the NYC Celebration of Queer Culture. The world's longest-running LGBTQ Performance Festival, HOT! offers theater, music, dance, puppetry, performance art and homoeroticism for the whole family! HOT! is the pioneering festival of queer performance and culture - and the oldest annual festival of its kind in the world. Dixon Place is proud the HOT! serves as the model for other queer festivals across the globe and has become a performance destination for emerging talent in the LGBTQ community. This year's HOT!, featuring hundreds of participating artists presenting their newest creations, will run July 5th through August 2nd at Dixon Place, located at 161A Chrystie Street in New York City.
The music, humor, warmth and life of Marvin Hamlisch will once again grace the Heinz Hall stage when "Play It Again, Marvin! A Marvin Hamlisch Celebration" makes its world premiere with the Pittsburgh Symphony Orchestra on June 28 at 8 p.m.
The music, humor, warmth and life of Marvin Hamlisch will once again grace the Heinz Hall stage when "Play It Again, Marvin! A Marvin Hamlisch Celebration" makes its world premiere with the Pittsburgh Symphony Orchestra on June 28 at 8 p.m.
This summer, it's 'almost like being in love!' Goodman Theatre produces the first large-scale, professional revival of Brigadoon -- Alan Jay Lerner and Frederick's Loewe's legendary musical of Broadway's Golden Age -- in more than three decades. Under director/choreographer Rachel Rockwell, a company of 28 actors, dancers and singers breathe new life into the enchanting tale of an 18th century Scottish village that appears every century for one day only -- and the complications that arise when it's discovered by two 20th century Americans. With adapter Brian Hill, Rockwell revisits the libretto for this production, while music director Roberta Duchak and an orchestra of 13 use new orchestrations to enhance Loewe's lilting score.
The music, humor, warmth and life of Marvin Hamlisch will once again grace the Heinz Hall stage when "Play It Again, Marvin! A Marvin Hamlisch Celebration" makes its world premiere with the Pittsburgh Symphony Orchestra on June 28 at 8 p.m.
The music, humor, warmth and life of Marvin Hamlisch will once again grace the Heinz Hall stage when "Play It Again, Marvin! A Marvin Hamlisch Celebration" makes its world premiere with the Pittsburgh Symphony Orchestra on June 28 at 8 p.m.
Producers Tom Kirdahy, Roy Furman, and Ken Davenport announced today that tickets are now on sale to the general public for the star-studded Broadway production of Terrence McNally's uproarious comedy, It's Only A Play.
Organized disorder and unintended hilarity. Dropped lines and missed entrances. Forgotten props and late sound effects. Certainly those of us ever involved with producing, directing, or being in a play know how the combination of all these things can lead to a flop. Lucky for the cast of DROP DEAD at the NoHo Arts Center, the combination of these disasters leads to hysteria and a hit comedy!
This summer, it's "almost like being in love!" Goodman Theatre produces the first large-scale, professional revival of Brigadoon -- Alan Jay Lerner and Frederick's Loewe's legendary musical of Broadway's Golden Age -- in more than three decades. Under director/choreographer Rachel Rockwell, a company of 28 actors, dancers and singers breathe new life into the enchanting tale of an 18th century Scottish village that appears every century for one day only -- and the complications that arise when it's discovered by two 20th century Americans. With adapter Brian Hill, Rockwell revisits the libretto for this production, while music director Roberta Duchak and an orchestra of 13 use new orchestrations to enhance Loewe's lilting score.
Melba Moore will play two shows at New York's Metropolitan Room on June 20, 2014, at 7pm & 9:30pm. Price $35.00 - $115.00.
Producers Tom Kirdahy, Roy Furman, and Ken Davenport announced today that Academy Award® winner F. Murray Abraham, Tony Award® winner Matthew Broderick, Tony Award® winner Stockard Channing, Tony Award®winner Nathan Lane, Emmy Award® winner Megan Mullally, and Micah Stock will star on Broadway in a newly revised version of Terrence McNally's uproarious comedy, It's Only a Play, which first premiered in New York in 1986 at the Manhattan Theatre Club. Tony Award® winner Jack O'Brien will direct. Additional casting will be announced shortly. The production will play a strictly limited 17-week engagement at Broadway's Gerald Schoenfeld Theatre (236 West 45th Street) beginning this fall, 2014, with an opening night set for Thursday, October 9.
During the appearance, Mullally shared that she will be starring in a new comedy by Terrance McNally.
Cleveland Play House enthusiastically welcomes dance legend Maurice Hines to Cleveland in the toe-tapping extravaganza, Maurice Hines is Tappin' Thru Life. Co-produced with Alliance Theatre and Arena Stage, CPH audiences will be dazzled by this infectious production, which brings the history of American tap to life. Directed by Tony-nominee Jeff Calhoun (Newsies) and featuring contemporary tap icons The Manzari Brothers and music from the all-female big band The Diva Orchestra, Tappin' Thru Life will dance its way onto PlayhouseSquare's Allen Theatre stage for an extended run from today, May 30 - June 29. Special gratitude is given to CPH's generous sponsor, Zinner & Co.
Dixon Place (Ellie Covan, Artistic Director) presents the 23rd Annual HOT!, the NYC Celebration of Queer Culture. The world's longest-running LGBTQ Performance Festival, HOT! offers theater, music, dance, puppetry, performance art and homoeroticism for the whole family! HOT! is the pioneering festival of queer performance and culture - and the oldest annual festival of its kind in the world. Dixon Place is proud the HOT! serves as the model for other queer festivals across the globe and has become a performance destination for emerging talent in the LGBTQ community. This year's HOT!, featuring hundreds of participating artists presenting their newest creations, will run July 5th through August 2nd at Dixon Place, located at 161A Chrystie Street in New York City.
e Co-Artistic Director's Nina Lee Aquino and Nigel Shawn Williams, and Managing Director, Sara Meurling present the 45th season of Factory Theatre consisting of five Factory premieres: THE ART OF BUILDING A BUNKER, written by Adam Lazarus and Guillermo Verdecchia; TAKE ME BACK TO JEFFERSON an adaptation of William Faulkner's AS I LAY DYING by Dean Gilmour and Michele Smith in collaboration with the company; TWISTED, written by Charlotte Corbeil-Coleman and Joseph Jomo Pierre; THE UNPLUGGING written by Yvette Nolan; MORRO AND JASP: 9-5, created and performed by Morro and Jasp; and as a special add-on to the subscription season, the return of THE DAISY THEATRE, created and performed by Ronnie Burkett. BMO Financial Group returns as the 2014-15 45th Season Sponsor.
Cleveland Play House enthusiastically welcomes dance legend Maurice Hines to Cleveland in the toe-tapping extravaganza, Maurice Hines is Tappin' Thru Life. Co-produced with Alliance Theatre and Arena Stage, CPH audiences will be dazzled by this infectious production, which brings the history of American tap to life. Directed by Tony-nominee Jeff Calhoun (Newsies) and featuring contemporary tap icons The Manzari Brothers and music from the all-female big band The Diva Orchestra, Tappin' Thru Life will dance its way onto PlayhouseSquare's Allen Theatre stage for an extended run from May 30 - June 29. Special gratitude is given to CPH's generous sponsor, Zinner & Co.
The New York Times reports that THE PRODUCERS stars Matthew Broderick and Nathan Lane will reunite in a new version of Terrence McNally's IT'S ONLY A PLAY, directed by Jack O'Brien and opening on Broadway in September 2014. No word yet on where the show will run.
The New York Philharmonic and American Composers Orchestra (ACO), in collaboration with ACO's EarShot: the National Orchestra Composition Discovery Network, announce the selection of 13 emerging composers from an international pool of more than 400 applicants from seven countries and 37 states ranging in age from 9 to 84, whose original scores for orchestra have been chosen for readings and performances by the Philharmonic and ACO as part of the inaugural NY PHIL BIENNIAL.
Lady Day at Emerson's Bar & Grill opens tonight on Broadway. Lady Day stars five-time Tony Award-winner Audra McDonald under the direction of Lonny Price (110 in the Shade, A Class Act), will play a strictly limited 10-week engagement with only 70 performances at the Circle in the Square Theatre (1633 Broadway, on 50th Street btwn. Broadway and 8th Ave.).
The Smith Center for the Performing Arts presents the world premiere of THE TEMPEST, produced by the American Repertory Theater (A.R.T.) at The Smith Center in Las Vegas today, April 5-13, 2014. The Smith Center's first ever co-production, THE TEMPEST is adapted and directed by Aaron Posner and Teller from the play by William Shakespeare, with magic by Teller, music by Tom Waits and movement by Matt Kent of Pilobolus. THE TEMPEST will perform at The Smith Center's Donald W. Reynolds Symphony Park in a 500-seat climate controlled tent before moving to Cambridge, MA to begin performances at A.R.T.
COCA presents Terrapin Puppet Theatre's Love, May 3-4, 2014, in COCA's Founders' Theatre. With a big storm brewing, Oslo's mum says he can only take a few things, or 'love luggage,' to safety. So, Oslo sets out to help his neighbors find their 'love luggage,' too! This heartfelt and entertaining story is brought to life by Australia's Terrapin Puppet Theatre, with traditional and digital puppets, live action and moving music. Recommended for ages 5 and up.
Members of the Santa Ana community-and others-are invited to attend one or more staged readings of a new community-inspired play by Jose Cruz Gonzalez. The play-in-development is part of Dialogue/Dialogos, a creative partnership between South Coast Repertory (SCR) and Latino Health Access (LHA).
Members of the Santa Ana community-and others-are invited to attend one or more staged readings of a new community-inspired play by Jose Cruz Gonzalez. The play-in-development is part of Dialogue/Dialogos, a creative partnership between South Coast Repertory (SCR) and Latino Health Access (LHA).
This spring Japan Society continues to honor the late Donald Richie, whose criticism, commentary and advocacy contributed incomparably toward making Japanese art and culture, especially its cinema, revered throughout the world. As the second and final leg of the ongoing series, again curated by noted film scholar Kyoko Hirano, A Tribute to Donald Richie (1924-2013), Part 2: Richie's Electric Eight: The Bold & the Daring encompasses eight films that reflect the complexity, nuance, and brilliance of Japanese society, as seen through Richie's unflinching and insatiable eye.
| 1986 | Off-Broadway |
Off-Broadway |
| 2014 | Broadway |
Broadway Revival Broadway |
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