A Midsummer Night's Dream 1987 - Articles Page 15

New York City Opera General Manager and Artistic Director George Steel today announced the company's 2010-2011 season, which spotlights American composers and 20th-century works within a mix of world premieres, New York premieres and new productions. Offering audiences the opportunity to experience new and rarely performed operas as well as modern interpretations of traditional repertoire, the 2010-2011 season will also feature the launch of a concert series showcasing the non-operatic works of several of the composers of this season's operas. Taking advantage of the possibilities offered by the recent renovation of the company's home, the David H. Koch Theater, the concert series expands the repertoire and programming of City Opera and casts new light on the season's productions.

The John F. Kennedy Center for the Performing Arts presents C.I.C.T./Théâtre des Bouffes du Nord's production of Fragments running April 14 to 17 in the Kennedy Center Eisenhower Theater. Co-directed by Peter Brook and Marie Hélène Estienne, Fragments brings together four short plays by Samuel Beckett including Rough for Theatre I, Rockaby, Act Without Words II, Come and Go, as well as the poem, Neither. Press night will take place on Thursday, April 14 at 7:30 p.m.

The John F. Kennedy Center for the Performing Arts presents C.I.C.T./Théâtre des Bouffes du Nord's production of Fragments running April 14 to 17 in the Kennedy Center Eisenhower Theater. Co-directed by Peter Brook and Marie Hélène Estienne, Fragments brings together four short plays by Samuel Beckett including Rough for Theatre I, Rockaby, Act Without Words II, Come and Go, as well as the poem, Neither. Press night will take place on Thursday, April 14 at 7:30 p.m.

The long overdue London premiere of the Broadway musical The Roar of the Greasepaint - The Smell of the Crowd, directed by acclaimed West End and RSC director Ian Judge, and designed by three time Olivier Award winner Tim Goodchild, opens for a four week limited season at the Finborough Theatre on Tuesday, 7 June 2011 (Press Night: Thursday, 9 June 2011 at 7.30pm).

People's Light & Theatre presents the Philadelphia premiere of Horton Foote's Dividing the Estate. It runs May 11 - June 5, 2011 on the Main Stage. Artistic Director Abigail Adams directs. People's Light & T

New York City Opera General Manager and Artistic Director George Steel today announced the company's 2010-2011 season, which spotlights American composers and 20th-century works within a mix of world premieres, New York premieres and new productions. Offering audiences the opportunity to experience new and rarely performed operas as well as modern interpretations of traditional repertoire, the 2010-2011 season will also feature the launch of a concert series showcasing the non-operatic works of several of the composers of this season's operas. Taking advantage of the possibilities offered by the recent renovation of the company's home, the David H. Koch Theater, the concert series expands the repertoire and programming of City Opera and casts new light on the season's productions.

The final play of Florida Stage's 24th subscription season is the world premiere of a darkly funny, electric and timely new play by Carter W. Lewis, The Cha-Cha of a Camel Spider. From the award-winning author of The Storytelling Ability of a Boy and Women Who Steal, The Cha-Cha of a Camel Spider asks the questions, what happens when our 'soldiers of fortune' outnumber our army troops and can art really make a difference in a corporatized world? The Cha-Cha of a Camel Spider continues Florida Stage's first season as the resident company in the Rinker Playhouse at the Kravis Center for the Performing Arts.

New York City Opera General Manager and Artistic Director George Steel today announced the company's 2010-2011 season, which spotlights American composers and 20th-century works within a mix of world premieres, New York premieres and new productions. Offering audiences the opportunity to experience new and rarely performed operas as well as modern interpretations of traditional repertoire, the 2010-2011 season will also feature the launch of a concert series showcasing the non-operatic works of several of the composers of this season's operas. Taking advantage of the possibilities offered by the recent renovation of the company's home, the David H. Koch Theater, the concert series expands the repertoire and programming of City Opera and casts new light on the season's productions.

New York City Opera General Manager and Artistic Director George Steel today announced the company's 2010-2011 season, which spotlights American composers and 20th-century works within a mix of world premieres, New York premieres and new productions. Offering audiences the opportunity to experience new and rarely performed operas as well as modern interpretations of traditional repertoire, the 2010-2011 season will also feature the launch of a concert series showcasing the non-operatic works of several of the composers of this season's operas. Taking advantage of the possibilities offered by the recent renovation of the company's home, the David H. Koch Theater, the concert series expands the repertoire and programming of City Opera and casts new light on the season's productions.

The John F. Kennedy Center for the Performing Arts presents C.I.C.T./Théâtre des Bouffes du Nord's production of Fragments running April 14 to 17 in the Kennedy Center Eisenhower Theater. Co-directed by Peter Brook and Marie Hélène Estienne, Fragments brings together four short plays by Samuel Beckett including Rough for Theatre I, Rockaby, Act Without Words II, Come and Go, as well as the poem, Neither. Press night will take place on Thursday, April 14 at 7:30 p.m.

Executive Producer Lou Spisto today announced the complete cast and creative team for Ian Bruce's Groundswell, a psychological drama set in South Africa. Directed by Kyle Donnelly, Groundswell will run in the Sheryl and Harvey White Theatre March 12 - April 17. Preview performances run March 12 - March 16. Opening night is March 17 at 8:00 p.m. Tickets can be purchased online at www.TheOldGlobe.org, by phone at (619) 23-GLOBE or by visiting the Box Office at 1363 Old Globe Way in Balboa Park.

The Shakespeare Center of Los Angeles (SCLA) will hold "The Trial of Hamlet" to determine the competency of the defendant to stand trial for the murder of Polonius, based on the events of the Shakespeare play.

YALE REPERTORY THEATRE (James Bundy, Artistic Director; Victoria Nolan, Managing Director) presents August Wilson's THE PIANO LESSON, directed by Liesl Tommy, at Yale Repertory Theatre (1120 Chapel Street, at York Street) January 28-February 19, 2011.

YALE REPERTORY THEATRE (James Bundy, Artistic Director; Victoria Nolan, Managing Director) presents August Wilson's THE PIANO LESSON, directed by Liesl Tommy, at Yale Repertory Theatre (1120 Chapel Street, at York Street) January 28-February 19, 2011.

The American Repertory Theater (A.R.T.) continues its 2010/11 Season with R. Buckminster Fuller: THE HISTORY (and Mystery) OF THE UNIVERSE, written and directed by D.W. Jacobs from the life, work, and writings of R. Buckminster Fuller. The production features Thomas Derrah as Bucky Fuller. Set and lighting design is by David Cuthbert, costume design by Darla Cash, projection design by Jim Findlay, and sound/composition by Luis Perez.

The first ever revival of the controversial play by Emlyn Williams plays for a limited four week season from Tuesday, 1 February 2011 (Press Nights: Thursday 3 and Friday, 4 February 2011 at 7.30pm) at the multi-award-winning Finborough Theatre as part of RediscoveriesUK, a three month season of rediscovered plays by writers from England, Scotland, Wales and Northern Ireland.

YALE REPERTORY THEATRE (James Bundy, Artistic Director; Victoria Nolan, Managing Director) presents August Wilson's THE PIANO LESSON, directed by Liesl Tommy, at Yale Repertory Theatre (1120 Chapel Street, at York Street) January 28-February 19, 2011.

YALE REPERTORY THEATRE (James Bundy, Artistic Director; Victoria Nolan, Managing Director) presents August Wilson's THE PIANO LESSON, directed by Liesl Tommy, at Yale Repertory Theatre (1120 Chapel Street, at York Street) January 28-February 19, 2011.

Roundabout Theatre Company (Todd Haimes, Artistic Director) is pleased to announce the full company of the new Broadway production of Anything Goes, starring Tony Award winner Sutton Foster as 'Reno Sweeney' and Tony and Academy Award winner Joel Grey as 'Moonface Martin.'

The American Repertory Theater (A.R.T.) continues its 2010/11 Season with R. Buckminster Fuller: THE HISTORY (and Mystery) OF THE UNIVERSE, written and directed by D.W. Jacobs from the life, work, and writings of R. Buckminster Fuller. The production features Thomas Derrah as Bucky Fuller. Set and lighting design is by David Cuthbert, costume design by Darla Cash, projection design by Jim Findlay, and sound/composition by Luis Perez.

New York City Opera General Manager and Artistic Director George Steel today announced the company's 2010-2011 season, which spotlights American composers and 20th-century works within a mix of world premieres, New York premieres and new productions. Offering audiences the opportunity to experience new and rarely performed operas as well as modern interpretations of traditional repertoire, the 2010-2011 season will also feature the launch of a concert series showcasing the non-operatic works of several of the composers of this season's operas. Taking advantage of the possibilities offered by the recent renovation of the company's home, the David H. Koch Theater, the concert series expands the repertoire and programming of City Opera and casts new light on the season's productions.

New York City Opera General Manager and Artistic Director George Steel today announced the company's 2010-2011 season, which spotlights American composers and 20th-century works within a mix of world premieres, New York premieres and new productions. Offering audiences the opportunity to experience new and rarely performed operas as well as modern interpretations of traditional repertoire, the 2010-2011 season will also feature the launch of a concert series showcasing the non-operatic works of several of the composers of this season's operas. Taking advantage of the possibilities offered by the recent renovation of the company's home, the David H. Koch Theater, the concert series expands the repertoire and programming of City Opera and casts new light on the season's productions.

During the 2010-2011 and 2011-2012 seasons, 33 U.S. opera companies both large and small and from coast to coast will perform works - including nine world premieres - by American composers, announced OPERA America, the national service organization for opera.

New York City Opera General Manager and Artistic Director George Steel today announced the company's 2010-2011 season, which spotlights American composers and 20th-century works within a mix of world premieres, New York premieres and new productions. Offering audiences the opportunity to experience new and rarely performed operas as well as modern interpretations of traditional repertoire, the 2010-2011 season will also feature the launch of a concert series showcasing the non-operatic works of several of the composers of this season's operas. Taking advantage of the possibilities offered by the recent renovation of the company's home, the David H. Koch Theater, the concert series expands the repertoire and programming of City Opera and casts new light on the season's productions.

Connecticut Repertory Theatre (CRT) will present Stephen Adly Guirgis' THE LAST DAYS OF JUDAS ISCARIOT, Oct. 28 - Nov. 7, in the Studio Theatre on the Storrs campus. For tickets and information, call 860-486-4226 or visit www.crt.uconn.edu.