In the unique world of Love Letters, a play by A.R. Gurney, there's no grand set, elaborate costumes, or dramatic action. Instead, the power of the story unfolds through the simple act of two actors sitting at separate tables, reading aloud a lifetime of letters and cards exchanged between two characters: Melissa Gardner and Andrew Makepeace Ladd III.
The play opens with Melissa and Andrew, seemingly strangers, facing the audience. As they begin to read, we're transported into their world, spanning nearly 50 years.
Tome Cousin is an interdisciplinary artist who has molded an award winning international career that includes collaboration and performance on Broadway, television, film, dance, theater, music, photography, and literature. He holds a Bachelors of Arts in Dance History and Choreography and a Masters of Fine Art in New Media Art and Performance. He is an Associate Professor of Dance at the Carnegie Mellon University School of Drama.
Director Sean Foley, who has recently enjoyed sell-out success adapting and directing The Painkiller in the Kenneth Branagh Theatre Company season of Plays at the Garrick will, starting this autumn, under producer Mark Goucher, direct two new productions in the West End.
MACGRAW AND O'NEAL MASTER THE ART OF 'LOVE LETTERS'
Before cell phones, texts, tweets or facebook messages there existed that lost art of writing letters. Yes, I said art. Putting words to paper in complete sentences that share emotions as well as news of the day can be exciting to write and even more thrilling to receive through the good old US Postal Service.
The late spring and summer programming schedule at the Museum of Jewish Heritage - A Living Memorial to the Holocaust has been announced. The diverse season includes programs presented in conjunction with the Museum's new special exhibition, Stitching History From the Holocaust. The schedule includes music, theater, talks, films, and family programs.
Full program and tickets are on sale to subscribers from Sunday 3 April and the general public from Wednesday 6 April through BASS 131 246 or online www.adelaidecabaretfestival.com.au Program details are available in the Adelaide Cabaret Festival brochure, get one free by calling BASS 131 246 or log onto the Cabaret Festival website.
Good morning, BroadwayWorld! Because we know all our readers eat, sleep and breathe Broadway, what could be better than waking up to it? Today's big news: IRONBOUND opens off-Broadway and more!
National treasure Maureen Lipman (Oklahoma, Outside Edge, See How They Run) and Olivier-award winning Katie Brayben (Beautiful - The Carole King Musical, King Charles III, American Psycho) will lead the cast in Charlotte Keatley's My Mother Said I Never Should. They will be joined by Caroline Faber (The Taming of the Shrew, The Heiress, Hangover Square) and Serena Manteghi (The Railway Children). Presented by Tiny Fires Ltd. this is the first London revival of the play in over 25 years.
Theatre enthusiasts packed the Mountain View Center for the Performing Arts tonight to hear Founding Artistic Director Robert Kelley and Managing Director Phil Santora of TheatreWorks Silicon Valley unveil the line-up for the company's 47th season.
Washington State native Trisha Brown is considered the most widely acclaimed choreographer of the postmodern era. For over 50 years, she pushed the limits of choreographic movement, changing modern dance forever. At 79, Trisha Brown has choreographed her last dances. In celebration of her life's work, Trisha Brown Dance Company returns to the choreographer's home state to perform the final performances of her works for the proscenium stage as part of a retrospective presented by University of Washington's World Series at Meany Hall.
A.R. Gurney's Love Letters will feature a rotating ensemble of players who will star in the two-person romance.
Theatre Nova, Ann Arbor's professional playwrights' theater, is thrilled to announce its 2016 Season of Michigan and World Premieres in The Yellow Barn performance space at 416 West Huron, in downtown Ann Arbor. The season is made up of four World Premieres and three Michigan Premieres, and features another season of fun, funny, thought-provoking, and innovative new plays sourced both from around the country and right here in Michigan.
OTHER PEOPLE'S MONEY, a 1989 play by Jerry Sterner, and directed by Carl Hamilton sets the hostile takeover scenario in a small town. The story, which was an off-Broadway hit, is effectively told through just five characters. The production opens tonight, January 15th, at Wells Fargo Center for the Arts.
The Film Society of Lincoln Center and the Jewish Museum will present the 25th annual New York Jewish Film Festival (NYJFF) at the Film Society's Walter Reade Theater and Elinor Bunin Munroe Film Center, today, January 13-26, 2016.
OTHER PEOPLE'S MONEY, a 1989 play by Jerry Sterner, and directed by Carl Hamilton sets the hostile takeover scenario in a small town. The story, which was an off-Broadway hit, is effectively told through just five characters. The production will open January 15th at Wells Fargo Center for the Arts.
Washington State native Trisha Brown is considered the most widely acclaimed choreographer of the postmodern era. For over 50 years, she pushed the limits of choreographic movement, changing modern dance forever. At 79, Trisha Brown has choreographed her last dances. In celebration of her life's work, Trisha Brown Dance Company returns to the choreographer's home state to perform the final performances of her works for the proscenium stage as part of a retrospective presented by University of Washington's World Series at Meany Hall.
The Irish Repertory Theatre (Charlotte Moore, Artistic Director and Ciaran O'Reilly, Producing Director) presents its first production of 2016, THE BURIAL AT THEBES written by Irish Nobel Laureate Seamus Heaney, based on Sophocles' Antigone. Directed by Charlotte Moore, THE BURIAL AT THEBES will now star two-time Emmy Award-winner and Tony nominee Larry Bryggman (Proof, Picnic, "As the World Turns") as Creon, The King of Thebes (who replaces the previously announced John Cullum), and Rebekah Brockman (seen as Nettie on the acclaimed Cinemax series "The Knick") as Antigone. THE BURIAL AT THEBES will be performed Thursday, January 14 - Sunday, March 6, 2016. Opening Night is scheduled for Sunday, January 24, 2016. Tickets are on sale now through the Irish Rep box office at 212-727-2737 or online at www.irishrep.org.
The Film Society of Lincoln Center and the Jewish Museum will present the 25th annual New York Jewish Film Festival (NYJFF) at the Film Society's Walter Reade Theater and Elinor Bunin Munroe Film Center
The Film Society of Lincoln Center and the Jewish Museum will present the 25th annual New York Jewish Film Festival (NYJFF) at the Film Society's Walter Reade Theater and Elinor Bunin Munroe Film Center, January 13-26, 2016.
The 2015 LA STAGE Alliance Ovation Awards, celebrating theatrical excellence and achievement during the past 12 months, were presented on Monday, November 9 at the Ahmanson Theatre at The Music Center. Among the many winners were the stars and creative team of Deaf West's SPRING AWAKENING, now on Broadway. Scroll down for photos from the arrivals, ceremony and after-party!
The 2015 LA STAGE Alliance Ovation Awards, celebrating theatrical excellence and achievement during the past 12 months, were presented on Monday, November 9 at the Ahmanson Theatre at The Music Center. Among the many winners were the stars and creative team of Deaf West's SPRING AWAKENING, now on Broadway. Scroll down for the full list of winners!
Halloween's all done in, there are still three weeks ahead before we officially give thanks, and Christmas - and all its accompanying frenzy and frivolity - is about seven weeks away! So what's there to do for all the theatrical types jonesing for a trip to make believe? Plenty! Theater companies all over middle Tennessee are showing off their best and brightest, with a number of eagerly anticipated shows opening this weekend and/or continuing from their earlier opening nights and next Tuesday there's a sparkling new Broadway musical swinging through Music City to entertain you…
Entering its seventh season in 2015-16, CONTACT!, the Philharmonic's new-music series, will extend its reach across New York City through a new partnership with National Sawdust (formerly Original Music Workshop), a new, non-profit, state-of-the-art music venue opening in Williamsburg, Brooklyn, in October 2015.
The Irish Repertory Theatre (Charlotte Moore, Artistic Director and Ciaran O'Reilly, Producing Director) announces its first production of 2016, THE BURIAL AT THEBES written by Irish Nobel Laureate Seamus Heaney, based on Sophocles' Antigone.
It's Halloween weekend and every dramatic personage and theatrical type we've ever encountered is caught up in the annual rush to find just the right costume for their holiday revelries (we confess we've never had the knack for coming up with Halloween get-ups - not since we went in drag to a party at the First Baptist Church as the age of 12…tongues were wagging, we are certain, but we lived to tell about it, so it couldn't have been that bad). In the meantime, there are all sorts of onstage happenings this weekend to keep you otherwise engaged should the difficulty of selecting your costume prove to be too much.
The Old Globe today shared its 2016 Summer Season, which will feature new and familiar works directed by four major American stalwarts. The season features the welcome return of Steve Martin (Bright Star) with the World Premiere of his new play Meteor Shower, an adult comedy, directed by Gordon Edelstein, in a co-production with Long Wharf Theatre, where he serves as Artistic Director. Paul Gordon's musical Sense and Sensibility will have its West Coast premiere, presented in association with Chicago Shakespeare Theater, where it had its world premiere in February 2015, directed by CST Artistic Director Barbara Gaines. The Summer Shakespeare Festival will include Macbeth, directed by Brian Kulick, Artistic Director of Classic Stage Company, and Love's Labor's Lost, directed by three-time Tony Award winner Kathleen Marshall.
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