Child's Play 1970 - Articles Page 4

After 46 years of steady work in front of film and television cameras, C. Thomas Howell will be making his theatrical debut in the world premiere of D.M. Conte's WORST-CASE SCENARIO at the Hudson Comedy Central Backstage Theatre beginning (hopefully) April 2020. Since Thomas made his first screen appearance in Steven Spielberg 1982's phenomenon E.T, The Extra Terrestrial at the ripe young age of 15, Thomas has been working steadily, exhibiting his acting chops in over two hundred shows, including Francis Coppola's cult favorite The Outsider, and in numerous television series and films. Thomas managed to carve out some time to answer some of my inquisitive queries.

OIL, which premiered last night at Geary Lane, is an epic story, an eat-before-you-arrive play that will take up your evening and take over your mind. It consists of five vignettes across five periods of history, beginning in the late 19th century and continuing into a bleak, imagined future. The scenes are united by theme - oil, modernity, ambition, isolation - and character: each scene follows a woman called May, a mother or mother-to-be, who only wants the best for her child.

Theater for the New City, Crystal Field, Executive Director, presents They Came to the Castle: Immigrants, a Tenor and Lola Montez, a new play by Barbara Kahn, directed by Robert Gonzales Jr. and Barbara Kahn. Featuring Robert Gonzales Jr, Vilma Hodo, Christopher Lowe, Lisa Monde, Crosbie Roper, Aristotle Stamat, Leila Stricker, Lera Vital.

Netflix, the world's leading streaming entertainment service, has exclusively acquired six award winning short films from Telfaz11 Studios which will be available for viewers in 190 countries starting Thursday 27 February. To be released under the name “Six Windows in the Desert,” the short films made by Saudi creators aim to shine a light on thought-provoking subjects with a focus on social themes.

What happens when 1880 Western bandits are brought back to life in Azusa, CA by a space alien? Sam Shepard's The Unseen Hand joins Odyssey Theatre Ensemble's 50th Anniversary “Circa '69” Season of significant and adventurous plays that premiered around the time of the company's inception, coupled with Shepard's gritty and audacious Killer's Head. Longtime Shepard collaborator Darrell Larson directs both plays for a Jan. 25 opening at the Odyssey Theatre in West L.A., where performances will continue through March 8.

In what has become an annual ritual, a total of 40 established and emerging composers, lyricists, and librettists will converge on the Goodspeed campus from mid-January through mid-February 2020 to participate in the Johnny Mercer Foundation Writers Colony at Goodspeed Musicals. The writing teams, representing 15 new musicals, will populate the campus, creating a truly exciting environment for discovery and inspiration.

Playwright Robert Harling based the STEEL MAGNOLIAS story on his experience with the death of his diabetic sister. As her best friend and closest sibling, Harling found it difficult to cope with losing her, and his friends advised him to write about his feelings as a coping method. What began as a short story then evolved into a full-length play due to the complexity of the relationships and emotions that existed among the female characters who are a?oeas delicate as magnolias but as tough as steela?? who utilize humor and lighthearted conversations to cope with the seriousness of life's underlying situations.

Kristine Thatcher's VOICE OF GOOD HOPE is a bio-drama of Barbara Jordan, the first African American congresswoman from the Deep South. Jordan earned national stature in the 1970's as a member of the House Judiciary Committee that considered articles of impeachment against Richard Nixon and as the keynote speaker of the 1976 Democratic National Convention. Kristine Thatcher, who is City Lit's playwright-in-residence, was nominated for Best New Work in the 2019 Jeff Awards for her play, THE SAFE HOUSE, which premiered at City Lit last fall. VOICE OF GOOD HOPE premiered at Victory Gardens Theater in 2000 and has been produced across the US since then.

CANE RIVER restoration, Valentine's Day romance, Kelly Reichardt Selects, and more announced at BAM, in February and March 2020.

Cast and design team have been announced for City Lit Theater's second production of the 2019-2020 season, Kristine Thatcher's VOICE OF GOOD HOPE, a bio-drama of Barbara Jordan, the first African American congresswoman from the Deep South. Jordan earned national stature in the 1970's as a member of the House Judiciary Committee that considered articles of impeachment against Richard Nixon and as the keynote speaker of the 1976 Democratic National Convention. Kristine Thatcher, who is City Lit's playwright-in-residence, was nominated for Best New Work in the 2019 Jeff Awards for her play, THE SAFE HOUSE, which premiered at City Lit last fall. VOICE OF GOOD HOPE premiered at Victory Gardens Theater in 2000 and has been produced across the US since then. Press opening is Sunday, January 19, 2020.  

What happens when 1880 Western bandits are brought back to life in Azusa, CA by a space alien? Sam Shepard's The Unseen Hand joins Odyssey Theatre Ensemble's 50th Anniversary a?oeCirca '69a?? Season of significant and adventurous plays that premiered around the time of the company's inception, coupled with Shepard's gritty and audacious Killer's Head. Longtime Shepard collaborator Darrell Larson directs both plays for a Jan. 18 opening at the Odyssey Theatre in West L.A., where performances will continue through March 8.

The setting for Richard Clifford's production of Amadeus, Peter Shaffer's classic, modern revenge tragedy could not be more skillfully assembled, and Clifford has created a taut, compelling evening for Folger audiences that remind us how shockingly contemporary the play's themes are.

Roald Dahl wrote books for the children of his time and it is a wonder that many of his creations have remained as popular and well-loved as they have decades after his death. Although James and the Giant Peach, Matilda, The Witches, and The Twits can all trace thematic influence back to Dahl's involvement in World War II, Charlie and the Chocolate Factory seems to be the most heavily-informed by an unquestioning devotion to western industrialization and hope for the germinating seeds of our present-day capitalism. The 1971 movie, Willy Wonka and the Chocolate Factory is indicative of its time not only in its psychedelic colors and film effects but in its Vietnam-Conflict-era praise of Americanized consumerism. While Tim Burton's 2005 film adaptation reclaimed the title of the 1964 book and attempted to be a more faithful translation, its darkness and sterile settings have not garnered the cultural embrace of its predecessor, mainly because (I believe) of the public's common, shifting relationship with and disdain for industrialization and capitalism.

30 years after its stage debut, experiencing MISS SAIGON nowadays exposes just how outdated and out-of-touch it is with our increasingly diverse world view. The musical's original production---which first debuted in the West End in 1989 before transferring to Broadway in 1991---became a global hit despite some loud, very understandable controversy. Most audiences, however, ignored the accusations of orientalism, misogyny, and white-washing and instead focused on the show's epic melodrama and theatrical splendor, much of it powered by the lush music of Claude-Michel Schönberg and the lyrics by Alain Boublil and Richard Maltby Jr. The show continues at Orange County's Segerstrom Center for the Arts in Costa Mesa through October 13, 2019.

Serving as the gloriously buoyant 56th season-opening production at Orange County's South Coast Repertory in Costa Mesa, AMERICAN MARIACHI---which continues performances through October 5, 2019---is a wonderful play about the love of family and the love for achieving personal dreams. Playwright José Cruz González's joyful, musical-leaning play combines gorgeous music with broad comedy and touching drama that gives a fresh spin to the story of pioneering women subverting expectations to achieve their dreams in a world dominated by men's old world outlook.

This Month, FEINSTEIN'S/54 BELOW, Broadway's Supper Club & Private Event Destination, presents some of the brightest stars from Broadway, cabaret, jazz, and beyond. To purchase tickets or for more information, visit www.54Below.com/Feinsteins or call (646) 476-3551.

The Finborough Theatre's Autumn season features three premieres, all discovered by the Finborough Theatre's Artistic Director Neil McPherson - another Finborough rediscovery from a classic British playwright, written in 1970, but never before seen in London, alongside two European premieres from female playwrights - a hit Off Broadway play from the United States, and a multi-award-winning new play from New Zealand/ Aotearoa.

Utah Film Center announced today the feature films selected for the 16th annual Damn These Heels Film Festival and new elements to the Festival for film lovers, filmmakers, and all storytellers. Damn These Heels will run July 12 - 14, 2019 at the Rose Wagner Performing Arts Center and is a festival for all that explores LGBTQ issues, ideas, and art through independent, documentary, and foreign films from around the world. Passes and tickets are now on sale on the Utah Film Center's website. Additional titles will be announced on the website leading up to the Festival.

What makes a Broadway theatre? Technically any venue with 500 seats or more, located along Broadway in New York City's Theatre District is a Broadway theatre, and the art that is produced in these special places is widely considered the highest form of theatrical entertainment in the world. Today, forty-one theatres are technically Broadway houses, each with their own rich history. Below, we're giving you the scoop on the life of every one of them!

CLYBOURNE PARK is a savagely funny, ferociously smart, and brilliantly written play by Bruce Norris which won the 2011 Pulitzer Prize for Drama and the 2012 Tony Award for Best Play. Perhaps best known as a companion piece to Lorraine Hansberry's classic play A RAISIN IN THE RUN, an audience favorite that has been produced at theaters all over the world, Norris' play is set in the home purchased by Lena Younger in an all-white neighborhood of Chicago in Raisin although we never see the home during that play, However, in it we do meet Karl Linder, a representative from the Clybourne Park community association who attempted to convince the Youngers to NOT move into the home as he, as well as many others, believes racial integration would ruin property values for everyone else staying in the area. In CLYBOURNE PARK we meet the sellers, and then re-visit the house 50 years later during its next sale.

Today, April 15 (3pm EST), Pulitzer Prize Administrator Dana Canedy will announce the winners of the the 2019 Pulitzer Prizes, including the finalists and winners for the Pulitzer Prize for Drama. This announcement marks the 103rd year of the Prizes. For more information on this year's and all past years' winners and finalists, please visit http://www.Pulitzer.org.

It was just announced by Pulitzer Prize Administrator Dana Canedy that Jackie Sibblies Drury's Fairview has officially won the 2019 Pulitzer Prize for Drama.

DEAR ANITA BRYANT, a Readers Theatre stage play by activist and author Dr. Ronni Sanlo, is coming for one show only on April 7, 2019, at 7 pm to the Desert Rose Playhouse.

Theatre enthusiasts packed the Mountain View Center for the Performing Arts last night to hear Founding Artistic Director Robert Kelley and Executive Director Phil Santora of TheatreWorks Silicon Valley reveal the lineup for the company's 50th season, which launches this summer. Kelley's 50th and final season as Artistic Director of TheatreWorks Silicon Valley includes triumphant returns of TheatreWorks favorites, bold premieres developed at the company's annual New Works Festival, and celebrated works from the nation's leading playwrights.

Following last year's momentous 50th anniversary celebrations, The Isle of Wight Festival today announces the first artists for the 2019 event, which kicks off the British festival season on  13th - 16th June.