Megan Mikailovna Samarin News

Manfred Honeck will return to the New York Philharmonic to conduct a program of late Mozart works.

Houston Grand Opera (HGO) continues its series of holiday operas with the world premiere presentation of The House without a Christmas Tree by the widely admired composer/librettist team of Ricky Ian Gordon and Royce Vavrek, in the HGO Resilience Theater at the George R. Brown Convention Center. The opera is based on the uplifting story by Gail Rock and the beloved 1972 television film of the same name about a family that is healed by the holiday spirit. A precocious daughter struggles to understand her father's resentment of the holidays and longs for a beautiful Christmas tree like other families have, to make her house look happy. The opera includes a new setting of the carol Gather Around the Christmas Tree, sung by a juvenile chorus. Tickets for the new venue are available at HGO.org. Group discounts are available. Parking for HGO's performances will be available at the Avenida North garage located at 1815 Rusk Street, across from HGO's new venue. A sky bridge connects the parking garage to the GRB, and there is clear signage directing patrons to the theater. More information about parking can be found here.

Houston Grand Opera will open its 63rd season with a new production of Verdi's most romantic opera, La traviata, October 20 November 11 in the new HGO Resilience Theater at the George R. Brown Convention Center in downtown Houston.

Houston Grand Opera expands its commitment to broadening the audience for opera with a 2017-18 season that includes the first presentations of Leonard Bernstein's classic musical West Side Story by a major American opera house and the world premiere of composer Ricky Ian Gordon and librettist Royce Vavrek's holiday opera The House without a Christmas Tree. HGO will present its first performances in a quarter century of two iconic works: Richard Strauss's revenge-filled Elektra with virtuoso sopranoChristine Goerke in the tempestuous title role and 2016 Richard Tucker Award-winner and HGO Studio alumna Tamara Wilson in her role debut as Chrysothemis, under the baton of HGO Artistic and Music Director Patrick Summers; and Bellini's grand-scale tragedy Norma showcasing the debut of stellar dramatic soprano Liudmyla Monastyrska in the notoriously difficult title role, with 2015 Tucker winner and HGO Studio alumna Jamie Barton as Adalgisa.

In the fall of 1987, Houston Grand Opera's world premiere of Nixon in China made political headlines and galvanized the opera world. Thirty years later, John Adams's trailblazing opera returns in a new-to-Houston production that sheds light on the electronic media's role in political history, just as a new media-savvy American president takes office.

HGO's production of Gounod's FAUST puts the 'grand' in grand opera. The current production has all the bells and whistles - a timeless story, a top-notch cast, the costumes, sets and lighting of an all-out extravaganza. In short, it has everything the word 'opera' conjures up. And it's at the Wortham, all for you.

The Richard Tucker Music Foundation is thrilled to announce that soprano Tamara Wilson – whose “voice of steely beauty and great power” (Houston Chronicle) has already won international accolades – has been named as winner of the 2016 Richard Tucker Award. Dubbed the “Heisman Trophy of Opera,” the Tucker Award carries the foundation's most substantial cash prize of $50,000, and is conferred each year by a panel of opera industry professionals on an American singer at the threshold of a major international career. Featuring such luminaries as Renée Fleming, Stephanie Blythe,Lawrence Brownlee, David Daniels, Christine Goerke and Joyce DiDonato, the list of past winners reads like a who's who of American opera.

After an international search, Houston Grand Opera (HGO) has chosen three new singers and one new pianist/coach for the 2016-17 HGO Studio. The artists are Yelena Dyachek, soprano, the Ana Maria Martinez Encouragement Award recipient at Concert of Arias 2016;  Zoie Reams, mezzo-soprano, the second-place prize winner at Concert of Arias 2016;  Sol Jin, baritone, the Audience Choice Award winner at Concert of Arias 2016; and Peter Walsh, pianist/coach. One of the most respected and highly competitive young artist programs in the world, the HGO Studio provides comprehensive career development to young singers, pianist/coaches, and conductors who have demonstrated potential to make major contributions to the field of opera. The HGO Studio received applications from 475 artists; of those, about 275 were heard in auditions in Houston, New York, Philadelphia, Cincinnati, and Los Angeles. For singers, the audition process culminates in HGO's annual Eleanor McCollum Competition for Young Singers, held this year on February 4.

Houston, March 7, 2016—After an international search, Houston Grand Opera (HGO) has chosen three new singers and one new pianist/coach for the 2016–17 HGO Studio. The artists are Yelena Dyachek, soprano, the Ana María Martínez Encouragement Award recipient at Concert of Arias 2016; Zoie Reams, mezzo-soprano, the second-place prize winner at Concert of Arias 2016; Sol Jin, baritone, the Audience Choice Award winner at Concert of Arias 2016; and Peter Walsh, pianist/coach. One of the most respected and highly competitive young artist programs in the world, the HGO Studio provides comprehensive career development to young singers, pianist/coaches, and conductors who have demonstrated potential to make major contributions to the field of opera. The HGO Studio received applications from 475 artists; of those, about 275 were heard in auditions in Houston, New York, Philadelphia, Cincinnati, and Los Angeles. For singers, the audition process culminates in HGO's annual Eleanor McCollum Competition for Young Singers, held this year on February 4.

Houston Grand Opera (HGO) presents the world premiere of PRINCE OF PLAYERS by distinguished American composer Carlisle Floyd on March 5, 11, and 13, 2016. A chamber opera in two acts, PRINCE OF PLAYERS is a high-spirited period piece that examines the fluidity of sexuality and gender roles. Scroll down for a first look at the cast onstage!