Lauren Flanigan News

New York City Opera General Manager and Artistic Director George Steel today announced the company's 2010-2011 season, which spotlights American composers and 20th-century works within a mix of world premieres, New York premieres and new productions. Offering audiences the opportunity to experience new and rarely performed operas as well as modern interpretations of traditional repertoire, the 2010-2011 season will also feature the launch of a concert series showcasing the non-operatic works of several of the composers of this season's operas. Taking advantage of the possibilities offered by the recent renovation of the company's home, the David H. Koch Theater, the concert series expands the repertoire and programming of City Opera and casts new light on the season's productions.

New York City Opera General Manager and Artistic Director George Steel today announced the company's 2010-2011 season, which spotlights American composers and 20th-century works within a mix of world premieres, New York premieres and new productions. Offering audiences the opportunity to experience new and rarely performed operas as well as modern interpretations of traditional repertoire, the 2010-2011 season will also feature the launch of a concert series showcasing the non-operatic works of several of the composers of this season's operas. Taking advantage of the possibilities offered by the recent renovation of the company's home, the David H. Koch Theater, the concert series expands the repertoire and programming of City Opera and casts new light on the season's productions.

New York City Opera's General Manager and Artistic Director George Steel will moderate an in-depth roundtable discussion on what defines the opera and musical theater genres at the Gershwin Theatre on the set of Stephen Schwartz's acclaimed Broadway production WICKED. He will be joined by a panel of distinguished composers and playwrights including Stephen Schwartz, Rufus Wainwright (composer and performer), Adam Guettel (composer of FLOYD COLLINS and THE LIGHT IN THE PIAZZA), John Kander (composer of CABARET and CHICAGO) and David Henry Hwang (librettist for operas such as ALICE IN WONDERLAND and THE FLY, playwright of M. BUTTERFLY, book for FLOWER DRUM SONG, TARZAN and AIDA on Broadway). The discussion precedes the New York premiere of Schwartz's first opera SEANCE on a WET AFTERNOON, opening at New York City Opera on Tuesday, April 19.

New York City Opera General Manager and Artistic Director George Steel today announced the company's 2010-2011 season, which spotlights American composers and 20th-century works within a mix of world premieres, New York premieres and new productions. Offering audiences the opportunity to experience new and rarely performed operas as well as modern interpretations of traditional repertoire, the 2010-2011 season will also feature the launch of a concert series showcasing the non-operatic works of several of the composers of this season's operas. Taking advantage of the possibilities offered by the recent renovation of the company's home, the David H. Koch Theater, the concert series expands the repertoire and programming of City Opera and casts new light on the season's productions.

New York City Opera's General Manager and Artistic Director George Steel will moderate an in-depth roundtable discussion on what defines the opera and musical theater genres at the Gershwin Theatre on the set of Stephen Schwartz's acclaimed Broadway production Wicked. He will be joined by a panel of distinguished composers and playwrights including Stephen Schwartz, Rufus Wainwright (composer and performer), Adam Guettel (composer of Floyd Collins and The Light in the Piazza), John Kander (composer of Cabaret and Chicago) and David Henry Hwang (librettist for operas such as Alice in Wonderland and The Fly, playwright of M. Butterfly, book for Flower Drum Song, Tarzan and Aida on Broadway). The discussion, which will take place on April 10, precedes the New York premiere of Schwartz's first opera Séance on a Wet Afternoon, opening at New York City Opera on Tuesday, April 19.

On the last precipice of Civilization, the myth of Medea meets Thelma and Louise, Cavalli and Rebecca West in a multimedia mashup featuring soundscape by Kristin Worrall. medea and medea/for medea uses a variety of ancient and contemporary materials to establish new boundaries for storytelling and mythmaking in a world dominated by mediated images and information. It attempts to break down cultural and dramatic expectations and create space for audiences to experience moments and episodes of connection and recognition with unusual juxtapositions, beauty, and dissonance.

On the last precipice of Civilization, the myth of Medea meets Thelma and Louise, Cavalli and Rebecca West in a multimedia mashup featuring soundscape by Kristin Worrall. medea and medea/for medea uses a variety of ancient and contemporary materials to establish new boundaries for storytelling and mythmaking in a world dominated by mediated images and information. It attempts to break down cultural and dramatic expectations and create space for audiences to experience moments and episodes of connection and recognition with unusual juxtapositions, beauty, and dissonance.

On Tuesday, March 22, New York City Opera's spring season opening features Donizetti's The Elixir of Love in a revival of Jonathan Miller's production.

The Los Angeles Children's Chorus (LACC) showcases its elite Chamber Singers with four of its esteemed alumni - now celebrated emerging artists - at a special Holiday Salon Concert, conducted by Artistic Director Anne Tomlinson, on Sunday, December 19, 2010, 4 p.m., at the Dorothy Chandler Pavilion's Salon C.

The Los Angeles Children's Chorus (LACC) showcases its elite Chamber Singers with four of its esteemed alumni - now celebrated emerging artists - at a special Holiday Salon Concert, conducted by Artistic Director Anne Tomlinson, on Sunday, December 19, 2010, 4 p.m., at the Dorothy Chandler Pavilion's Salon C.

Tenor Paul Appleby is joined by pianist Brian Zeger for a solo recital as the winner of Juilliard's 14th annual Alice Tully Vocal Arts Recital Award on November 30 at 8 PM in Alice Tully Hall (Broadway at 65th Street). The program features Schubert's song cycle, 'Die schöne Müllerin', on poems by Wilhelm Müller.

New York City Opera General Manager and Artistic Director George Steel today announced the company's 2010-2011 season, which spotlights American composers and 20th-century works within a mix of world premieres, New York premieres and new productions. Offering audiences the opportunity to experience new and rarely performed operas as well as modern interpretations of traditional repertoire, the 2010-2011 season will also feature the launch of a concert series showcasing the non-operatic works of several of the composers of this season's operas. Taking advantage of the possibilities offered by the recent renovation of the company's home, the David H. Koch Theater, the concert series expands the repertoire and programming of City Opera and casts new light on the season's productions.

New York City Opera General Manager and Artistic Director George Steel today announced the company's 2010-2011 season, which spotlights American composers and 20th-century works within a mix of world premieres, New York premieres and new productions. Offering audiences the opportunity to experience new and rarely performed operas as well as modern interpretations of traditional repertoire, the 2010-2011 season will also feature the launch of a concert series showcasing the non-operatic works of several of the composers of this season's operas. Taking advantage of the possibilities offered by the recent renovation of the company's home, the David H. Koch Theater, the concert series expands the repertoire and programming of City Opera and casts new light on the season's productions.

During the 2010-2011 and 2011-2012 seasons, 33 U.S. opera companies both large and small and from coast to coast will perform works - including nine world premieres - by American composers, announced OPERA America, the national service organization for opera.

New York City Opera General Manager and Artistic Director George Steel today announced the company's 2010-2011 season, which spotlights American composers and 20th-century works within a mix of world premieres, New York premieres and new productions. Offering audiences the opportunity to experience new and rarely performed operas as well as modern interpretations of traditional repertoire, the 2010-2011 season will also feature the launch of a concert series showcasing the non-operatic works of several of the composers of this season's operas. Taking advantage of the possibilities offered by the recent renovation of the company's home, the David H. Koch Theater, the concert series expands the repertoire and programming of City Opera and casts new light on the season's productions.

Tenor Paul Appleby is joined by pianist Brian Zeger for a solo recital as the winner of Juilliard's 14th annual Alice Tully Vocal Arts Recital Award on November 30 at 8 PM in Alice Tully Hall (Broadway at 65th Street). The program features Schubert's song cycle, 'Die schöne Müllerin', on poems by Wilhelm Müller.

Kerry Butler, Deidre Goodwin, James Patrick Stuart and Tom McGowan will star in the NYMF 2010's Production of Pandora's Box - A New Musical Play with Music and Lyrics by Glen Roven, Book by Maria S. Schlatter, and Directed by Gary Halvorson and Wayne Cilento. The show will run at Theater St. Clements (423 West 46th) with performances on October 8, 9, 11, 13, 14 and 16th.

Following the success of last season's collaboration, New York City Opera and the Schomburg Center for Research in Black Culture present two new programs celebrating the African-American experience in great operatic repertoire and distinguished African-American artists who have enriched the opera world.

Kerry Butler, Deidre Goodwin, James Patrick Stuart and Tom McGowan will star in the NYMF 2010's Production of Pandora's Box - A New Musical Play with Music and Lyrics by Glen Roven, Book by Maria S. Schlatter, and Directed by Gary Halvorson and Wayne Cilento. The show will run at Theater St. Clements (423 West 46th) with performances on October 8, 9, 11, 13, 14 and 16th.

Today New York City Opera released full casting, creative team, and production details for the company's 2010-2011 season.