Jovan Jackson News

It wasn't the comedy of broadcasters who have absolutely no information to share but share it anyway that stayed with me, nor was it watching each of these characters disintegrate into their lowest common denominators as they desperately cling to order. It was instead in their attempts, on the last night of the world, to stay connected. They hold on to their microphones (quite literally) and to each other and their unseen audiences to their last coherent moment, 'speaking to keep loneliness at bay'.

Tamarie Cooper Directs The Catastrophic Theatre's Season Opener, TRAGEDY, A TRAGEDY 

The Catastrophic Theatre's production of FIRST SUBURB is utterly relatable and simply unshakable. From the open to the close, the show felt like a hug from an old friend. Set in the 90's, the show actively triggers your sense memory, and immerses audiences into the way-back-when. But like most memories of yore, things are seldom what they seem. FIRST SUBURB delivers an evening of levity and warmth. And on these cold winter nights, there is simply nothing better.

Horse Head Theatre Co. (HH) is proud to continue our 9th Season with a free staged reading of ADVANCE MAN by Abe Koogler at Comedy Sportz (2201 Preston St., Houston 77003) on Monday October 8, 2018 at 8pm, directed by Rachael Logue. Featuring a cast of eleven actors; modern dancers from Frame Dance, choreographed by Lydia Hance; live original music and foley sound by Alli Villines (Horse Head's We're Gonna Die); and live lighting by J. Mitchell Cronin; Horse Head continues their 2018 experiment for what a staged reading could be.

Horse Head Theatre Co. (HH) is proud to continue the 9th Season with a free staged reading of ADVANCE MAN by Abe Koogler at Comedy Sportz (2201 Preston St., Houston 77003) on Monday October 8, 2018 at 8pm, directed by Rachael Logue. Featuring a cast of eleven actors; modern dancers from Frame Dance, choreographed by Lydia Hance; live original music and foley sound by Alli Villines (Horse Head's We're Gonna Die); and live lighting by J. Mitchell Cronin; Horse Head continues their 2018 experiment for what a staged reading could be.

The Catastrophic Theatre continues its 2017-2018 season with the rolling world premiere of Leap and the Net Will Appear by Chana Porter, who two-time Obie Award-winning playwright and director Craig Lucas has called 'the most original and funny and touching and interesting young playwright out there at this moment.' The production will be directed by Porter's collaborator, NYC director Tara Ahmadinejad, and features original music by composer Andrew Lynch.

LEAP AND THE NET WILL APPEAR is an evocative theatrical experience, rooted in the intertwined existence of farcical and absurd characters, each seeking love, respect and/or money, and the most potent human driver: acceptance.

The Catastrophic Theatre kicks off its most ambitious season yet, with a new play by Houston favorite, Wallace Shawn (THE DESIGNATED MOURNER, MARIE AND BRUCE, OUR LATE NIGHT).

The Catastrophic Theatre kicks off its most ambitious season yet, with a new play by Houston favorite, Wallace Shawn (THE DESIGNATED MOURNER, MARIE AND BRUCE, OUR LATE NIGHT).

The Catastrophic Theatre has announced its 2017-2018 season, which is slated to be the theatre's most ambitious season yet. The new season includes three world premieres, an avant-garde classic, and more.

Much Ado About Nothing is Shakespeare's beloved comedy of love, languish and language, featuring the ongoing battle of words and wits between Beatrice and Benedick and the dangerous deeds of Don John.

SONG ABOUT HIMSELF is a linguistic fantasia set inside of the chatroom of a post-apocalyptic social network. This is intellectual sci-fi drama played on a sparse set and focused on how we connect as humans and machines. There are ghosts here on both sides of humanity's line, and language suffers the most as a result.

In a dystopian future, a corrupted and crumbling version of the Internet, now called "the Weed," allows human beings to communicate in only the most banal and fragmentary ways. A woman named Carol, perhaps the only person left able to string together a few coherent sentences in a world devolving into gibberish, joins YouSpake, a rogue social media site maintained by an enigmatic host/hostess. The secrets Carol uncovers will either reconnect her to humanity or destroy her heart.  

The Catastrophic Theatre presents Song About Himself by Mickle Maher, Today, November 11th - Saturday, December 3, 2016, playing Thursdays, Todays & Saturdays at 8 pm at The MATCH, 3400 Main Street.

In a dystopian future, a corrupted and crumbling version of the Internet, now called "the Weed," allows human beings to communicate in only the most banal and fragmentary ways. A woman named Carol, perhaps the only person left able to string together a few coherent sentences in a world devolving into gibberish, joins YouSpake, a rogue social media site maintained by an enigmatic host/hostess. The secrets Carol uncovers will either reconnect her to humanity or destroy her heart.  

The Catastrophic Theatre presents Song About Himself by Mickle Maher, Friday, November 11th - Saturday, December 3, 2016, playing Thursdays, Fridays & Saturdays at 8 pm at The MATCH, 3400 Main Street.

Bolstered by the vision of director Jacey Little and a talented cast that seems to revel in the meta-irreverence of Lamb's work, TEN WAYS ON A GUN is guaranteed to be one of the most unique offerings this summer -- certainly one not to be missed.

The Landing Theatre Company, Houston's professional company dedicated to advancing American Playwriting continues their season with Dylan Lamb's Ten Ways On a Gun, based on The Ballad of Tommy Freely conceived by Jessica Person & The Soul Motion Architects, that recently had a successful run off-Broadway this past October.

The Landing Theatre Company, Houston's professional company dedicated to advancing American Playwriting continues their season with Dylan Lamb's Ten Ways On a Gun, based on The Ballad of Tommy Freely conceived by Jessica Person & The Soul Motion Architects, that recently had a successful run off-Broadway this past October.

It's charmingly adolescent, and full of cock and pecker jokes which feature prominently in this lark of a piece. Who knew Greek comedy could be so broad and bawdy?