Joan Sutherland News

59E59 Theaters welcomes terraNOVA Collective with the NY premiere of UNDERLAND, written by Alexandra Collier and directed by Mia Rovegno. UNDERLAND begins performances on Friday, April 3 for a limited engagement through Saturday, April 25. Press opening is Saturday, April 11 at 8:15 PM. The performance schedule is Tuesday - Thursday at 7:15 PM; Friday & Saturday at 8:15 PM; and Sunday at 3:15 PM. Performances are at 59E59 Theaters (59 East 59th Street, between Park and Madison Avenues). Tickets are $25 ($17.50 for 59E59 Members). To purchase tickets, call Ticket Central at (212) 279-4200 or go to www.59e59.org.

DALLAS, FEBRUARY 20, 2015 – The Dallas Opera is preparing to whisk audiences away to the Latin Quarter of Paris for the blockbuster opera of the season: Giacomo Puccini's 1896 masterpiece, LA BOHÈME, based on Henri Murger's newspaper serial-turned-novel, Scènes de la vie de bohème.

Opera Australia's new interpretation of FAUST is a delicious mix of hedonism, debauchery, desire and despair.

I am taken back to the first Opera I saw as a kid and the pomp and circumstance with wearing a tux and walking to the lavish theatre; this was when I fell in love with classical music. Often times we hear opera and other classical art forms are inaccessible to the people, but Houston Grand Opera's English translation of Mozart's THE MAGIC FLUTE (Die Zauberflote) proved that opera isn't a stuffy, highbrow art form for the bourgeois. THE MAGIC FLUTE premiered on September 30, 1791 at Emanuel Schikaneder's theatre, the Freihaus-Theater auf der Wieden in Vienna, and Mozart conducted the orchestra. The MAGIC FLUTE often referenced as a singspiel, is an opus with spoken dialogue which lends itself to the elements of classical musical theatre. The heart of this new work was an excerpt from the oriental genie tales collected by poet Christoph Martin Wieland but transitioned to have Masonic elements from the novel Sethos by Abbe Jean Terrasson.

I don't know when the next time the Met is planning to bring back Tchaikovsky's final opera, IOLANTA (libretto by his brother Modest) into its repertory, but they should, and quickly. And if you have the opportunity, run to see it as fast as you can. It's not often that the Met puts on a opera and production so compelling and glorious to watch and hear.

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Moffatt Oxenbould's (Director) staging of MADAMA BUTTERFLY is revived by Matthew Barclay (Revival Director) to share this doomed love story with new audiences. Whilst other operas presented by Opera Australia in their 2015 season have been re-imaginings, changing locations and eras, MADAMA BUTTERFLY has been left in its early 1900's time-period and house on a hill in Nagasaki setting.

Opera Australia brings Puccini's classic TOSCA to life with John Bell's (Director) resetting which takes the story from the Neapolitan occupied Rome of 1800 during the French Revolutionary wars to Nazi occupied Rome 1943 during World War II.

East meets West in Vivaldi's The Four Seasons, 9 - 23 February, with the Australian Chamber Orchestra, featuring Joseph Tawadros.

Opera Australia presents a powerful, emotion charged re-imagining of Puccini's LA BOHÈME which proves once again that this love story remains relevant, regardless of which century it is set.

Opera Australia brings back Julie Taymor's modern interpretation of THE MAGIC FLUTE, for the 2015 Summer Season. Translated to English by J D McClatchy, this version, originally created for the Metropolitan Opera of New York in 2005 gives the 18th Century story of the education of mankind a modern pantomime treatment.

In light of the situation in the CBD today, the Sydney Opera House has decided to cancel tonight's performances. This is to minimise pressure on transport networks and to provide as much notice as possible to staff and patrons.

Lyric Opera of Chicago presents the Tudor tragedy ?Anna Bolena by Gaetano Donizetti (1797-1848) in a new production conducted by Patrick Summers and directed by Kevin Newbury. It opens on Saturday, December 6 with 8 performances through Friday, January 16. Performance dates are Dec. 6, 9, 15, Jan. 7, 10, and 16 at 7:30pm; and Dec. 12 and 21 at 2pm.

Lyric Opera of Chicago presents the Tudor tragedy Anna Bolena by Gaetano Donizetti (1797-1848) in a new production by Kevin Newbury conducted by Patrick Summers. It opens tonight, December 6 with 8 performances through Friday, January 16.

Today, November 21, the Metropolitan Opera Guild's 80th Annual Luncheon presents 'Brava, Jessye!' to salute the legendary Jessye Norman, who recently wrote about her life in a memoir titled Stand Up Straight and Sing!

Lyric Opera of Chicago presents the Tudor tragedy Anna Bolena by Gaetano Donizetti (1797-1848) in a new production by Kevin Newbury conducted by Patrick Summers. It opens on Saturday, December 6 with 8 performances through Friday, January 16. Performance dates are Dec. 6, 9, 15, Jan. 7, 10, and 16 at 7:30pm; and Dec. 12 and 21at 2pm.

Five hundred amateur singers in 15 choirs from Spanish, Vietnamese, Italian, Arabic, French, Chinese, Portuguese, German and Korean communities around Sydney, will join together and perform as one tonight 1 November - the culmination of Opera Australia's Community Choirs project for 2014.

The great mezzo Joyce DiDonato stripped for her art at Sunday's wonderful performance of Handel's ALCINA with the English Concert under conductor Harry Bicket. For the first act, when she was still at the height of her powers as a sorceress, she came out in a gorgeous black and gray gown with the puffy sleeves she favors. Act II, she lost the sleeves but not the attitude, as her power waned. For the final act, powerless, she lost her petticoat and showed some leg. Oh yes: She sounded glorious all the while.

In response to overwhelming demand, Opera Australia will this year host a second sensational dinner party for guests attending its New Year's Eve celebrations at Sydney Opera House. Tickets are now on sale as part of NYE packages - the ultimate black tie event to celebrate the New Year.