Isabella Nefar News

Lockdown Theatre will present WELCOME TO IRAN on BBC Radio 3, at 7.30pm, on Sunday 11th April 2021. Ava (Maimuna Memon) is a twenty-something dual heritage, British Iranian. Following the death of her estranged Iranian father, she journeys to Iran in search of his past and to connect with her family.

Theatre Royal Stratford East today announces the cast for Welcome to Iran, a new play written and directed by Artistic Director Nadia Fall and co-produced with the National Theatre. The production has its world premiere at Theatre Royal Stratford East between 18 April to 16 May before transferring to the National Theatre from 21 May to 13 June. The cast includes Moe Bar-El, Nalân Burgess, Souad Faress, Karina Fernandez, Nicholas Karimi, Serena Manteghi, Maimuna Memon, Isabella Nefar, Kareem Samara and Joplin Sibtain.

The National Theatre today announces nine productions that will play on the South Bank in 2020-2021 alongside previously announced shows. These run alongside our international touring productions, three plays that will tour to multiple venues across the UK and a West End transfer. The NT also announces today that it will increase the quantity of low-price tickets on the South Bank by 25%, with 250,000 available across the year at £20 or less.

This is Edward Hall's last production as Artistic Director. After almost 10 years he is stepping down to make way for pastures new. Before he joined the Hampstead was under threat of closure, as it scraped close to bankruptcy. Nowadays, it has established itself as one of the leading new writing venues, premiering over hundred plays - some of them proving to be a massive hit.

Hampstead Theatre presents the world premiere of Howard Brenton's latest play Jude, directed by Edward Hall which will be the last production that Edward will direct during his tenure as Artistic Director of Hampstead. Loosely inspired by Thomas Hardy's novel Jude the Obscure, Jude is a modern day tale of unexpected genius and of our struggle to accommodate extraordinary talent.Isabella Nefar stars as Jude alongside Paul Brennen, Merch Husey, Caroline Loncq, Luke MacGregor, Shanaya Rafaat, Anna Savva and Emily Taaffe.

London is never short of temptations, whether splashy West End shows, epic dramas or bold fringe offerings. From timely plays to the beginning of open-air theatre season, here are some of this month's most eye-catching openings. Don't forget to check back for BroadwayWorld's reviews, interviews and features!

Hampstead Theatre presents the world premiere of Howard Brenton's latest play Jude, directed by Edward Hall which will be the last production that Edward will direct during his tenure as Artistic Director of Hampstead. Loosely inspired by Thomas Hardy's novel Jude the Obscure, Jude is a modern day tale of unexpected genius and of our struggle to accommodate extraordinary talent. Isabella Nefar stars as Jude alongside Paul Brennen, Merch Husey, Caroline Loncq, Luke MacGregor, Shanaya Rafaat, Anna Savva and Emily Taaffe.

Hampstead Theatre presents the world premiere of Howard Brenton's latest play Jude, directed by Edward Hall which will be the last production that Edward will direct during his tenure as Artistic Director of Hampstead. Loosely inspired by Thomas Hardy's novel Jude the Obscure, Jude is a modern day tale of unexpected genius and of our struggle to accommodate extraordinary talent.

Ali Barouti, Ishia Bennison, Carlos Chahine, Amir El-Masry, Souad Faress, Amer Hlehel, Ethan Kai, Khalid Laith, Adnan Mustafa, Isabella Nefar, Farshid Rokey and Sirine Saba have been cast in the world premiere of Goats, written by Liwaa Yazji and translated by Katharine Halls.

National Theatre has announced today the new season for June 2017 - January 2018. Take a look at the shows coming to the theatre!

Salome, that dancing seductress who demanded the head of John the Baptist, has been reclaimed by Yael Farber in this new feminist interpretation (the RSC stages Oscar Wilde's more familiar take next month). Or at least that's the intention, but Farber's production sacrifices the personal for the mythic - ironically once again losing the girl history erased in a storm of overblown symbolism.

The story has been told before, but never like this.